The Wolf Man

PROLOGUE — A BODY IN THE DARK

Los Angeles, night.

LAPD Officer Christian Cutter arrives at a remote canyon road where a body has been torn apart. The victim is Ben Talbot—face partially gone, ribcage cracked open, organs scattered as if by animal instinct rather than hunger.

There are no claw marks consistent with known predators. Only bite impressions too human to be a wolf.

Christian doesn’t know yet that this case will end his life as he knows it.

ACT I — THE FUNERAL OF A FRIEND

Ben Talbot is buried beneath a cloudless sky. His brother, Lawrence Talbot, barely stands upright. Grief has hollowed him out. He hasn’t slept. He doesn’t remember the last night he saw Ben.

Gwen, Christian’s fiancée and Ben’s closest friend, mourns quietly—her grief controlled, stitched together like the dresses she makes in her shop.

After the funeral, Lawrence visits Gwen to check on her. Their shared grief feels heavier than words.

A package arrives at the shop. Inside: a hand-carved wooden wolf’s head, its eyes hollow, mouth frozen mid-snarl. A symbol. A warning.

Forensics confirms Ben’s death as a wolf attack. Christian doesn’t believe it.

ACT II — THE HUNT

Christian convinces Lawrence to help him track the animal responsible. It’s late. The forest is silent in a way that feels staged. Branches crack behind them. Footsteps circle. They aren’t alone.

Gwen steps out of the shadows—she refuses to stay behind. She wants answers. She wants justice.

The attack comes without warning. The wolf explodes from the darkness—massive, malformed, standing briefly on hind legs before lunging. The fight is violent and chaotic. Lawrence is knocked down, mauled, bitten deep into the shoulder, flesh torn to the bone.

Christian fires a tranquilizer dart into the creature’s neck. It collapses. Barely.

They get Lawrence to the hospital just in time. Doctors say he will live. No one asks what he’ll become.

ACT III — THE CURSE SPOKEN ALOUD

The next day, Gwen is visited by Maleva, a Romani fortune teller whose eyes reflect too much knowledge.

Maleva tells her the truth without ceremony: The wolf that killed Ben is her son, Bela, cursed long ago.

Whoever survives a werewolf’s bite becomes one. There is no cure. Only restraint.

Gwen rushes to find Christian, who is off-duty. When they reunite, the sky is already whitening.

That night, under a full moon, they race to the hospital.

Lawrence’s room is empty. Then screaming erupts down the hall. Blood coats the walls. Bodies are shredded. Limbs bent backward. Security cameras capture only motion blur and shadows.

Paw prints—wolf-sized—trail through the hospital and out the front doors.

Christian calls in backup. The massacre is written off as a drug-fueled killing spree. The truth is buried.

ACT IV — THE MAN AFTER MIDNIGHT

Christian finds Lawrence the next day beneath a freeway overpass. Naked. Bloody. Confused. Lawrence remembers nothing. Christian tells him everything. Lawrence breaks.

Night falls again. The full moon rises. Lawrence’s transformation is slow and excruciating—bones snapping, skin tearing, jaw elongating, teeth forcing their way through gums. His screams turn into howls. The Wolf Man is born.

Police scanners light up with reports of destruction—cars overturned, houses torn open, people mauled.

Christian and Gwen arrive at a quiet suburban street. The Wolf Man is tearing into a familiar house—the Toretto house featured in the Fast & Furious movies, reduced to splinters.

Gwen steps forward, pleading. For a moment, Lawrence hesitates. Then the beast takes over completely.

Christian shoots him in the arm with silver-laced ammunition. Lawrence collapses—transforming back, broken and sobbing. He begs Christian to kill him. Christian cannot. Instead, he arrests him.

ACT V — THE CAGE

Lawrence is committed to a high-security asylum, his cell lined with silver mesh and reinforced steel. Every full moon, the screams echo through the halls. The curse remains.

Weeks pass. Christian and Gwen marry on a beach at sunset. Smiles are forced. Happiness is fragile.

Among the guests are Rachael Hawkins and Tyler Holt, quietly observing. They take photos—not for memories, but for identification. Van Helsing has ordered confirmation.

In his cell, Lawrence watches the wedding on an iPad. As Christian and Gwen kiss, Lawrence throws back his head and howls.

POST-CREDITS SCENE — THE NEXT SIN

Back at the abandoned hospital, Christian helps oversee cleanup.

Behind a fallen cabinet, he finds a leather-bound notebook, stained with old blood. Inside are diagrams of human anatomy stitched together unnaturally.

A name is written on the first page: Victor Frankenstein.

The dead are not done with the living.





Based on: The Wolf Man by Curt Siodmak
The Wolf Man design is not mine, it is dudebrah's.