Site Header

Deviation Actions
Description
PROLOGUE — LIFE AFTER SURVIVAL
Concord, California.
Normal life feels fake now. Derrick Holloway finishes catching up on missed schoolwork as the second semester nears its end, but nothing about football, homework, or Friday nights feels real anymore—not after Florida, not after watching Rachael Hawkins die and come back. He wants back in.
Rebecca notices the change immediately. Derrick finally tells her the truth: monsters are real, they don’t stay buried, and the world only looks safe because people like them step up when it isn’t.
Concord has changed too. Since the Frankenstein incident, the city has become quietly vigilant. Floodlights. Patrols. Preparedness masquerading as normalcy.
Meanwhile, across the ocean—
ACT I — THE MAN WHO WOULD NOT LET DEATH GO
London.
Victor Frankenstein has renounced his creation publicly, retreating from science in shame. Privately, he still believes the secret of life is within reach. His fiancée Elizabeth senses something is wrong when Victor’s former mentor, Dr. Septimus Pretorius, arrives unannounced.
Pretorius has not abandoned Victor’s work. He has refined it. He demands Victor’s help in creating a mate for the Monster.
Victor refuses. Pretorius smiles. Refusal is not an option.
Pretorius begins cultivating an artificial brain, while Victor is coerced into acquiring body parts—hands shaking with every incision. Victor knows the Monster better than anyone. He knows this will end badly.
ACT II — A MONSTER WHO LEARNS
The Monster has escaped. London becomes a hunting ground.
He saves a young shepherdess from drowning, only to be shot by terrified men. A mob forms. He is captured, chained, dragged to a supermax facility.
He breaks free. Guards die. He flees into the wilderness.
He burns his hand in a campfire by accident. He recoils—not in rage, but confusion. Drawn by violin music, the Monster encounters a blind hermit, who believes God has sent him a companion. The hermit teaches him words: friend. Good. They eat together.
For a moment, the Monster is almost human.
Then hunters arrive. The cabin burns. The hermit is dragged away screaming. The Monster runs again—until he sees Pretorius’ henchmen, Karl and Ludwig, robbing graves. Pretorius finds him. And promises him something impossible.
ACT III — THE BOY CALLED IN
Back in Concord, Derrick comes home early.
Victor Frankenstein is sitting at his parents’ table, calmly drinking tea. Victor tells Derrick everything. Pretorius is forcing the creation of a Bride. Victor needs help stopping it from within.
Four days. Derrick emails his teachers, citing a family emergency. Victor, disturbingly fluent in the coursework, completes and prints Derrick’s assignments. Rebecca delivers them without question. Derrick and Victor leave for London.
ACT IV — A WEDDING AND A LIE
Victor and Elizabeth marry quietly. Derrick photographs the ceremony on his phone. He sends a photo to Layla Connor, asking if she recognizes Elizabeth’s dress. No reply.
The day after the honeymoon, Pretorius arrives. He is ready. Victor and Derrick refuse again.
Pretorius signals the Monster. Elizabeth is kidnapped.
Pretorius promises her safety—if they comply.
Victor caves. So does Derrick. The Bride’s body is completed.
ACT V — SHE IS ALIVE
A storm consumes the tower laboratory. The Bride’s bandaged body is hoisted into the sky.
Lightning strikes. Electricity courses through flesh never meant to live. She gasps. Her eyes open.
“She’s alive,” Victor whispers in horror and awe.
Pretorius proclaims her triumphantly: “The Bride of Frankenstein.”
The Monster descends the stairs, having killed Karl and Ludwig above. He reaches out. “Friend?”
The Bride screams. She recoils in terror and revulsion. The Monster’s face collapses. “She hate me… like others.”
Elizabeth escapes to Victor’s side. Derrick raises a gun on Pretorius.
The Monster turns—not in rage, but clarity. He knows now. He was never meant to be loved.
ACT VI — WE BELONG DEAD
The Monster destroys the lab.
He reveals Victor’s sabotage and Derrick’s role in it.
To Victor, Elizabeth, and Derrick, he says: “You go. You live.”
To Pretorius and the Bride: “You stay. We belong dead.”
As the others flee, the Monster pulls the lever. The tower collapses in fire and lightning. The Monster weeps as he dies.
EPILOGUE — BACK TO THE MASK
Victor, Elizabeth, and Derrick testify. The truth is buried. Victor is cleared.
Derrick returns to California. Back in Concord, Rebecca tells Derrick they’ve been nominated for Junior Prom / Senior Ball.
Layla finally replies. She’s never seen a model like Elizabeth before.
At prom, Derrick and Rebecca win Prince and Princess. They smile. They dance. They pretend they don’t know how fragile the world is.
POST-CREDITS SCENE — THE COLLECTION GROWS
At the House of Horrors Museum, a new exhibit opens. Behind glass:
Frankenstein’s hand
The Bride’s hand
Artifacts cataloged. Warnings ignored.
Derrick’s phone buzzes. A text from Tyler Holt:
“Need you. Ballet dancer. University of Colorado Boulder. Something’s wrong.”
Based on:
Bride of Frankenstein by William Hurlbut
Frankenstein created by Mary Shelley







































