Livia didnīt expect those fast driving bavarian bikers. This pic is from her set #18 on girls-mag.de: [link]
Hey Val, would love to learn how you managed the lighting for this one? Excellent and very provocative shot! Thanks!
In my work the lighting is always natural - no flashes, no sunbounces. This capture was lightened by the big wall behind me, that reflected the afternoon sunlight to the model.
Great Pic!
Great capture. I guess the bavarian bikers missed out. If only they'd slowed down and enjoy the view.
Let's hope they have internet access too
Let's hope they have internet access too
Not sure about the expression in this picture but wow she's got lots of potential! Beautiful model.
Here is an example. Summer! People! Bicycles! And the best main part - Girl!
Girl directed forward but looking behind with attention. The neverending question about life is "Why?". This photo exactly implodes this question - whole attention is gathering into Her. Girl in dress Who makes me wonder about copper getting patina from the basement - colors connected with earth, travel and compassion. As I see now - travel the most!
As Freddie Mercury used to sing "I want to ride my bicycle bicycle bicycle" - Val-Mont shows us this icon again in XXI century... in great, original (cause natural) style.
Visually everything is perfect... contrast keeps foreground as most important - it's soothing for eyes. Steel-gray background tells unconsciously that this photo is very colorful in hidden meaning. Technically I love one thing - other bikers have been shown with no heads. It makes total acceleration of captured "move" Living in The "Ray of Light".
Still - maybe it was common same as usual day but if you stop for a while like Girl from this picture - maybe You would see more details around You.
These are mine feelings condensed into one honest critique. I wish myself to see more magnificent photo captures like this one soon and in higher resolution.
The Artist has requested Critique on this Artwork
Please sign up or login to post a critique.