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UnsolicitedDecadence

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Deviation Spotlight

Artist // Hobbyist // Varied
  • Sep 23
  • United States
  • Deviant for 11 years
  • He / Him
My Bio
unsolicited decadence (n): any conscious act of amoral or audacious conduct, often rooted from preoccupation in luxury or social status.


Hello. My name is Matthew Tuerffs. I'm a writer and artist, whose work can either give you insight or stand for itself. While I have separate folders for photos or fanart, everything else is created and owned solely by me. If you will be on your best behavior, I shall be your guide in a menagerie of wonders--at least by my standards.

Please feel free to drop a comment on any of my deviations or on my homepage. I'd appreciate feedback on my work.

"I tell the stories, I tell the truths, come to me with an interest ruse."
--Matthew Tuerffs

Favourite Visual Artist
Jules Feiffer, Gilbert Hernandez, Hayao Miyazaki, Tim Burton, Eiichiro Oda, Hiro Mashima, Yoichi Kotabe, Genndy Tartakovsky, Craig McCracken, Gary Panter, Lane Smith and Jhonen Vasquez
Favourite Movies
Ponyo, My Neighbor Totoro, Bill and Ted's Bogus Journey, Edward Scissorhands, Raiders of the Lost Ark, Who Framed Roger Rabbit, Koyaanisqatsi, The Untouchables, 2001: A Space Odyssey and O Brother, Where Art Thou?
Favourite TV Shows
World Masterpiece Theater, The Powerpuff Girls, Adventure Time, Steven Universe, Lucky Star and Invader Zim
Favourite Bands / Musical Artists
Phil Collins, Green Day, Pyotr Tchaikovsky, Philip Glass, Wolfgang Amadeus Mozart, James Horner, Brian Eno, Miles Davis, Herbie Hancock, Frank Zappa, Michael Tavera, Ellen Taafe Zwilich and Gregor F. Narholz
Favourite Books
The Shining, Cerebus, One Piece
Favourite Writers
Stephen King, Alan Moore, John Steinbeck, Shel Silverstein, Neil Gaiman, Douglas Adams, Grant Morrison, Mamoru Oshii, Satoshi Kon, Amy Keating Rogers, Mark Millar, Paul Dini, Greg Weisman, Chiaki J. Konaka, Takeshi Shudo, Rebecca Sugar and Kurt Vonnegut
Favourite Games
Super Smash Bros. (N64)
Favourite Gaming Platform
Nintendo 64
Tools of the Trade
Bristol Board, pencils, nib pens, Super Black India Ink, and markers
On April 16, I have an appointment to confirm registration for a Real ID. Yesterday, Dad and I went through the process of filling out a DMV account and putting in the necessary information to register for my ID, and we now have the necessary paperwork to allow for my ID.
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Update on oral health status: This afternoon, I had a filling with my dentist on the canine tooth I had a root canal on. After tonight, I can eat, brush and floss normally again at last. A real relief...
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Just got home from my first root canal. I may be indisposed until further notice.
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Profile Comments 848

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Incidentally, TubiTV has the original Baby-Sitters Club sitcom which I watched when I was still very young.

I also watched it when it reran on Disney Channel in the late '90's, and only have snippets of memories of it.

I’m sorry for what I said earlier on my Studio Ghibli post. I understand why you prefer subs over dubs, but personally I prefer the dubs because subtitles don’t always do the nuance of speech justice, in my opinion. There are a lot of contextual cues in Japanese—tone, pauses, inflection—that simply can’t be fully translated into text, and watching with subs can feel stiff or emotionally flat to me.


With dubs, I can better understand the emotions, how the characters feel, and it makes the story more accessible for me. And if I do want to watch in Japanese, I’d rather watch it without English subtitles so I can focus on the vocal performance, tone, and context without stiff text getting in the way.


Miyazaki himself approved the English dubs and has said he wants people to experience his films in their own language so they can focus on the animation. And if there’s one thing Ghibli dubs are known for, it’s that they don’t cut scenes—there’s a reason Miyazaki sent Harvey “No Cuts” Weinstein that katana, and why he hated the butchered Warriors of the Wind version of Nausicaä.


I’d rather support both the English and Japanese dubs, because they both feel authentic in their own ways. As Ashitaka said, “I see with eyes unclouded by hate.” I respect your opinion, and I hope we can avoid gatekeeping over how people choose to experience these films.

Like I said when you posted the first time, I do see your point, and while I still would rather remember the films of Ghibli as Japanese artworks and as such honor their history, culture and language, I might choose to watch future anime from other creators in English for the same reason Miyazaki has said for his films. I'm willing to learn from other people's experiences and be flexible.


Who knows? You could be right, and the English cast might prove just as potent and authentic in tone, inflection and realness as a Japanese one.

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