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Track 4 from Op. 54 by Thanateros87 Track 4 from Op. 54 :iconthanateros87:Thanateros87 0 0 Cafe Earthbound Paradigm from Op.54 by Thanateros87 Cafe Earthbound Paradigm from Op.54 :iconthanateros87:Thanateros87 1 0 Transfer of the Essence by Thanateros87 Transfer of the Essence :iconthanateros87:Thanateros87 0 0 raindance round 2 by Thanateros87 raindance round 2 :iconthanateros87:Thanateros87 0 0 Op.54 by Thanateros87 Op.54 :iconthanateros87:Thanateros87 0 0 T4 reading by Thanateros87 T4 reading :iconthanateros87:Thanateros87 0 0 raindance :notes: by Thanateros87 raindance :notes: :iconthanateros87:Thanateros87 1 0 //raindance by Thanateros87 //raindance :iconthanateros87:Thanateros87 0 0 object of influence by Thanateros87 object of influence :iconthanateros87:Thanateros87 0 0 North And Peppers by Thanateros87 North And Peppers :iconthanateros87:Thanateros87 0 0 sacrifici by Thanateros87 sacrifici :iconthanateros87:Thanateros87 1 0

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Op series were an array of binaural data, hyper-ritual signals, art-zip therapy talks and experimental audio poems. Curated and produced by the directors of the Amanita Foundation, the series, consisting of 69 episodes were perceived as pseudoscience when they first came out around the late 90s and early 2000s.


The Amanita Foundation (found circa 1978) was a British techno-occultist multi layered organisation with public and covert operations worldwide. They were mainly acting as a nomadic technoculture performance space, working with various artists, musicians and scientistsThe Op series are a set of binaural recordings containing different material ranging from audio poems to cyber memory design sessions. 

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Thanateros87
T̸̡̛̛̙̜̹̺̹͙͇̤̹̜͔̃̅̾̉T̶̆́͛̓͒̈̈́̄̄̕
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Op series were an array of binaural data, hyper-ritual signals, art-zip therapy talks and experimental audio poems. Curated and produced by the directors of the Amanita Foundation, the series, consisting of 69 episodes were perceived as pseudoscience when they first came out around the late 90s and early 2000s.


The Amanita Foundation (found circa 1978) was a British techno-occultist multi layered organisation with public and covert operations worldwide. They were mainly acting as a nomadic technoculture performance space, working with various artists, musicians and scientistsThe Op series are a set of binaural recordings containing different material ranging from audio poems to cyber memory design sessions. 

Track 4 from Op. 54
text from Tanya Berger's 2002 improv audio-poem "Track 4"

What happens next will shock you


Eggs

Lemon salt

toilet paper

diet coke

bleach

bacon

hair cut


a world full of opportunities 


dog with mask


Watching invader zim, listening to venetian snares.

Candy camera



digital print, natural sand texture gel, acrylic and glossy gel medium on canvas, custom stretched pvc pį̸̨̨̡̡̗̠̫͖̖̳̝̘̘̲̫̖͕̮͉̣͕̙̲̹̩͎͑̅̓͑̔̎̐̇̓̽̀̒̅̊͌̿͂͛̓̀́̒̐͝͠͝p̷̲̾͒̔͂̾̄̾̄̿͌̔́̇̅̂̈̀̑̕͠ę̷̛̗̦̮̣͕͇̻̞͖͔̖͉̘̰̟̖̪̩̣͚̃̀̄̂͛̊̾́͊̅̋̀͌̂̀̂̃̌̂̈̋͆͆̐̋͊̇̚͘͠͝͠͝ş̸̲̲͕̰̩̪̞̬̹̉̋̎́̌͊̃̓͐̀͒̉̿̎͐̓̾̌̎̎͗͘ and steel hex bolts, 130x130cm


I am laying eggs 


My bank account 

Institutional budget 

Everyone else



Have u been operated on in the last 15 years?

Have u been operated on in the last 15 years?

Hey? hey?

Have u been operated on in the last 15 years?
Have u been operated on in the last 15 years?



Transcendent Jonny depp


Watch the city from the balcony 

The air is sweet with toxins 

The summer breeze 

Smell of hormones 


Ill never stop working


A hint of dried egg yellow 

Big Bang theory theme song 

A Fish painting on a canvas inside an aquarium


My dad


If we lose the insects then everything is going to collapse.


Cable ties

Sharpie

Exacto knife

Duck tape 



I'm laying eggs.



On the TV Ellen DeGeneres shows her audience this new invention from Japan, a vase like thing with both ends open. Its something to shout into and it mumbles your scream. 

“I wish I had that on election night” she says. 

“I wish I had that on election night”

Crowd loves it, laughing ecstatically. 

Later she’s dancing with a plush mannequin to a slowed down version of  “Rock Your Body”. 

Crowd goes “Aww”


I'm laying eggs.


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Cafe Earthbound Paradigm from Op.54

excerpt from Jamal Nifo's 1997 spoken word audio session called "Cafe Earhbound Paradigm"

(...) I am Jack’s sense of humour. Two babies walk into an abortion clinic. One baby says to the other, “What did the tree do when the bank closed?” The other baby is silent, standing there firm and unimpressed by the beginning of the joke… 

“It started it’s own branch” says the baby waiting̶̳̲̣͎͒̿̒̏͂̉̉͊̀̉̓́͛̐̐͑́͌̕͝͝͠ ̷̨̡̛̖̼̠̳̠͙̞̝̥̗̗͙͎̮͔͓͇̖̻̙̥̘̟̳̗̹͕̱̣͗̕͜ͅf̵̙̼̺͚̼͗́̓͛͂̉̏̆̒̎̋̿̔̀̓̃͐͐̕͜͜͝͝͠͠ơ̸͔͓͖̯̗̪͉̻̳̺͛̅ͅr̷̟͉̊̓͐̇̀͛̎̄̆̐̌̊̓̚͘͜͝ ̸̨̢͈̝̩̼͓̠̪̫̣̘̣̬͚̰̘̐͛̇̐͗̆̂̔̈́͆̈́̊͌̑͛̈́͗̽̿̑̿̽̈͘͘̚͘̚͝͠͠͝ͅl̵̝͇̮͉̹̐̌̈̄́͆̕ą̵̧̧̦̲͓̰͇͖̩̣̠̥̹̼͙̳͕͚͇͉͉͖̻͙̳͖͔̺̪̰̮̟͖̑́͆̔͐̽́̍̉̀̽̈͆̋̋̓͐͐͘͘͘͘ư̴̛̛̪̩̱͉͒͌̊̏͛͆͆̀̊̍̒̐̃̈̉̇͋̚͠g̶̢̛̛̻̹̯̘̗͍͖̟͓͕͐̃́̓̑͑̋͌̊̌͑̎̒̌̐͐̀̈́́͌̔̓͑̇̀̈́̀͋͗ͅḩ̵̢̡̜̬̠͓͖̫̮̝̪̣͎̮͎͍̱̺͙̣̞̳͆̈͒̋͑̀̊́́̎́̒̇͋̿̈́͐̓̃̏͌͆̐̀̽̓͂́̽̕͘͝͠͠s̶͍̳̻̩͎͔̀͗͆̉̉̈̓͌͆͐̈̐͆́͒͑͑͌̑̕͝͝ ̸̢͙̥͉̥̪̭͙̘͎̝̳̹̺̺͙̘͈̬̘̘̮͗̽̆̏̌̉̈̇͗͒̔̕͜ͅͅf̵̢̗̘͕̙͕̬̣͚̉̏͊̈̈́̉͌̀͒̊̎̿͘͝͝ŗ̴̧̨̛͚̲͖̥̥̤̳̬̫̥̳̜̬̣͎͔̫̰̯͇̥̰̮͕̑͐̍͊̆͌̃̍́̒̐̈̔̿̈̓́̏͊̃͘̕͜͝͝͝ȏ̵̡̡̢̧̠̭͓̻̫̬͍͍̖̲̫͉̥̹̈́̄́̉͒̽̿̈͌͆̀̀̚͜͜͝ͅm̵̢̞̲͈͈̜͖̜̬̗̈́̈́̾̂̒ ̴̨̺̮̪̜͎͖͍̩̤̘̖̗̙͔̭̽̆̓̚the other baby but she’s still silent.

The other baby says “I didn’t get it” 

“I don’t feę̷̨̧̢̛̲̬̤͕̥̙̝͍͓͙̰̬͍̘̳̪̟̦̻͆̈́̐̋̆͐̄̓͆̓̈́͒̎̽́̒̋̑̊͂́͌͆͐͜͝͝͝ͅļ̷̰̞͚͉͓͉̞̜̣̹̤͈͓̺̹̤̪͇̹̲̣̥͂͒̓͆̈́̈͆̆͋̀̉̐̽̐̇̔̆̃̚͘͘͘͘̕̚͝͠ͅͅ ̵̢̛̟̭̙̖͔͚̩̼͙̲͎̣̖̱̤̭͍̰̺͍̩̯̻̱͚̝͖͙̱͈̇̀͆͗̊̾̊̐̒̆̕͜͜͝͠c̸̢̧̢̡̧̮̙̥̣̙̞͓͙̹̮̤̻̜̠̯̦̰̒͊͛͌͊̉́̅͆̍̃̓̌͜o̸̧̢̢̧̭̝͔͚̣̹̟̞͎͕̲͉͕̥͕̤͈̥̻̪̦̫͕͈̲͕̙̜͖͑͑̆̂̽̈̍̅̈́̿͆̋̄͆ͅm̸̢̨̞̮̮̱̹͎̪̳̯̘͉̦̪̳̣̲͍̼̪̙̆̿̃̄̈́̐̓̌̈́̆̈̐̏̿̌̆̃̋́͐̀͐̈̑̎̕͜͝͠ͅf̶̢̧̡͉̳̳͓̻͉̟̝̱̤͚̝̲͖͍̪͚̗̩̳̩̦̰̠̲͙͕̀̊̆̀̓͗̎̐̌̔̓̒͘͜͜͝ͅͅǫ̶̈́͂rtable about this topic” 

“my mother died in a banking accident”


One baby gets called in by the gynaecologist “Let’s see this cutie pie who wants to be aborted!”
 

I am jacks sense of identity. I am jacks ideology of trut̸̡̺̄̉̽̓͝h̸͕͒͋.̶̥̝͎͕̇ ̶̹̲̘͙͊̆́́̚͜Ỉ̴̦̱͈̹́͋̀ ̴̢̗͓̝͚̔̃̅̓̇ä̸͍͍̘̯͖͠m̴͇̞̺͛͛͠ ̵͕̯͚͔͙̿̏̇́̚j̴̙͈̜͖̙͆̈́̑a̸̟̯̗͎̾̃͜c̷̥̺̻̈̈́̃̚k̵̥͚̣̘̯̀ş̸̥̩̿͜ ̸̢̻̥̼̇̍̓ͅf̷̘̝͎̼̩̓͗̓̎̃ẻ̸̪͙a̶͙̭̤̩͊̌̋̕ŕ̴͙̰͇̪̿͐͛ ̶̦́̅́̃ö̴̯͙̜́̍f̴̤̻͠ ̶͖͍͖̋̆̾́ḑ̵̨̬̱̘͑̅e̵͉͑̈́̋̕͠ǎ̶̜̃̀͝͝t̵̀̀̅̈́̚ͅh̸̺͈͇̋.̶͍̪̼͗͊͜ ̵͑ͅͅĮ̷̠̗͌̐ ̶͖̎̐̎a̶̟͎̟͔͌́̄͗̈́͜m̵̭̝͆ͅ ̵̥͚͇͔̂j̶͎̪͑̉̀͌̾a̴͎͗̃c̸͈͎̏͝k̵̬͔̆͛̓͆̂s̶̨͂̍̈̄̿ ̴̫̃͌b̷̮̭̿̉̒̓̕r̷̻͑ó̷͎̱̼̙̊k̴̬̖͔̲̙̒͋ë̶̻̖́͒͗̕n̸̨͎̝̙̍̄͋͘͠ ̵̛̪̲͌͂c̸̛͚̹̘̝͆̊o̴̩̗̻̱͒̉̐ͅm̵̈́̍̇͗͜͠p̴̞̂͗̒̓ā̶̭̻̆̚͠ṣ̸̗̹̩̃̾š̸̺̯̫̈́͜.̶͓̮͓̪́ͅ ̸̞̮͍̖̘́̊̒I̸̟̘̔̌̂ ̷̧̛͉̞͇̾̓͘ñ̷̤͉̟̞͆́̀͌ẽ̴͎̫̝̞̪v̸̲͋͐̔͌͐͜e̷̻͖̔͌̈ŕ̸̞̥̤̹͒̐ ̸͖̝̿̂͑̄w̷̬̝͛̿͐̕͝a̷̹̱͉͒́̀̈̄ͅͅṇ̷́͘t̷̪͝ę̴̗̮̹̉d̴̠̟̆͝ ̵̡̠̪͎̱͆͋́̚̚t̴̜͖̠̠͈͆o̶̗̯̓͂ ̴̨̠̺̭̌́͒̍b̴̧̢̲̰͑͌̄͛é̷̮̙͚̮̚ ̵̛̬b̸̥͐̕o̸̧͚̠͍̔͐̐͑ṟ̷̉ń̴̢̺͉͍̍̑͜͝.̵̠̗͕̘̀̕ ̶͖̹͇̀͗“̸̝̻͈̫̔̿̂͝I̷̜̔̅ ̴̝̀ͅͅẃ̴̨̪̲̹̘̕͝a̶̤̱̺͍͊̈́s̸͈̘̭̼͚͂ ̵̱̭̝̭͍̔̐̌̌̆ṕ̶̖̞̥̗͎u̴̱͎̯̓̅̇͋͝ś̵͍̮̔h̵̡͓̲͘͝e̴̞̓̐̌̏d̶̩͌͜ ̷̛̱̱̱͂̄̈́͑i̴̡̧̛̜̳n̵̬̥̠̔͑̂ţ̶̺̗̹͕͊̊͛ö̵͍̲̖͎̰́ ̷̖͔͍̟̎͋̉̚ṭ̶̎̃͆́̚h̴̦̞͊̃̔ḯ̵̭̹͉̔̈̚͜s̶̬̮̋ ̶͍̩̊h̴̭̺͎̘́͂̐ê̵̮͎̈́̚͜͠l̶̟̥̭̈́ļ̸̣̻̓͛ ̶̻͐͂̃͐̕h̶̩̗̗͆̍͑͘͘ó̴̹͚̬̃l̷̟̗͂͛̆̋͠e̷̡̞͎̬̗͒̇͝͠”̶̢̞̠̹̂̿ ̵̧̲̟̠̌͌s̵̟̦͕̋̀̒̇̓a̸̞̯̼̼̗͛͘͝y̵͇̤̋̽̾̓̌ͅ ̴̡̧͎̤̅͑̽a̷͚̓̃͆n̷̖͂̏̈́͠o̷̧͙̗̬͋̈́͜t̵͉͗͂̂h̶̼̿̆̏͘̚er baby in the waiting room. 

Narrator: There be 5 stages of grief, Although not in a specific order they are denial, anger, bargaining, depression and acceptance.

So lets all accept this and raise our glass. RIP, sense of humour. Once ruled by the human, the human is bleak with compassion now and stone cold with empathy for humour passed away, into oblivion. Let it be know that from this day on it’s memory shall live in our hearts. I am Jack’s broken heart. (...)

ehya-Lovely-baby Messenger Baby emoji Gaster W Baby boy (Random) Boss baby 1 

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Transfer of the Essence

There are many ways to go about transferring the desired essence into the object of influence, and I encourage you to use those that are familiar. One simple way employs a combination of audio sigilization and shamanic Hmong ritual. According to Hmong cosmology, the human body is the host for a number of souls. The isolation and separation of one or more of these souls from the body can cause disease, depression and death. 

Firstly, having contained the inner essence liquid in a suitable vessel (I use a clear, glass that has been consecrated) and identified the replacement objects of influence, construct its sigil by one of the usual means, and draw that either on the vessel itself or on a digital platform. You may situate said sigil in the centre of a device incorporating additional sigilla or other signs suppo̵̯̓r̶̙͛t̸͐͜i̴̺̓n̴̡̕g̵͚̚ agents. The trick is to transfer the data hidden on the property network data into the clear quartz and the tiger eye at once, therefore peace and concentration is of utmost importance.


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raindance round 2


. The most common goal of any ceremony, including a raindance hack is to enter into a relationship with the supernatural data and information. In general we want to strengthen our relationships with technophatical forces and weaken our relationship with negative audio neural interfaces. The nature of these relationships depends on the individuals own beliefs and in any group there are differences in what the group believes and what the individual believes


Mystery of the Druids Cover Face Avalarian Orb Mini Avalarian Orb Hollow Potion Smol :undivided: Black And White Square (it hurts my eyes) Galatea Symbol Aura emoticon     
 

"Without the sacred there is no differentiation in space. If we are about to enter cyberspace, the first thing we have to do is plant the divine in it."

-Mark Pesce

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Op.54


Psychedelic Sunset Blue Explosion Swirly Confused Galaxy Kaleidoscope 4 Swirly Winged Eye Pink TwirL Pulsar Scope Psychedelic Expressionist Emote Spaceflower Ventilator Coral Crystal Gazing 
The Amanita Foundation (found circa 1978) was a British techno-occultist multi layered organisation with covert operations worldwide. They were mainly acting as a nomadic technoculture performance space, working with various artists, musicians and scientists
The Op series are a set of binaural recordings containing different material ranging from audio poems to cyber memory design sessions and from hyper-rituals to data recovery signals. 

This rare CD containing 9 tracks was found in a rather large old box at an estate sale for about € 2. It was being held in an old mansion about 5 miles west of Bielefeld, North Rhine-Westphalia, Germany.  

iTard FREE AVATAR 

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T4 reading
raindance interference: is a ceremonial action taken to correct and recover a senex data hack, with the e̶͇͈̤̻͈̱̬̘͊͌͝x̵̥́̈́̕p̶̦͈̻͈͙͎̓̒́̎͑̋͛̀͆̚͜ḙ̸̬͈̼̲̩̮̣̳̐͜c̷̝̉̒͆͆̅̚t̶̨̞̟̝̞̥̦̦͈͙̼̂̌͌͌a̴̧̜̼͔̼͉͎̬̙͑͜t̴͍͕̼͉͇̫͎̍͐̐̿͂̋̈́́̚i̴̧͔̤͑̓̄ö̴̧̥̥̞̫̠̞̤̜̙̪͇͍̳́͜͝ń̷̛͙̰̟͇̟͈̦͋͌̕ͅ ̵̡̺̜̱̤͍̩̘̻͈̃̽̄͗͒͌͗́̏͑͝ͅt̴̛̰̙͗́̄̀͗̅͒̏͛̄h̴̨̔̇̚ä̸͔̳͍͙̥̲̼̱͉̗̖͈̦́̄͐ẗ̵̲͇̙̱̯͇́̑̈̃ ̵̧̮̲̰̤͚̹͇̩̘̓̾̔͊̌̀̿͛̌̕͘͠n̸̟̳̱̮͔͌̇́̀̓̀ǫ̸̭̫̺̳͎͍͙͉̯̺̯̯̩̓t̸̠̍̔́̑̈̿͌͘ḩ̵̤̩̫̰͙̦͓̫͉̗̮̣̦̒̈́̈́͆̓̓͗̑̅͗͝͝i̴̧̢̧̛̛̛̲̪͈̖̗͈̺͍͉̘̍̍́̀̈́̂̌̊n̵͚̘̓̿̌g̷̢͖͈̝̲̯̦̹̘̮͉͇̅̎͂̏͒̈́͗̍̍͑͆̕͠͝͝
̷̢͈̖̥̺̗͕͓͎̙͘͜ might be accomplished. This especially applies to reseating hematite stones, p̷̨̢̧̡̧̧̨̰̰̬̯̖̞̺͙̳͖̘̩̯̥̱̪̻̼̼̜̥̬̼͔͎̳̜̞̩̔̈́͊͐͗̓̔̊̾̍̄̀̂͛̈̿̍̓̅̿͂͘͠͝͠r̶̢͙̠̤͇͓̗͙̠͂̀͊̀i̷̧̫̫̭̟͖͎̘͆̀̉ͅn̸̨̛͈͇͎̺̥̤̺̝̮̈̉̾̂̓͛͠t̴̨̛̙̭̩̦̜͙͎̝͕̰͓̺̼̗̄́̄͑̌̍͐͐͐̌͊̌̓͊͛̆̍̎̂̐̂̾̃͊̀̍́̈́̐̈́͑̿̒̔̈́͋͋͋̕̚͠ȩ̸̧̡̢̢̨̢̛̛̛̦͎̮̭̟̭̥͈̬̙̣̤͖̱͕̳̣͉̮̝̘̗̦̘̟͎̪̞̗̪͓̜̗̻̭͗́̽͒̃͋̂̿̎̓̂́͊͐́̓̒̎͋̆̍̈̅̽̂̌͆̿̌̎̊̈́̿̒̔̔͆̇̕͝͝ͅͅḓ̴̡̨̳̗̜̟͉̭͔̦̰̀̎͜͜ͅ ̸̢̧͎͎̘̤̹̻̭̺̘͈̪̗̠̭̼̪̻͔̗̲̯̪̱̗͉͙͉̹͈̼͌̈́̂̑̌̒̍̒̔̍̉́̽̄̈́̌̍̓̊̏̾̈́̇͛͐̏̑̍͂͋̄́͂̚͘̕̚͜͝͝͝ͅč̵̢̧̨̡̡͈͎̤̗̤͚̳̞̞̜̩͔̗̦̹̟̜̮͕̟̪̺̙͓̦̤͔̼͔͉̮̟̖̻̙̺̘̂͑̒͋̈́̈́̅̉̄̐̌́̿͋̃͋̎̀͌́̀̅͂͛̓̀̃̋̌̔͂̍̈̆̄̌̊̍̎̍͘͜͜͜͜͝͠͠ỉ̵̧̧̲̟̰͙̝̰̤̫͇͇̳̑̑̈̀̆̄̎͘͘͝r̴̡̮̹̙͍̣̠͈̦̮̱͉̮̖͛̿̀͒̂̔́̇̽̎̀̚̚̚͜ć̴̡̧̝͕͎͈̝̭̯̹̰̭̳̫̩̗̺͉͇͇͉̝̫̩͉̟̖̖̘͓̮͉͂̐̋̑̿̕̕͜ͅͅu̷͍͊̋͘i̴̡͎͉̩̯̺̭̹͔̮̦̟͈̗͕̱̖̭͎̺̹̝̘̮͓̻̖̙̻̭͓̜̞̮̣̪̮͛͊̊̈́͛͌͐̀̽͗̋̃͛͆̂̾͐͂͆͗̌̔̃͐̃̓͜͜͠͝͝ͅţ̸̡̢̨̧̗͍̭̦͉̤̼̮̰͉͎̺̬̝̩̠͉͖̹̗̩͉͒̃͛̈͆̄̊͛́̿̉̀̓̏̔͒̆̒̍̌́̽͘̕̕͠ͅͅ ̴̨̢̢̢̨̨̛͍̰̬̠̭̹̻̯̙̯͓̜̺̲̦͖̩̠̣̠̖̗͎͍̟̺̪̥̪̞̗͍̭̯̤̳͛͛͒̄̎̇̋̏͐́̋͋͑̑́̉̎̄̓̓̔̇̽̾͘͝͠͠ͅͅb̵̢̬̦͚̹̙̰̦̥̹̞͚̗͓̪̝̲͈̰͖̟̜̝̞̩͉͍̟̘̦̗́̈́͛̅̊̍̾͑͐͛̋̎̈́̆͆̚̚̕͘͜͠͝͝ͅǫ̴̡̨̨̡̟̪͇̺̰͕̩͍̖̹̯͙̜̲̗̥̺͙̦̩̳̳̤̥̟̩̹̮̗̜̺̜̯̆̂̿̅͛͗̉͗͗̆̇̊̅͌̃͑̀̑̅̿̐͆̓̋͐̓͜͜͜͜͝͝͝ͅa̵̞̭̝̲͚̯̗͍͙͕͓̤͍̮̬̘̬̩̖̼͕͖̹̙̲͍̜̭͙̠̣͈͉̳̎̎̇̓̏͌̆ŗ̸̨̛̪͔̲͖̥̫̬̲̜͎̬̙͓̠̜͚̺̰̬̺̭̞̜̖͕̼̤̦͒͋̾͌͑̏̇̍̂̎̑̉͂͘͘
̴̢̢̡̡̛̱̖̳̤̞̺̙͎͚̫̫̪̼̫͕̗̝̖͈̱̖̺̳̘̭̫͔̞̘͎̽̾̅͐̋̈́̇̚͝ͅͅͅds and objects of influence.

  2. Any arcane sequence of actions performed with computers or software in order to achieve voodoo programming readings around 
T2–T6 dermatomes; the term is usually restricted to rituals that include both an incantation or two and physical activity or m̵̛̛̛͓͈̪̱̻̬͇̯̫̖̙̞̣̻͔̝͙̲͉̹̜̞̝̳͍̹͖̝̮̝͇͎̮̒͛̊̈͆̓̑̾͛͆͌̀́̀̂̋̓͂́̾̈́́͑̌͑̉̓͂͛́̌̆͘͜͜͜͝͝͝͠͝͝ͅͅơ̴̧̧̢̢͖̘̯͖̭͉̼͔̩̙̼̥̞͖̬̬̞͕͉̺̖͕̺͍̻̤͊̽̃̇̈́͝ͅt̷̨̢̡̮̫̯̥̟̖͖̦͇̦̠͓̫͓̺̰̥͈͕̦͉̜̝̞̼̮̝̋̾̏̇̃̔͊̑̇̿͌̔͒̄̔̄̐̈́͊̆͑̒͒̀̾̅̊̀͒̀̓̚̕͝͝͝ͅi̸̛̛̤̯͐̑͂͊̊̈́́͊͋̅̃̂̍̅̐̀͊͐͐́̿̓́͗̋̿̏̂̔̽̏̆̔̂̀̓̚̕͘͘̚͜͝͝ǫ̸̡̧̱͓̰̱̹͖̠͓̜͓̥͓̝̥̤͇͇͈̬̹̼̟̰͍͙͔͇̱͉̤̋́͛̒̐̐́̐̀̄͗̚͜͠͝͝ͅͅͅͅn̶̞̮̎͋͊̑͗͛̈́͛͒̉̆͂͊̈́̆͋͐̑̀̈́̃͐͛̽̃̋̽̆̀̍̄͒̏́̚̚͠

F2U :: Crystal Moon Wand :smcmoonstick: 
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//raindance

\̶\̸\̵
̵this is the documented session of an voluntary raindance hack performed by an anonymous technomancer with help from the rare Op.54 data. Op series were an array of binaural data, hyper-ritual signals, art zip therapy talks and experimental audio poems. Curated and produced by the directors of the famously secretive Amanita Foundation, the series, consisting of 69 episodes were seen as pseudoscience when they first came out around the late 90s and early 2000s.
Poliwag: Rain Dance Poliwag: Bubble 

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object of influence

“If you suspect you are under the influence of corrupted senex data, the first thing to do is to find the object of influence in your home, by means of which the cyber-terrorist is transmitting his or her influence.” 

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The word cyberspace today often denotes the Internet. William Gibson coined the word in his cyberpunk novels to mean a three-dimensional, graphical representation of the global computer network accessed via brain-computer interfaces called “cyberdecks” or just “decks,” which transport the minds of their users to:

[…] bright lattices of logic unfolding across that colorless void… the bright walls of corporate systems, opening windows into rich fields of data. […] A consensual hallucination experienced daily by billions of legitimate operators, in every nation, by children being taught mathematical concepts . . . A graphic representation of data abstracted from the banks of every computer in the human system. Unthinkable complexity. Lines of light ranged in the nonspace of the mind, clusters and constellations of data. Like city lights, receding […]1



A vision of cyberspace for Johnny Mnemonic (1995) based on Gibson’s stories (source)

The word became associated with similar ideas from around the same time such as Vernor Vinge’s “Other Plane” in True Names, and also with virtual reality: “a three-dimensional, computer generated environment which can be explored and interacted with by a person.”2 The term virtual reality was coined by Jaron Lanier in 1987, three years after he had founded VPL Research to engineer and experiment with head-mounted displayswired gloves, and other devices for interacting with digital content by moving one’s head, hands, and other parts of her body. It was not quite “decking” as Gibson had envisioned it, but it was a start. VR technology has improved since 1984, but we are still getting most of our data from HMDs and none of it over wetwired interfaces.



“I need a Sino-Logic 16, Sogo-7 data gloves, GPL stealth module, Burdine intelligent translator, and Thompson eye-phones.” (image and quote from Johnny Mnemonic, 1995)

Cyberspace is partially a literalization of spatial metaphors about computing, which are plentiful. Consider, e.g., the World Wide Web, which you navigate with a browser (bearing names such as Navigator, Explorer, Safari, and Compass) when you go to a Web address. Before the Web we had bulletin board systems whose design was informed by the metaphor of posting messages on a physical bulletin board. Such metaphors are more or less informed by our embodied experiences as actors in physical spaces interacting with physical objects occupying those spaces, but they become their own things conceptually and, to some extent, somatically. When you “go into” a chat room, you do not experience physically walking into a room full of people who are socialising (there are 3D chat applications that simulate this), but rather you press some buttons on your keyboard and your computer screen responds with signs letting you know you have “gone into a chat room,” and you immediately understand that means messages you send can be read by people “inside” that “room” and not “outside,” and that there are certain rules and expectations that pertain to this new “environment.” You do not scan the room for a bar or check to see what colour the wallpaper is (although you might pretend to: /me looks around for the bar), but your body still changes in response: you act differently in a chat room than otherwise.

Magical or ritual spaces are other spaces we may physically or conceptually occupy. A common example of creating magical space is casting a magic circle wherein a ritual is to be performed, which can be done in a variety of ways from rearranging a physical space and actually drawing a circle there with some instrument, to simply visualizing the circle in the mind’s eye and performing some activity to activate it. However and wherever the circle is constructed it marks a non-trivial distinction between things within and without it: magical vs. mundane, sacred vs. profane, microcosmic vs. macrocosmic, etc. The circumscribed space maps to the magician’s mental space, providing a context wherein agents, actions, or objects within the circle become magically efficacious or are magically protected from outside forces. Like the chat room, this space facilitates certain activities governed by perceptions, assumptions, expectations, and permissions that are peculiar to that space.

Occult Wishbone Dark Angel  Oka Ruto (Wipe) Birthday Cake Luna 50X50 (icon smaller) Madjick Icon Cyberpunk 
"Without the sacred there is no differentiation in space; everything is flat and grey. If we are about to enter cyberspace, the first thing we have to do is plant the divine in it."

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