How to Draw Manga! Tips and Tricks: Action Scene Basics Introduction
Action scenes are a key part of any manga, whether they be a placid shoujo to a shounen mecha showdown. Action scenes are a dynamic action driven panel showing a fight or action against an inanimate object, or a passionate realisation. All of these follow a similar formula to create the action sequence.
Setting the Scene
When creating an action scene first consider the what action is being performed and how the two objects/subjects are interacting, i.e. show the force of the movement. For a person, it they are being hit, they will reaction in accordance to the force applied.A common way of achieving this is using the < shape to indicate where they are being hit. Take into consideration anatomy; if a person is being hit in the stomach they will produce a nice < shape with their head and shoulders coming forwards, whilst the hip becomes the poi
How to Draw Manga! Tips and Tricks Pen Techniques Introduction
A key part of traditional manga is the art of using pens and ink. There are so many variations and many things to try that can make a manga panel pop without even needing screentones. Whether the artist prefers technical pens or a nib and ink there are many variations and techniques to try. This article aims to cover some of the basics to start with.
Some Basic Pen Types
There are two main types of pens, muti-liners/technical pens and nibs in a holder. Multi-liners come in graduated sizes depending on your needs, from a super fine 0.03mm up to 1.0mm, then Brush types as well. Nibs come in all shapes and sizes as well, the most common being the G-Pen and Saji (or Spoon), but there are other types such as school, calligraphy range, Maru. The following rough example shows a selection of Copic branded multi-liners a
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Welcome to Full Sail University’s Extra Credit Challenge! These exercises are designed to build and sharpen your artistic techniques and abilities.
Deviants that showcase the tutorial techniques will have a chance to be reviewed by Full Sail University’s 3D Arts staff, headed by Program Director Pete Bandstra.
Submit your deviations by July 26th!
Introduction to Adoptable creator work
Adoptable creator work is a highly creative and inspirational task where designing completely new concepts of characters is usually the goal. Designing characters for peoples needs and wants by bringing new and interesting characters is what it is all about. The adoptable market is widely spread with all kinds of themes and designs. At first glance it might seem hard to just hop in, start designing and selling. There are a few good things you should take into consideration before you start designing your own adoptables.
We're starting with the statement that the work usually requires a heavy amount of creativity of those who create designs on a regular basis. Everyone has their own way to get inspired and be creative, so you must find your own way to do this part. There is not just one way to do things. I usually get creative through searching and looking at basically anything. A
How to Draw Manga! Hands Introduction
Hands are a very important part of drawing any character, often in cartoons the hands are caricatured, but in anime and manga this is often not the case (except in chibi form). Understanding the anatomy of the hand can assist all animanga artists. Hand proportions are also important, lest the artwork suffer from tiny or huge 'yaoi hands'.
See also: Tips and Tricks: Feet
Hands are made up of segments, muscles and skin over the bones. Often block forms are used to get the basic shape as shown here:
Hand Tutorial by MasterSS
Some very basic size proportions: middle finger length is the same distance as the tip of chin to tip of nose and is also the length of the palm. The whole hand (tip of middle finger to bottom of p
Most of you nature photographers will have seen long-exposed waterscapes resulting in the peculiar soft aspect of water. If you haven't, or if you're not a nature photographer, here are a few examples:
In this article I will be sharing some ideas and tips which hopefully will get you interested in this kind of photography first of all; and if that marvellous personal paradigm shift takes place within you, give you the basics in achieving the sought-after results.
Who am I to dare do this ?
Well this is quite important: I'm nothing fancy, just a nature photography-loving guy with a cheap entry-level DSLR and tripod, with a couple of filters. But taking photos out there and gleaning knowledge from artists I admire has taught me lots. This I simply wis
I would like to show you my way of editing infrared photographs using Photoshop CC and the NIK plugins Viveza 2 and Silver Efex Pro 2. I started about 10 years ago with infrared photography using a Fuji S3 Pro body and two Nikon lenses. Having not been satisfied with the endless exposure times, I bought a used Nikon D70 having taken lots of infrared photographs over some years. In 2013 I decided to buy a new Nikon D90 body and had it converted to 720 nm.
My newer infrared photographs are all taken with the Nikon D90 converted to 720nm by Optik-Makario, Germany. At the moment, I am using a 18-70mm and an 18-200mm lens by Nikon. I have used other lenses such as a 50mm, 105mm and even a 85mm Petzval lens too. Using anything other than the 18-70 and 18-200mm lenses make things a bit more complicated because I have to use the camera's liveview.
Now let's talk about how I edit an Infrared photograph...
Below is the original photograph fro
Gimp is a free photo editing software that you can download at gimp.org. You can use it for a lot of different things like photo manipulations, drawing, pixel art, etc. Today though, we will be covering the topic of animation!
Note that this tutorial will only show the basics of Gimp animation. How to make the frames, how to save it and the such. So let's get started!
Start by making the subject. I just used a random black ball, but the subject can be as simple or as complex as you want, depending on what you're making. Make sure you switch over to the layers tab.
Tip: If you do not already have the layers tab there by default, go to any of the tabs and press that little arrow that the green arrow is pointing at. After you click tab press: Add tab> Layers. After that, the layer tab like in the picture should show up.
After making t
I am Nelleke, and I was asked to write an article about forest photography. Which is my favorite subject of photography! There is something about them that is timeless. Of course there's a reason forests get used so much as a backdrop in stories and movies... They can give you the feeling something magical is waiting just around the corner.
In this article I will discuss several points, some a bit longer than others. They are Composition, Conditions, Equipment and Editing.
You might have seen a beautiful forest scene once, but noticed after taking a picture that it looks very different. A picture lacks the depth your eyes can see while walking in a forest. Which can result in a picture of just a flat bunch of trees.