SPACE CHICKENS IN SPACE
Fall of the Academy, Part 3: The Final Conflict
Written by Johnny Charisma
[The episode begins with a shot of Small Claims Court from part two, then we cut to inside the courtroom.]
Starley: I'm so glad you're alright! You got to tell us everything that happened.
Chuck: Sure, I mean, not today (puts his hand behind his head) cos I've got plans to go to Hawaii, but tomorrow, I want to hear all about it.
Glarg: Well, for starters, I found out that Atori killed Ma and Brian with a robot duplicate of me. Here, (pulls out Atori’s evidence folder from part two) I have proof that he manipulated the Board to think it was me. (throws it to the Board who then look through the folder)
Finley: But Glarg, you said he doesn’t have it in him to fight you.
Niven: No, he’s not, Finley. He’s now much worse than we ever imagined.
Starley: So how did you get out of prison?
Glarg: Well, I remember Atori (flashback to the San Quinten Prison yard) sending me to prison. (He falls flat on his back, and then is escorted to one of the prison cells) What Atori (cut to Glarg being thrown into his cell) and the prison guards there didn’t know (Glarg’s Pip-Boy soon has a text saying “Are you still active? –Niven”) was that my Pip-Boy was still on my arm. (transition to Glarg setting up the teleportation device on his belt) Thankfully, Niven was there to help break me out. (he presses a button in the middle of his belt and teleports to Atori’s office) I also managed (appears in Atori’s office where Niven’s at Atori’s desk) to tell her how we were gonna bring his evil empire down. (grabs the folder as he and Niven run out the office door, and we flashback to the courtroom) So I came to where the trial was being held, and that’s how it happened.
Finley: So, what you're saying is that we've got a manipulative, power-hungry psychopath on our hands.
Glarg: It’s true. That’s what I’m trying to say.
Chuck: Guys! (cut to Chuck pointing to a note left on the floor) Atori’s gone!
[Niven walks up to the note that says ‘You just cost yourself big time. – Atori’ on it. She crushes it with her hand.]
Maverick: Don’t worry, Niven. We’ll catch him. (to Glarg) Glarg, we were wrong to ever think that you did this. You can have your job back when this is over.
[Cut to Earth in space as the La Stroboderr flies away from it. We cut to Atori in the cockpit as he hurries back to Atori Metropolis Station, but HAL calls him through the ship’s vid-phone.]
HAL: Atori, I just got word that Glarg found out about the murder. He’s already told everyone on Earth. What’re we going to do?
Atori: I don’t know, just let me think for a second! (his horns on his head begin to glow and he looks at them) Hold on, my psychic powers (he puts his hand on his horns as we cut to a side view of his face) are tingling.
[Images of Glarg, Niven and the 3 chickens entering the docking bay and a clock saying 8:30 are shown behind him. The images vanish as he opens his eyes.]
Atori: (to HAL) I think I know what to do. (switches the vid-phone call to his soldiers) Men, that traitor Niven is coming back with Glarg and those chickens as well. They’ll be here in 15 minutes. When they come out, aim your weapons at them. I want both Glarg and/or Niven dead. The chickens, either way. Over and out.
[Atori ends the vid-phone call and resumes driving. We cut to space as the La Stroboderr heads back to Atori Metropolis Station. Cut to the docking bay as the chickens’ signature spaceship opens up, and the 3 chickens, along with Glarg and Niven, head out of it and walk to the exit of the docking bay.]
Glarg: We better get to his office. Niven told us of something else he has is there that can tell us what he might do next.
Niven: Yeah, at least the police will be busy with the manhunt on Atori.
Finley: Boy, I sure hope they find him. Otherwise, we're all gonna be-
[The group stop to hear the sound of guns cocking and being aimed at them. We cut to Atori with his soldiers, armed with plasma rifles behind him.]
Atori: So, it's all out in the open now, isn't it?
Chuck: (nervously) Hey Atori, uh, (frighteningly walks up to Atori) how long you been all messed up and evil like this?
[Atori grabs Chuck’s arm and breaks it by twisting it. Chuck howls in pain and falls to the floor.]
Atori: Long enough for you to ask.
Finley: Look, this is crazy. Just call your men off and we can agree on a truce. (comes up to Atori a little) We know what happened in the past, and we’re sorry for it.
Atori: Oh, so now you're interested in me. (points at Finley) Last week when HAL’s girlfriend made that mosaic picture of an owl’s head, you didn't even care to look!
Finley: That was an owl?
Atori: Yes, and now we're going (pulls the picture out of his cape pocket) to look at it again. My blaster, please.
[One of the soldiers hands Atori the Astro Blaster Mark 1, and he pistol-whips Finley as he turns into beast-mode. He then points the gun at Finley’s temple.]
Atori: (shows Finley the picture) LOOK, (presses it on Finely’s face) LOOK, DO YOU LIKE IT?!
Finley: (frightened) Yes!
Atori: WHAT DO YOU LIKE ABOUT IT SPECIFICALLY?!
Finely: (disoriented) I don’t know…
Atori: (presses the barrel of the blaster on Finely’s temple) PICK SOMETHING OR I'LL BLAST YOU TO BITS IN FRONT OF YOUR SIBLINGS!
Finley: (has a few tears rolling down his face) I like... I like… how it looks like an owl?
Atori: (returns to normal) Ah, there we go. Now you do care. (to Finley as he returns to Glarg) Thank you for the compliment!
[Finley soon bawls and gets into a fetal position. Cut back to Atori looking at Finley and then looks at Glarg.]
Atori: I don’t even know what hurts you most: your guilt, or the fact that you lost your job to me. When will you learn that everything you’ve done, from battling many great races, to becoming a teacher in this so-called “Academy,” means nothing to you? This is the real world, and it’s time to wake up!
[Suddenly video screens with static appear around the two. The static soon switches to the cadets looking at Atori, who are furious at him.]
Niven: You’re wrong. (Atori turns to her) You’re only a villain, just not a super one. And these cadets (grabs him by the collar of his cape) don’t listen to people like you. YOU SICKEN ME.
[Atori scratches Niven’s face who then lets go of him. He then grabs the blaster and runs to the docking bay’s glass elevator.]
Atori: (to his soldiers) Shoot them! Shoot them now! (enters the elevator)
[The soldiers then shoot the rifles at them. The chickens duck behind a space ship while both Glarg and Niven leap in the air to avoid the shots. Glarg grabs a part of one of the ships’ wings and throws it at two of the soldiers, which then cut their machine bodies in half. Niven karate kicks a soldier’s head and crushes it with her foot. Glarg punches his fist through a soldier’s chest, throws the corpse at them and causes them to fall into the elevator shaft. Cut to Atori as he exits the elevator, but then notices one of the soldiers smashing it by falling down along with two of them falling with him. Atori runs to his office. Cut back to the fight where Glarg uses his war-stick and impales a soldier’s robot head by throwing it right through him. Niven sucker punches one of the soldier’s head off his body and kick it to them, puncturing one of them with the head spikes. The last soldier shoots with the rifle, but Glarg tears his machine arms clean off his body, shoves the rifile barrel in the soldier’s mouth, and pulls the trigger, blowing his brains out. The fight ends with Niven and Glarg catching their breath.]
Niven: This reminds me of Planet Zero-One. (the chickens look around now that the fighting’s stopped)
Glarg: (looks at Niven) You and I remember Zero-One very differently.
Finley: Where’d Atori go?
Glarg: (grabs his war-stick) Doesn’t matter. Let’s get to his office.
[They all proceed to. Cut to HAL as he watches riots in the cafeteria, classrooms, lecture room, and cadet rooms on the monitor screens in Atori’s office. Cut to Atori heading in through the door.]
Atori: Status report, HAL! (zoom out to see HAL looking at him) What in David Bowie’s holy name’s been going on?
HAL: You won’t believe this. (points to the screens) There are riots everywhere in the station. The only thing that isn’t rioted is your collection room.
[We cut to the riots on the security monitor screens. One of them is showing Atori’s collection room, formerly Glarg’s Imperial Shame Archive, heavily guarded by his soldiers.]
HAL: Though I don’t know why it isn’t. (cut to Atori looking at the screen) Probably cos you had some sort of force field around it. Plus, some of Earth’s armed forces are coming to arrest us!
Atori: Or maybe it’s something I left in there just in case for emergencies like this. Come on, let’s go.
[Both HAL and Atori run out of the office. Cut to Atori’s collection room where the two arrive at the its door. One of the cadets, Zonk, finds them there.]
Zonk: (to the rest of the cadets) That must (points to Atori) be him over there! Get him!
HAL: Oh, god! Run!
[The cadets rush to the door of the collection room as Atori rushes to its security passcode system. Atori types in the passcode: Quinn, and the doors open. The guards use riot shields to defend Atori as he heads in the room with HAL. The door closes as they make it inside. Most of Atori’s treasure from the La Stroboderr are inside the room.]
Atori: They won’t get us through here. (looks around) Now where is it? (finds something) Aha! (cut to a glass emergency box with a white USB inside it) There it is. (walks over to the box, opens it with a key, and grabs the USB) Been keeping this ever since I took (HAL walks over to see what it is) Glarg’s job from him.
HAL: What in that USB? A virus?
Atori: Codes, (turns to HAL) but not ordinary codes, (flips the USB over to reveal Atori’s insignia on it) teleportation codes.
HAL: Teleportation codes? Why would you need those? What are we planning on doing with them?
Atori: You'll know soon enough, HAL. (gets a deceitful look on his face) The universe will know soon enough.
[Cut to the door behind them as an anchor breaks through the door’s window. Atori and HAL notice it. Cut to outside the room as Hugo stands on an active construction mech.]
Hugo: (to the mech with the anchor in his mouth) I got it!
Nacribelle: (cut to her inside the mech) Good! Let’s pull it down!
[She uses the anchor to pull the door out. Cut back to inside the room where HAL and Atori watch the door bend a little.]
HAL: For God's sake, they know we’re here! (Atori looks for something useful) How will we get out of this?
Atori: (cut to Atori looking at a Killbot XLX) Let’s use (points to the robot) that.
[They hurry to the robot as Atori opens the back of its head’s hatch to find an on/off switch. He switches the robot on. Killbot soon opens its eyes and looks at Atori. Cut to its POV.]
Atori: (to Killbot) Killbot, transform into a book bag with rocket boosters on it!
Killbot: As you wish. (it morphs and changes to a book bag/jet pack)
Atori: (puts on the book bag/jet pack) All set. (to HAL) Come on.
[The two of them head to the almost-loose door of the room.]
Atori: (to HAL) Here we go.
[They watch as the door finally comes flying off to the floor, crushing two of Atori’s soldiers. Cut to Nacribelle in the mech.]
[All of the cadets rush to the door. Atori and HAL watch as some begin to climb up the stairs.]
HAL: We’re surrounded! What now?
Atori: Well, what did I build you for (opens HAL’s panel in the back of his chest to reveal a camera screen and a controller inside) anyway? (uses the controller) Use your (Cut to HAL as his arm transforms into a gamma-missile cannon) weapon systems I put inside!
Atori: (aims HAL’s arm at the cadets who come up to them) Back! Back! Back!
HAL: Come on! Knock it off- (wobbles on his foot and falls on Atori, who accidentally launches a missile from his arm) Oof! (looks at the missile) Huh?
[Atori, HAL and the cadets look at the missile as it heads to the glass window. It soon smashes through the window and hits one of the stations four supply ships that’s connected to it. Cut back to inside the station where the vacuum of space begins to suck the cadets outside the station. Humboldt goes first. The mech somehow gets stuck to it, but the window breaks a bigger hole in it. Cut to both Atori grabbing on to the entrance to the collection room, as HAL’s arm reverts to normal and he grabs the stair’s railing. Cut to outside the station where all the cadets in the room fly out the window to space. Hugo is soon sucked into it with them as well, his mouth eating the camera as he does. Cut back to Atori and HAL.]
HAL: (the railing comes off, but HAL grapples it to the other metal stairs by the railing’s pointy spike) For god’s sake, how do you stop it?!
Atori: (uses his Pip-Boy to call the station’s computer) Master Control, activate force field windows!
[The force field windows are activated as Atori and HAL slowly descend to the floor. They both get up, but HAL looks out the window.]
HAL: Uh, Atori?
Atori: (cricks his back and looks at HAL) What? (soon looks out the window)
HAL: (cut to a shot of all the cadets frozen in space from the window) I think you sent all the students to space.
Atori: Oh. (shurgs) Oh well, they found out about us anyway. Let’s go.
[They head back to Atori’s office. Cut to the La Stroboderr, where Glarg, Niven, and the chickens are searching for evidence.]
Niven: (searching the lounge room) There’s gotta be some clue in here that'll tell us what Atori’s plan is. (communicates through the Pip-Boy like a walkie-talkie) Anything on your end?
Finley: (cut to the treasure room) Not that I know of.
Chuck: (looks around) Wow! Look at all this cool stuff! (grabs a VR headset) Man, what do you think these things do?
Finley: (observes a Nintendo Power Glove) Don’t know.
Starley: (via Pip-Boy) Guys, meet me at the engineering room. I found something.
[The rest of the group come and meet Starley. They look at a piece of paper that says “Gravity Falls, San Fransokyo, Echo Creek, Mewni, Danville, and The Galaxy” (from Wander Over Yonder) on it in the form of a list.]
Finley: Why does he need this list for?
Niven: I wonder why…
[Cut back to Atori heading inside his office. He puts the blaster on his desk.]
Atori: Won't be long before the police notice the cadets’ disappearance. Dozens of children frozen in space? God, the media will be all over that. (calls the soldiers via Pip-Boy] I’ve got the teleportation codes set. When I (holds up a TV remote) give you the word, (cut to Atori looking at the screens as they change into pictures of the locations mentioned in the list) we bring the hammer down.
End of Act One
[Act Two begins with Glarg, Niven, and the chickens looking at the list in the engineering room of the La Stroboderr.]
Finley: I know what this is. These are all locations in this universe.
Niven: How did you know?
Finley: (shows them a map of the Disney XD universe) It’s like this. (points to Atori Metropolis Station) This is where we’re at right now, a few miles apart from the Earth. (points to Earth) Here is where all the others take place. It’s also the main part of the universe. (points to the Galaxy) This last piece here is the Galaxy, the cytoplasm of this universe.
Glarg: Huh, so what does he need the list for?
Niven: (looks at Atori’s to-do sheet) Oh my god. He’s gonna take over the whole universe! We have to stop him!
[Cut to Atori talking to HAL via Pip-Boy. The screens have switched back to surveillance mode.]
Atori: (walking back and forth) Look, I don’t care if we have 500 of my men left, I got factories on Mars and it’s moons to make more of them. You just make sure the warship portals are able to function. And (grabs a Mello Yello soda can from the desk pantry) stop telling me how to kill Glarg. I'm doing it today, how I want, (opens the soda can) where I want and with whatever I want!
HAL: (via Pip-Boy) But Atori, the Board just arrived.
Atori: Yeah, what do they want? (sips the can)
HAL: They just found out, (Atori’s eyes widen with shock and we cut to a video screen of the Board heading to his office) and they’re upset with you.
[Atori spits out the soda and looks at the screen. Cut to Glarg and the rest as they exit the La Stroboderr and head to the central hall. They fend off some of Atori’s soldiers along the way. Soon, they all enter the elevator. Cut back to Atori in his office, still talking to HAL via Pip-Boy.]
Atori: No, no, no! Try to stall them. T-Tell them I'm not here! Tell them anything, just don't let them in!
Maverick: (busts through the door, and points at the off-screen Atori) YOU!
Atori: (screams while he drops the soda can, and hides behind his desk as Maverick walks up to him)
Maverick: (the rest of the Board wait at the door) I'll cut right to the (slams his hands on the desk) point!
Atori: (scoots back up to the security video screens) What happened?! Run out of surplus? Need some blueprints? I'll send you some more!
Maverick: You're (comes up to Atori’s face) fired!
Atori: (his head comes up from behind the desk) FIRED?! ON WHAT (comes up to Maverick) GROUNDS?! (proceeds to sit in his swivel chair) This place has never been more profitable!
Maverick: Profits, (pushes Atori off the chair) schmofits. Now (points to the office door) GET OUT!
Atori: (gets on his knees) No wait, please, (crawls to Maverick) listen to me! You can't do this to me! This job is my (pulls Maverick’s collar to Atori’s face) life! It means everything to me! (walks over to his desk as Maverick rolls his eyes) You don't know what I've done to get here! (grabs the side of the desk) The lies I've told! (raises his hand in the air) The lives I've (it shifts into beast-mode as he makes it into a fist) KILLED! (soon widens his eyes and looks around) This isn't helping me.
Maverick: (calls the police on his iPhone) Get me security!
Atori: WAIT! Please! Can I just make one last (begs with puppy eyes) heartfelt plea?
Maverick: Ok, (puts the phone down) what did you wanna say?
Atori: (grabs Brian’s war-stick) THIS!
[He breaks Maverick’s leg with it. Maverick soon falls to the floor as the rest of the Board watch in shock.]
Atori: OH MY GOD, (puts his hand on his forehead) I'm just as crazy as Glarg...
[Maverick groans, but Atori whaps him up the face and makes him fall to the floor. He shouts in pain. Kaidoma attempts to call the police, but Atori throws a switchblade on Maverick’s iPhone.]
Atori: Don’t. Even. (his eyes become bloodshot) Think. (his face shifts into best-mode) About it.
[Cut to Glarg, Niven, and the chickens heading to the hall that leads to Atori’s office. They notice all the cadets frozen in space outside the window.]
Starley: Did… Did he really do this?
Glarg: Possibly, (looks at the rest of the group) but we’ll be the ones to stop it. If defeating him means avenging my family or saving the Academy, so be it.
Chuck: Look, (points to Atori’s office door) we’re here already!
[The group soon head into Atori’s office only to find Atori, but also his soldiers grabbing the handcuffed Travis and Kaidoma by their arms. One of them holds Maverick by his own two arms.]
Atori: (points to Travis and Kaidoma) Take them both along with (points to the injured Maverick) him to a labor camp. And put my name on their parking space. (looks at the group) Well, look who it is. (walks up to Glarg) The false war hero person his mother and brother would’ve been so proud of. Yeah, right. (grabs Glarg by his arm and throws him to the floor, flat on his back) Ahem. (two more of his soldiers grab Glarg by his arms)
Niven: Give up the Academy! (points at Atori) Now!
Atori: Listen, kid. It’s over, you all lost! The Academy’s time end now along with (points to the Board) them, (points to the chickens as guns are trained on them) those moronic cannon fodder… (looks at Niven) And you. Should’ve served me when you had the chance. (his soldiers aim the rifles at her)
Niven: You know, you're not gonna get away with this. Murdering his family and taking his job from him is one thing, but you also killed those students.
Starley: She’s right. (Atori looks at Starley) Don’t go down this path. I know there’s still good for you in this world.
Atori: This world? “This” world? Let me show you (grabs a TV remote) “this world.” (switches the screens on to images of famine, war, riots, and school shootings) This is how I see the world. One man is born a hero. His brother, a coward. The two find a place on the razor’s edge. Television becomes a drug, racism becomes a trend, babies starve, politicians grow fat, holy priests are martyred, and junkies increase legion. (Starley looks down) That’s the world for you. It’s not all cupcakes and rainbows for you anymore. While we’re on the subject, (turns to Glarg) let’s give you a whack. (points to Glarg’s face) You are the true meaning of pride. It’s not all a perfect thing. You wanna know how close we came to WWIII over a flag with a rainbow on it? (the handcuffs on Glarg’s arms begin to crack) It’s not my fault you chose to rule the Academy, it’s yours because of pride. So why can’t you see my side of things? (the handcuffs soon get lose) Why can’t you just give (aims the blaster at Glarg) up?
Glarg: (punches Atori in his face) For a reason. (grabs the blaster from him and throws it to the side) Those mementos changed me. (he then gets up) I became different from them. Because you made me like that. It’s always been you.
Atori: (thinks for a moment) Y’know that gives me a real good idea. I’ll let (gives Glarg a katana) you (Atori’s soldiers line the chickens up and puts them on their knees) finish the job.
Glarg: What?! (one of Atori’s soldiers pushes him to the line)
Atori: (looks at Niven and the Board) Let this be something to you as well. (Glarg raises his sword up while Atori looks at him) Don’t be a wuss, Glarg. Kill one of these chickens with your sword.
Glarg: No! I can’t!
Atori: It’s the only way these unwashed masses are ever gonna learn. (cut to the chickens looking fearfully at Glarg) This is how it has to end. Somebody’s (cut to Glarg’s eyes with tears running down) got to die! (he angrily looks at Atori)
[Glarg throws the katana at Atori, but he dodges it and drops his blaster. Glarg grabs the blaster and aims it at Atori.
Glarg: NO! This abuse has been going on long enough! The madness ends right now! (to the chickens) Get to the ship! Save yourselves!
[The chickens run out of Atori’s office and to the docking bay. Niven breaks free from the handcuffs and runs out the office door as Atori’s soldiers shoot at her, but they miss.]
Glarg: (still aiming the blaster at Atori) You have taken everything away from me. My family, the Academy, my students, EVERYTHING! And now I’m gonna take it all back from (pokes the blaster’s barrel at Atori’s forehead) you!
Atori: I figured you’d say that. (pulls out a remote that looks like Adrian Veidt’s from Watchmen) That’s why I got this.
Glarg: (looks at the remote) What’s that? Another ultimate weapon?
Atori: Better. (presses the black button on it and the top of it flashes red)
[The screens switch to live feed of the locations mentioned in Atori’s list. 20 of Atori’s soldiers are teleported to each location and shoot people, along with flying warships coming through portals and firing missiles at buildings and towns and such. Futuristic tanks are also thrown in the mix as it crushes cars and shoot military helicopters. Last but not least, the flags of each location are soon changed to the flag of the New Order: an onyx black flag with Atori’s insignia in light-green paint. Glarg watches in shock as he drops the blaster.]
Atori: This is the price of taking what I had from me. (gets the blaster) In the end, people deserve to be punished. Just like (aims the baster at Glarg’s head) you.
[Glarg notices and Grabs Atori’s hand. He soon throws him to the screens and out the office window. Atori falls to the mothership’s core room and sees Glarg with his war-stick, charging down on him. Atori dodges it, shifts into beast-mode, and karate kicks him in the face. They both karate fight for 20 seconds and fist fight for 10 seconds, then Glarg uses his war-stick to throw it at Atori, who is behind the mothership’s core, and does so. Atori dodges the war-stick, but it soon hits the engine’s core and the entire room begins to tremble.]
Academy Mothership: Warning, engine core destroyed. Self-destruct in one minute.
Atori: I hope you’re proud, Glarg! Do you know what you done? You just killed us both!
Academy Mothership: Only, one rocket-ship left in docking bay.
[They look at each other, then head to the docking bay. Cut to the docking bay, where Glarg and Atori fight each other to the last rocket-ship. Glarg soon gets in the rocket-ship and shuts the door on Atori.]
Glarg: (to Atori) Goodbye, “old friend.” Have a nice life.
[Glarg drives the ship out of the docking bay into space. Atori watches Glarg in a vengeful mood, but soon notices the countdown on the elevator door has reached from 2 to 0. Atori’s eyes widen, and a white light bursts through the docking bay floor. Cut to space as Glarg flies away from the Academy, and it soon explodes after he flies off. Cut to Atori screaming and floating away into space, but yet somehow still alive and not frozen. Glarg watches him and looks at the vid-phone. Cut to the chickens in their ship, looking at the destroyed Academy.]
Finley: It’s gone. The only home we ever had. Where do we go now?
Chuck: We can’t get back to Earth. Atori’s soldiers are already overrunning it. If they find us, we’re dead!
Starley: What about Glarg? He survived being stuck in prison, so maybe he can survive an explosion. He must be ok, he must!
Glarg: (via vid-phone) Chickens, I’m alright.
Starley: Sir? He survived! What a relief, and I thought you were never gonna answer.
Glarg: I know, but we need to find a place to hide. Atori has unleashed chaos on planet Earth. We can’t let his army find us here in the open. Until we meet again. (the call ends)
Chuck: But where should we go?
Finley: Hmm. What about (points to a desert planet) that one?
[They all agree and they steer the ship to it. Glarg watches them from his ship, then drives off. We fade back to the hooded figure. He now opens his eyes. He now looks at the chickens’ spacecraft landing far from him. The chickens exit the vehicle and come up to him.]
Finley: Sir? Sir? (the figure looks at the chickens) We need a place to stay. The Academy is gone, and so are some of our friends. Can you help us?
Hooded Figure: Are you from the Academy?
Finley: Yes. So are my (shows the figure his siblings) brother and sister.
Hooded Figure: I can help, but first, let me introduce myself.
[The figure grabs the gray hood and takes it off to reveal a human man with black hair. He is revealed to be Johnny Charisma.]
Johnny Charisma: My name is Johnathan Browne, but you can call me Johnny Charisma. (kneels to the chickens) As we both know, Atori has unleashed his conquest on Earth. The war has now begun. (the chickens look worried) But I know a place where you can help fight him. My family and I have been building it since I had a vision of the impending war. (he throws a sphere which turns into a door) We christened the place “Fort Sanctuary.” (the door opens to reveal Fort Sanctuary, a suburbian town with a border wall around it) I already sent some teams to get the frozen cadets and bring them there. Come with me, and I’ll show you how to fight.
[The chickens look at each other, then they agree. Johnny and the chickens get their things from the campsite and go through the door. It soon closes and reverts into a cube. Fade to the destroyed Academy, then pan on Glarg looking at it on a rocky planet. Atori’s silhouette quietly comes up to him. Glarg soon hears his breathing, turns around and gets hit by a bat. Glarg falls to the ground only to find Atori without his costume on.]
Atori: Actually, (the original Atori walks up to them) there were two of us. (points to the original Atori with his thumb) Meet the original. Her looks can do a real, good impression of me.
Original Atori: Switch places and no one can tell us apart.
Glarg: But… how? Verner saw you in your office while you were at the trial.
AU Atori: That was her, she was part of the master plan. The greatest set-up of my career.
Glarg: Master plan? What master plan?
AU Atori: (thinks) Well, I think it’s time I told you the truth. (flashback to a Boston warehouse where Original Atori walks up to a tesla machine with Quinn) I come from an alternate universe (they set up the machine) similar to yours. It was in (the machine begins to spark) this warehouse where I soon (it opens up a white circular light) began to appear. (the light explodes into a shockwave knocking down boxes and destroying the machine) And (the two find both AU Atori and HAL in the wreckage) it was from there, (HAL and AU Atori look at them back) our paths were met. (fade to Original and AU Atori sitting in a chair negotiating a deal) During a little talk, we both agreed on one thing, (AU Atori shows Original Atori blueprints for his soldiers, a Glarg lookalike robot, and a list for the locations) the destruction of your universe. (The two shake hands)
Original Atori: (fade to AU Atori sensing his glowing horns and telling everyone what might happen on the black-market planet called Galilei, also known as the death site of Quinn) To do so, we had to set up a fake murder. (Quinn goes with AU Atori to Galilei, then we cut to Glarg meeting the two on the planet) Quinn was the one to volunteer to act like his girlfriend. (cut to Glarg accidentally shooting Quinn, and AU Atori vowing vengeance on Glarg) You probably know the rest. (cut to a montage of AU Atori and Glarg fighting on land, air, and space) While you were thwarting his battles (cut to her in the bathroom of the La Stroboderr, changing her voice and mouth to AU Atori’s) for as long as he could remember, I had to portray as him (cut to clips of her offering deals in Gravity Falls, San Fransokyo, Echo Creek, Mewni, Danville, and The Galaxy from Wander Over Yonder) so we could build the New Order.
AU Atori: (cut to Original Atori giving him a vaccine that makes him immune to dying in space) As for me, (cut to him flying out of the destroyed Academy and teleporting to the rocky planet before Glarg came here) we needed to create a diversion to make you (they see Glarg’s rocket-ship arrive from a clear distance, then look at each other) think I was dead. (fade back to present time) Now, I’ve finally achieved what your past enemies, the protests, and your mother couldn’t, (whispers in his ear) your downfall. (he sticks a hypodermic needle in Glarg’s neck which makes him unconscious as his soldiers come up to them) Sweet dreams, sucker.
[The soldiers grab the unconscious Glarg and drag him away. AU Atori finds his cape and helmet and puts them on. The two Atoris head to the La Stroboderr, and soon fly to the Academy, which soon reassembles itself. Cut to HAL in the Board’s office, where he hopefully waits for AU Atori to come back alive. He soon notices him come through the door of the office.]
HAL: (rushes up to AU Atori and hugs him) Oh, I thought you were dead. Don’t ever scare me like that again!
AU Atori: Alright, (pushes HAL off him) save your batteries. (cut to AU Atori walking up to the Board’s table) My thanks to you all for joining me here today. I hope you’re enjoying the hors d’oeuvres. (turns on a hologram of the universe’s map from the table) It seems that the first stage of our conquest was a complete success. But that was just cupcakes for what we have in store next.
[We cut to shots various characters from the universe AU Atori mentions as he speaks.]
AU Atori: Toffee, Yama, Blendin, Ripov, Doofinshmetz, (cut to a blue Uglydoll with a tux and sunglasses) and you, Superego. (cut back to AU Atori) Together, we are the New Order.
HAL: (walks up to AU Atori) Why do you bring them? What can they do?
AU Atori: These are people with talents. They can reshape the Earth and/or the galaxy as I see it. (puts his hand on HAL’s shoulder) This is a new beginning, old friend. This is where we change things. And as long as I got her, (points to Original Atori as she comes up to them) we will rule the universe however way we want it! (cut to a side view of them shaking hands) Thanks, partner.
Original Atori: No problem, darling.
[Cut to a view of the two Atoris and the entire New Order, then we cut to the Academy, finally rebuilt and turns into a shade of light-green along with Atori’s black insignia on the sides of it. Cut to black.]
End of Episode