beautiful, compelling work. reminiscent of the wondrous Francesca Woodman, especially your multiple exposures and darker work. (and long exposures with movement, shaking, or however you get your effects)
i see the Mecke influences as well.
it is photographers such as yourself you help put the expose in exposure < laughs > -- sorry that sounds lame, but its true. i'm not up to doing a Luc Sante or Philippe Sollers appraisal of your work at the time. once the winter melts, maybe i'll have the energy and follow-through.