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It really went against the grain with me to set up a still life with studio lighting, and then shoot it at the widest aperture.

Normally in a flash-lit scene like this it would be possible to get everything pin sharp, but I wanted to sufficiently separate the model in the background from the core depth of field, while compressing the perspective just the right amount to frame it this way; that meant sacrificing some sharpness on the candles at the back and the grapes and apples at the very front.

I was undecided about the best setup for this shot, so I tried two approaches, of which this is the second. The first approach involved shooting wide, with a 24mm lens quite close to the fruit on a tripod with mirror lockup and a remote release, at f/1.8, producing this alternative version.

I did quite like that one, especially the way the model looks in it, but I felt there wasn't that much separation of her as the "distracting background" from the foreground - while shooting at f/1.8 had most of the foreground unacceptably unsharp.

This version was shot at 100mm, hand-held, from a considerably longer distance away - outside the room, in fact. That allowed me to put the model further back in the scene, and have less light spill on her from the main lights, while keeping her sufficiently blurred yet providing overall more sharpness to the fruit. Helps that the 100-400L is an excellent lens for critical sharpness, too.

Light setup was three wireless flashes, the one on the right firing into a matte umbrella close to the fruit just out of the scene on the right. The flash on the left was at table height, considerably further away, zoomed in to 85mm and configured for 1:8 power ratio with the primary on the right. The third flash was acting as a master, mounted on the camera and contributing no light to the scene. Exposure time was dictated primarily by the candles - to get the right balance of candle brightness while controlling light spill from them, I settled on 1/160th of a second.

Editing: cloning out dust and scratches on the table, imperfections on the fruit and a few small unwanted glints of reflection and skin blemishes on the model. Dodging and burning to clean up some imperfectly dark parts of background, and add a bit more tonal depth to the lighter parts of the green fruit. Subtle curves to raise the midtones a little and bring some more blue into the deep shadows while reducing it ever so slightly in the midtones. Resize and selective sharpen.
:iconsunderhart:
sunderhart Featured By Owner Edited Nov 13, 2016
I love melons. :3
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Details

Submitted on
November 13, 2016
Image Size
722 KB
Resolution
1200×800
Mature Content
Yes
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Camera Data

Make
Canon
Model
Canon EOS-1D Mark IV
Shutter Speed
1/166 second
Aperture
F/4.5
Focal Length
100 mm
ISO Speed
100
Date Taken
Oct 23, 2016, 7:47:45 PM
Lens
EF100-400mm f/4.5-5.6L IS USM
Sensor Size
8mm