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Art by MaksNos
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Description
Tien Hayes stands beside the '69 Charger, which serves as a mobile office and sanctuary, remaining the one constant in a job that requires navigating realities where constants become mere suggestions. Those pale blue eyes aren't a cosmetic choice or fashion statement—they're a permanent mark of temporal sensitivity that lets her perceive what others can't, inherited from her mother, who worked the edges before retirement and warned Tien that once you learn to see between, you can never stop seeing. The ability runs in bloodlines, though not every child inherits the gift. Tien got the eyes, the sight, and the particular burden that comes from perceiving temporal flows while remaining anchored in linear time.
She finds people who slip between. The city's temporal convergence creates edges where timestreams overlap imperfectly, zones where someone can step from Tuesday into Thursday without noticing until they can't find their way back. Corporate employees who took a wrong turn during lunch break and ended up trapped in a temporal pocket that won't align with the present timeline for another month. Children who wandered into convergence zones and got caught in loops where yesterday keeps repeating. Workers who vanished during routine shifts when the warehouse they occupied briefly existed in three timeframes simultaneously and they chose the wrong door for exit.
The glowing cyan sigil behind her marks a temporal convergence point—archaeological mathematics and probability calculations made visible—a pattern that most people see as graffiti, but Tien reads like a street sign. The symbol indicates an unstable boundary where someone recently crossed over, leaving traces in the temporal fabric that her eyes translate into tracking information. She's been following this particular case for two days of subjective time, though the objective calendar suggests it's been six hours or possibly three weeks, depending on which district's clocks you trust.
The Charger stays pristine despite operating in districts where decay happens faster than maintenance can address because Tien learnt tricks from her mother about temporally stabilising objects and keeping them anchored in a specific timeframe regardless of surrounding temporal chaos. The car exists firmly in its era, carrying that bubble of stability wherever Tien drives. Useful property when your work requires navigating zones where vehicles age decades in minutes or revert to components that won't be manufactured for a century.
Finding the lost requires patience that normal investigators lack. You can't rush temporal tracking – the flows shift according to patterns that operate on scales ranging from seconds to centuries, and forcing searches during unfavourable alignments means getting lost yourself. Tien learnt that lesson watching her mother work, understanding that temporal sensitivity provides advantage but doesn't grant immunity. You see between, but you still exist within, and the edges claim those who forget the difference.
The equipment scattered in the alley represents tools of her trade – temporal scanners jury-rigged from tech that comes from eras when such devices theoretically couldn't exist, navigation aids that track probability rather than position, and the particular improvised technology that emerges when necessity demands solutions that conventional science says shouldn't work. She maintains a network of contacts who provide equipment, information, and the occasional rescue when her tracking leads somewhere that requires extraction.
Her clients range from desperate families to corporate entities that prefer hiring specialists over admitting publicly that they've lost personnel to temporal anomalies. Insurance companies retain her services because retrieving lost workers costs less than death benefits. The Bonded Runners Collective knows Tien as someone who can guide convoys through temporal zones that defeat conventional navigation. Even the City Division occasionally contracts her expertise when municipal resources prove inadequate for edge cases that require seeing what shouldn't be visible.
The pale eyes continue their constant scanning of flows invisible to normal vision. Somewhere in the city's temporal margins, someone waits for rescue they don't know they need. Tien Hayes will find them, guide them back to linear time, and add another case to the roster of people she's pulled from between. Because her mother taught her that the gift demands use, that seeing between creates responsibility to those who can't see, and that some debts you pay forward rather than back.








































