ABOUT ME
A proud Canadian who needs about four more hours in the day to get everything she wants done. Shonna is a writer, artist, and gamer, while working full time and raising two kids. Creativity is where she finds her centre. It's both invigorating and frustrating. Currently, Shonna is working toward attaining a book deal for the series she is working on, Lost Infernal. My biggest fandoms? Final Fantasy, Halo, and Dragon Age. I also collect action figures and merchandise. No, I don't keep them in boxes. I display them or wear them proudly.
Visit Shonna's other websites at, www.lostinfernal.com and descriptionary.wordpress.com.
ALSO ON TIKTOK @ShonnaTheWhite
EXPOS & COMMISSIONS
Shonna sells select portraits at the Calgary and Edmonton expos. This is the only place she sells art and, unfortunately, cannot take commissions.
WHY I DRAW WHAT I DO
I actually started by drawing women and, eventually, started drawing men. I find male musculature challenging. A subtle shift of an arm can completely change the shape of a muscle in the torso. I also find the angles of the face a greater challenge. That is what I am trying to do - challenge myself. The subjects of my art are also based off requests. The more I hear a name come up, the more likely I am to draw them.
EXCEPTIONS: When choosing a subject, I try to take into consideration a few very important things if it is a real person.
1. What is their personality? I research everyone I draw and have pulled out of drawing someone based on what I see in their interviews about their personality. If that person is shy or seems uncomfortable with the attention they're given, I simply won't draw them.
2. Does the subject pose or do work without a shirt? And I mean more than once. Sometimes contracts in movies or shows demand shirtless work and it really wouldn't be their thing otherwise. (This, OF COURSE, puts huge limitations on the types of bodies I draw. I would totally be down for drawing a wider range of body types if I knew the subject would not mind being portrayed shirtless.)
3. Does the person seem comfortable being portrayed this way? This is mostly guess work based off personality, and I have gotten it wrong before. Most times, I seem to have gotten it right. In fact, many subjects request prints of their portrait.
4. Has the subject expressed their opinion on social media or elsewhere? When possible, I tag the subject in posts about my intent and WIP shots. This way they, or the people monitoring their account, might see it's being done. Their body, their rules. If they express discomfort or if I hear of apparent discomfort through my fans who take prints to them for signing, I stop production and pull the piece. I've pulled two pieces so far (earlier works) that the subject has expressed discomfort with. On the other hand, I have had subjects provide me with the reference material!
IMPORTANT RULE
Despite what some people may think, I will only ever draw the subject in a body that is theirs! This is a big one for me. I take all my subject's bodies from pictures of them. I even try to identify areas where editing has occurred and get rid of it. I try my damnedest to stick to source material. I think it would be repugnant to draw someone in a body that has been changed from their actual physique. That being said, people may have bulked up for a role (or a time in their life), and those may be the only references I can find.
DOUBLE STANDARDS
This is a touchy one, so let's break it apart here:
1. Let's be real for a moment
Generally, guys can be found shirtless walking down the street, at swimming pools, or on the beach. Sure, when a man is shirtless and has a physique that pings on someone's sexual attraction meter, it can take on a sexual context, however, they're not about to get arrested for it. Female breasts are, for the large part, handled completely different than men's. I put shirtless men in the same category of sexiness as a woman in a bikini top. Sexy? yes. Out of the norm? No.
2. Context is important
A woman standing around naturally in a bikini top can send a different message than a woman posing in a sexual position in a bikini top. For the most part, especially in the more recent years, literally the guys are just standing or sitting. There is very little overtly sexual about the way I'm posing them (though some of my earlier works have exceptions). You could see the people I'm drawing walking along a beach on any given day.
3. Body types
As stated above, the body types I draw are limited by my rules. Some of these rules came from getting it wrong. Once, I drew a man who was not spending his days in the gym and eating ridiculous amounts of protein. He was bit larger at the time. The subject did not appreciate the drawing and I ended up pulling it. Thus began the creation of my rules, rules which wildly reduce the variety of body types I portray.
*I WOULD BE HAPPY TO DRAW A MORE DIVERSE RANGE OF BODIES*
Everyone, regardless of gender, is attracted to a range of body types. I certainly am. But this is a fine line I'm walking, honestly. In an ideal world, I would be able to get consent from all of them - not just the few I do. In a less than ideal world, I try to make educated guesses about the person and that limits my options.
LET'S TALK ABOUT STANDARDS OF BEAUTY
*YOU, AS YOU ARE RIGHT NOW, ARE BEAUTIFUL*
*YOU ARE ENTITLED TO YOUR PREFERENCE. YOU ARE NOT ENTITLED TO BE AN ASSHOLE ABOUT IT*
Everyone has preferences. Everyone is allowed their preferences (this is the internet so let's say what shouldn't need to be said and say 'I am not counting minors or animals in that statement'). The problem arises with what they do with it.
YOU MAY BE AN ASSHOLE CAUSING THE PROBLEM IF:
You think it's fine to tell other people that they don't fit into your ideal when they did not ask.
You think it's fine to tell other people that they DO fit into your ideal when they did not ask.
You think it's fine to tell others to adhere to your ideal, either in appearance or in their own preferences.
You go online and call people fat or ugly because you think knocking someone's appearance makes you a fucking genius.
You have the power to represent a realistic variety of body types and influence society with that power, but you chose not to.
You use your ideal to make other people feel small, uncomfortable, or unsafe.
You believe how close someone is to your ideal has any impact on their worth.
You speak disrespectfully, even in praise, about a person's appearance - to them or to others.
You believe a person's worth is measured by your idea of beauty standards.
You hold a belief that beauty can determine the right or wrongness of a person's behaviour. Murders, abusers, stalkers, etc...your narrative, even in jest, can be harmful.
FINAL STATEMENT
Whether you spend your days in a gym or are someone content with a body that just does what you need it to based on your chosen lifestyle, you are just as worthy and important as any other person. YOUR WORTH IS NOT IN YOUR APPEARANCE. IT IS IN YOUR ACTIONS. Fuck what other people say. You are beautiful.
Try to remember: Good people fall in love with people not bodies. Not hair lines. Not skin. Not height. Your physical appearance *will* impact who is physically attracted to you and no one owes you their attention. That is reality. However, the truth is that you don't know who really loves your body as it is or who is afraid to speak up because they've been told their whole life that liking anything out of the generic beauty standard is wrong. And, remember, how many people find your attractive has no impact on your worth.
Take care of yourself. Be in a body that is realistic for your lifestyle, and strive every day to be a better person. Nothing else matters. If anyone thinks otherwise, you really don't want to be with them anyhow. If you're going to care about what someone thinks about you, make sure you care about the opinions of people who share your values. The only people whose opinions matter are those people you trust.
I just wanted to remark. I spent a bit of time today, looking as some of your pieces. I must admit your still is fascinating. I never developed the gift for conventional art, and didn't start producing visual art till I was able to pose digital models and work with lighting as well as details to try and bring them up. I've only been doing digital art eight years and I'm still learning every day. But your work is just beautiful, not that my opinion counts for more than my opinion. I just wanted to say, "Thank you for sharing your wonderful work with all of us." (smiles)
Thank you! It took me a long time to get where I am, and there's so much farther I'd like to go. Still, the compliments are super appreciated. Stick with your art! It may take time, but it's a great hobby.
In my place, the composer of digital characters and scenes, I do okay. I like what I do, and ultimately if I'm happy with what I make, that's enough. If other people like my work, that is a gift. (smiles)
This weekend, I begin work on the Pedro Pascal picture (and Master Chief's remaining hand). But...heads up, the next couple pictures I do will have some sort of shirt involved.
Why? If you've been around for a while, you know that consent/respect are big for me. I will ONLY draw actors who portray themselves shirtless or from whom I can get consent. My next two pictures are men who once portrayed themselves this way but no longer do, Pedro Pascal and Ben Barnes.
So, to bring you guys the smolder with actors you want but be respectful of the actor and the image they are creating for themselves, I'm branching out. I'll be doing more of this going forward too.
You all probably know by now that I HATE drawing fabric, so I hope you continue to enjoy this ride with me!
Thank you!