The tetractys, made famous by Pythagoras, has become a modern poetry form. Ten was thought to be a number of power, and by having the lines leading up to the last line equal ten, it seemed logical for the creator of the tetractys poetry form to name it such.
A tetractys has in total, five lines. The syllables are as follows:
First Line - 1 syllable
Second Line - 2 syllables
Third Line - 3 syllables
Fourth Line - 4 syllables
Fifth Line - 10 syllables
In any formatting, it gives a triangle shape. It can be reversed, starting with the ten lines, and moving downwards for a "reversed tetractys." There are also what is called "double tetractys" in which two you have a tetractys followed immediately by a second tetractys. A normal tetractys followed by a reversed tetractys would give you a diamond shape.
There is no set rhyme scheme for a tetractys, you can choose to rhyme or not. Here are two examples from Ray Stebbing, who credits himself with coming up with this form:
on tiny feet -
as any ballerina, light and neat.
leaving ears clean
as white sand washed by retreating waters.
A tetractys should present a complete thought from start to finish. It can be comedic or serious, stating an abstract thought (though complete) or teaching us a lesson.
Two examples of a double tetractys from Ray Stebbing:
on a strand
as frail as fine
as a migrating spider's silken line.
As windblown, random, as subject to chance,
our short days drift -
on thin threads
Epitaph for Everyman
He lived a long life filled with good intent
but often found
With misconceptions hapless lives are fraught,
what others hear
The Perfect Tetractys
from Ray Stebbing
The perfect tetractys would satisfy all the following criteria:
1. the correct syllable count,
2. meaningful words (e.g. not the, a , an) in the single-syllable line,
3. line breaks that make sense, ie. conform to normal syntax, not separating words that quite obviously form a unit of meaning.
(If 2 and 3 did not apply, writing a tetractys would merely involve taking a twenty-syllable line and chopping it arbitrarily into the requisite lengths - it doesn't take a poet to do that!)
In addition to these the normal criteria for good poetry apply:
4. effective use of imagery,
5. effective choice of words,
6. appeal to the ear, certainly by rhythm, possibly by use of other sound effects (rhyme, alliteration etc),
7. and lastly, and most importantly, appeal to the intellect and the emotions; moving the reader to laughter, tears, deep thought, anger...
Is there a place to post study on these forms, I suppose a critique forum...Im not sure where if Im getting the concept since Im new to structured writing.
Thanks for something new to try, I appreciate the info
This is really really helpful! This just might put me out of writer's block! Thanks a ton!
Quite interesting... I may have to try one of these. Thanks for posting this.