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4 min read

I've had confirmation that I will be having a further 2 'solo' exhibitions' this year that's on top of the one that I'm having in August(20-22 drawings per show). Plus a smaller group exhibition in March this year which is great news. Although this is great, i will be very busy preparing. The details are below:

 'Solo' Exhibitions

 'Winns Gallery' in Walthamstow - solo show exhibiting all of my artwork. The 1-5 April 2014

 'Stone Space gallery' in Leytonstone - Solo show on 'emotions' artwork. August 2014 for 4 weeks

 'Winns Gallery' in Walthamstow - Solo show exhibiting my 'Sikh' artwork only. The 2-16 November 2014

As you can see 2 of my shows have very specific themes, with the first being on emotions in august and the other on my 'Sikh' artwork in November. So that means all of my drawings from now until then will be dealing exclusively with these subject matters.

The issue I'm having (as you may know) is the titles for my drawings which are now becoming much more important. Portraits, fanart and my Sikh artwork are pretty self explanatory but some of my other drawings are not. So I would really appreciate if you could give me ideas on names for the drawings below.

Just right in the comments your ideas, labeling them in accordance to the numbers 1-6. And even if you have an idea for just one drawing just give the number and your idea as any idea is appreciated.

1) Original title '  Astronaught'    'The Final Frontier' graphite drawing by Pen-Tacular-Artist   2) Original title 'Old man'    'OLD MAN' graphite drawing by Pen-Tacular-Artist   3) Original title 'Shell shock'    'SHELL SHOCK' by Pen-Tacular-Artist

4) Original title  'Thirsty boy'    'THIRSTY BOY' by Pen-Tacular-Artist   5) Original title  'Tears'    'TEARS' by Pen-Tacular-Artist   6) Original title 'Abandoned'      'ABANDONED' graphite drawing by Pen-Tacular-Artist

Thanks allot.

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2 min read
After practiseing for what feels like an eternity, 2014 is finally the year that I will be turning my love of art into a full-time career. And I will be showing my work to the artworld and exhibiting my work at local galleries for the very first time. My first real group exhibition is actually this Friday the 10th Jan and I'm exhibiting 3 of my drawings ' Despair', 'Sikh Warrior' and 'Alfred'. All of which I had done specifically for this exhibition, but I had kept it quite until I got conformation on some bigger news.

Which is that after waiting what felt like forever I finally got the amazing news today that a proposal i put forward for my own 'solo exhibition' has been accepted. It took the commitee at the gallery (which is local and funded by the council) nearly 5 months to come to a decision as they don't normally allow amateur artists to do a solo exhibition, as i have not even exhibited yet and have not even turned proffesional. But i gave them a very in-depth plan and was very persistent and also showed them my work in person and they seemed impressed, so they finally decided to give me a chance.

It will be in August this year and i will be exhibiting 17-18 of my drawings and will have the whole gallery to myself which will run for a whole month. The theme of the exhibition will be 'Emotions', so most of my drawings from now on will explore this subject. But I will also be doing some drawings on my own 'Sikh' heritage throughout the year to as I have plans for those drawings to.

I've got one drawing I'm going to do for my local temple first for good luck (not sure if i'll post it on DA). And then I will go full steam ahead and start to prepare for my exhibition in august.

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8 min read

Over the last few weeks I’ve been getting lots of requests for tips and advice. So I thought instead of answering each one I will give an overall guide to what I’ve learnt over the last year using graphite. And some of the things I’m going to say may sound very obvious but I’m trying to cater for artists of all levels so just ignore the bits you already know (I apologise for how long this is).

But before I go on I must point out though, that I am no expert and this is just what I’ve found works for me so may not work for everyone.  And I have only really started getting used to using graphite pencils recently, as I had not drawn for 11 years until September 2012. And so I am still learning myself and have only found out what works for me from allot of practising and trial and error.  Also I am not going to go into doing skin textures as I’m still learning what works and it’s far too complicated to describe on here.

Firstly you are only as good as your tools, you can have all the talent in the world but will not progress if you have the wrong equipment. As you might know nearly all portraits and allot of pencil artwork now is done in 'graphite pencils', so get a graphite pencil box with grades between 5h to 9b. And f you master graphite you can be amazing, unfortunately it takes time, practice and talent and being very stubborn.

Here’s a list of what I use:



1) Graphite standard pencils - (I use Derwent) 5h to 9b, But I mainly use 3H,F,HB,B,4B,9B.  These are ideal for portraits, pets etc, due the softness and different grades you can achieve.

2) Mechanical Graphite pencils. Around 4 sizes in -  2X 0.3 (1 for HB 1 for 2B) - 2X 0.5 (1 for HB 1 for 2b). And if you can afford it 1X 0.7 hb - 1X 0.9 hb (i recommend staedtlar). You won't need lots like me but the more the better in my opinion.

Mechanical pencils are ideal for intricate lines and detail and I use them primarily for fanart like my spiderman,batman, drath vader etc.

3) Charcoal Pencils -This is something I’ve been using recently but it’s now become just as essential as my graphite pencils. I use them for mainly creating deep non reflective blacks which just is not possible with graphite as the darker you shade the more it shines.

The down side is that it’s extremely messy and there’s a steep learning curve on how to use it with graphite so be careful. So don't use charcoal until you have got to grips with using graphite.



1) Bristol board smooth paper – (I use Windsor & Newton) And I now only use it for fanart or anything with extreme detail like my ‘astronaught’ drawing., as it is ideal for holding detail . Unfortunately it does not work great with charcoal though.

2) Cartridge or Sketch Paper – I only started using this a few months ago and I now use it mainly for portraits. As it’s great for shading natural looking skin and holds charcoal brilliantly. The down side is that it cannot hold allot of intricate detail like Bristol board.



1) These are for blending. 3 sizes of Blending stumps, Tortillas and Standard cotton pads (I use every single one and all different sizes). I've found myself useing cotton pads allot for portraits.

2) Lots of erasers as good erasers are really essential for pulling out the whites. I have 'kneaded eraser' but find it can leave marks on the paper. But get an ‘electric’ eraser as they are incredible at pulling out whites like in hair.

3) Fixative spray. I know this is obvious, but fixative is crucial during and after the drawing process. Firstly if the drawing is large and complicated, you should spray section by section of your drawing so you don't smudge it. This allows you to then confidently go onto the next part and take your time. But also it darkens the graphite, and reduces the annoying distracting metallic sheen of the dark parts.

And if you’re using charcoal I would recommend spraying it as it can smudge. And don’t worry too much as you can easily draw on top of fixative at least once.

4) Lots of plain clean paper to cover the parts you have already done. Once again this sounds very obvious. But clean paper is very crucial, as you need to put it over the parts you have already drawn to stop it smudging. And I constantly change the paper as it gets dirty quick and could easily ruin your drawing.


Advice and overall techniques I’ve learnt

I’m going to say something first and that is you cannot miracously improve over night it takes lots of determination and most importantly ‘practice’. And you will do drawings that will have you in tears of frustration, which I have had plenty off. But even drawings that you perceive to be a disaster will teach you lots about what to do and not to do. In fact some of my best drawings (like my ‘Spiderman’ drawing) have come after I failed miserably and was almost in tears and wanting to give up.

Also do not be afraid to use different techniques as even though it may not be right for you can still take something away from it. And although it tough to do, I believe if something is not working no matter how comfortable it is for you, you’ve got to try something new (like my latest Beckham drawing)

In terms of portraits I learnt loads from watching YouTube vids and looking at other artists work and WIP to see how they done stuff to. And if you are not naturally good at portraits like me then just use the grid method when doing portraits to get the likness.

But what worked best for me was to learn gradually, as you can’t ‘run before you can walk’. And you will just fail and be disheartened and may just give up. So for any younger artists, firstly learn proportions perspective etc and how to do basic shading. Then once you have a good understanding of that, start to choose pieces that a more complicated and you can include everything you’ve learnt.

And don’t be afraid of failure as you can always start again. And keep on increasing the complexity of your drawings. And once you are comfortable with the shading you can then get to the point where you can start putting skin textures on the skin and intricate detailing.  But this will not happen over night but very gradually so be patient.

I also choose particular photos not because I liked them but to test a particular skill. So for instance I chose 'marylin manroe' so that I could learn how to do blonde hair and have big contrasts between black and white. The al pacino for bold shadows, and Ian mckellen for skin textures, and recently ‘David Beckham’ for my new technique in drawing skin textures etc.

And it sounds obvious but ‘always ‘implement what you've learnt from your previous drawings and 'always try' to better your last drawing (you won't always succeed at first).  And be very critical of your work, it’s going to hurt but that will allow you to push yourself further. But unfortunately the only real way to really improve is to ‘practice,practice,practice,prcticepractice,practice’ (you get the point XD).



I hope I have proved that with allot of practice and determination you can rapidly improve. But my progess is a bit out of the norm, as I did have an advantage because I did not draw for 11 years my skills were very rusty. And so when i started last year they returned quickly so my  progression looks allot more impressive. And I am extremely obsessive and can zone out and have a one track mind when I have a goal i want to achieve. Which is probably because I have ‘Aspergers Syndrome’ which is a form of autism which means I can be very very focussed when I want to be. So don’t be disheartened if your progress is not as fast as mine.

Anyway good luck and feel free to ask me if you got a problem.


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2 min read

Today I received my first ever daily deviation for my 'astronaut' drawing  here For anyone who has not seen it for a while I made quite a few changes to it, by adding stars in the background and giving it allot more shadows and darks. But i'm really over the moon (no pun intended XD) for receiving it, as I've been wishing i'd get a DD since joining last year, and to be honest I had actually given up a few months ago. So getting this one out of the blue really feels amazing and all the hard work i've done to push myself feels worth while.


And I also want to say a big thanks to all my watchers who support me through the whole process, with the views and fav's and comments. As every comment and encouragement I get during the WIP process means allot to me and pushes me to complete the drawing to the best of my ability. And i know some of you might think that i've heard it all before but honestly every new drawing i do and every new WIP i post, the comments I read are like I've read them for the first time as every drawing and WIP is completely individual to me. 

I also want to say a really big thank =AgonizingSwordfish who suggested it  ^Shue13 and who featured it.

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3 min read

Just to let any of my new watchers know, in May 2013 I set myself a target of 'May 2014' to hit the very ambitious goal o f becoming a 'Hyperrealist' artist. If I do miss this target as it is going to be pretty tough, I have no doubt I will definitely hit my goal of being a 'hyperrealist' artist at some point even if it kills me.

And In mid august I made the tough decision to start using charcoal (which i hated at first) and 'cartridge paper' instead of 'bristol board' with graphite. This was definitely the right decision, as there was no way I could achieve the deep non reflective blacks with just graphite. But after a few weeks of progression I’ve now hit a brick wall in terms of the technique I’m using.  And along the way I made loads of mistakes, but learnt from those and went back to some of those drawings and corrected them.

Now I’ve made the tough decision to start using new techniques which is my ‘phase 4’ in my goal to hyperrealism, in order for me to progress to the next stage and a step closer to my goal of hyper-realistic art. As I believe if something is not working no matter how comfortable it is for you, you’ve got to try something new. The biggest change is going to be the process in which I draw skin textures, which at the moment just does not look right, and is the most important key to realism. Second most important is the eyes, as my previous drawings the eyes looked unnatural like shiny marbles. Over the last few days I’ve gone over some of my older drawings and altered them so the eyes look more natural. There will also be other smaller things I will change to but those will be less noticeable.

But i must say that after using the combination of graphite and charcoal over the last few weeks, I now see that they are a perfect match for each other. The trick is to use charcoal for the dark areas only and spray with fixative making it easier to control as it smudges allot. And I now only use 'cartridge paper' for portraits as it is really great for skin textures and softness. And I use 'Bristol board' for drawings that have loads of detail like my 'astronaught' and 'spiderman' drawing' as its amazing at holding all the detail. And they are both now an essential, even though they both have their pros and cons.

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New Exhibitions and help on 'TITLES' for drawings by Pen-Tacular-Artist, journal

2014 plans and Exhibitions by Pen-Tacular-Artist, journal

TIPS AND ADVICE by Pen-Tacular-Artist, journal

My first ever 'DAILY DEVIATION' by Pen-Tacular-Artist, journal

'HYPER-REALSIM' target update/ New Techniques by Pen-Tacular-Artist, journal