Morriarty

Artists as the last makers in an Industrial Globalised Society Because of the intimate nature of my work, its content and beauty, the 'Prelude Exhibition' has brought many valuable experiences not only to myself, but also to those who came to take a look. Many people experienced positive emotional responses, being affected deeply by the intention of the pieces, and their ascetic. It has affirmed my intention to take these works out to the people because, I believe it helps us to experience our own sense of alienation from the means of production, and the real dangers we face because of this. Artists are indeed becoming the last makers. My ow

Because of the intimate nature of my work, its content and beauty, the 'Prelude Exhibition' has brought many valuable experiences not only to myself, but also to those who came to take a look. Many people experienced positive emotional responses, being affected deeply by the intention of the pieces, and their ascetic. It has affirmed my intention to take these works out to the people because, I believe it helps us to experience our own sense of alienation from the means of production, and the real dangers we face because of this. Artists are indeed becoming the last makers. My own evolution from artisan to artist, is born of the understanding

Prelude  what is it all about? All these pieces in the show contain naturally processed forms which without exception bare in mind the simple premise of working with respect. The processes I use are indigenous in origin and therefore proven to be environmentally benign. However they are not entered into lightly and my understanding comes from the knowledge of what it costs to ‘produce’. All hides I have used are a product of human consumption and demand, be it from road traffic accidents or the meat and dairy industry. My premiss is that all synthetic and processed materials have a relative cost and we as adults make conscious de