More Like This

1. Outcast Squad: The Fire Within (X-Men Phoenix Saga) 2. Fangwing: Toxin (Batman: Venom) 3. Lethal : Ultimate Security (Maximum Carnage) 4. Husk Reality (JLA: Tower of Babel) 5. One Worst Night (Batman: One Bad Day) 6. Air Defense (Armor War) 7. Torchbearer Raid (Emerald Knight) 8.The Devastator Nigh (Onslaught Saga) 9. The Honor of Mighty Sentinel (The Death of Superman) 10. Battle Realm (Secret Wars) Titles will come through with inspiration/pastiches and therefore, this take is massive difference I can imagine.

So here's something I learned recently. There’s a loophole in US copyright law that says that if a foreign work was A) Previously unpublished in the US and B) Public domain in its home country before 1996, then it’s public domain. This means that in countries where the copyright duration of collaborative works was 50 years or less, pretty much everything collaboratively-made in those countries pre-1946 not published in the US post-1996 is Public Domain. This includes countries like China; pre-War Korea, and most interestingly Japan, thanks to their extension to 70 years not retroactively applying to pre-1953 works, where a lot of pre-’46 animation is now PD. Since the characters were most likely made as a collaborative effort given the method of producing slides of the “paper theater” medium in which they were introduced for lease; and their widespreaded-ness implying that method of production, some of Japan’s earliest superheroes like Ogon Bat / Golden Bat and Prince of Gamma are

Ah yes, The Spirit. In 1940 cartoonist Will Eisner created The Spirit, a character who first appeared as the main feature of a tabloid-sized comic book insert distributed in the Sunday edition of Register and Tribune Syndicate newspapers. Popularly referred to as "The Spirit Section", the insert ran from June 2, 1940 to October 5, 1952. Although predominantly a mix of crime drama, noir and mystery. The series defied reader expectations by wildly experimenting with genre and tone, including horror, slapstick comedy, romance, fantasy, metafiction and science fiction. In some stories, the role of the Spirit himself amounts to only a cameo appearance, with Paul Gravett noting that the character would often take a "back seat to the small dramas of losers, dreamers and ordinary joes", and that the series as a whole was, "as much as anything, about the human spirit". At the peak of its popularity, "The Spirit Section" was included in 20 American newspapers, with a total circulation of five