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Since the 1920s, a certain view regarding meaning in art has dominated the Anglo-American universities and became almost dogma. This viewpoint insists that works of art should primarily be understood by how minds receive them rather than by the psychology that created them. Such an understanding of meaning in art essentially relegates the artist  to just another interpreter of his or her own artwork. For this reason Roland Barthes famously proclaimed ‘the death of the author’. To refer to the artist’s intention was to naively refer to the unknowable and to place unnecessary limitations on the wealth of possible readings of the artwork. Int...

the reflections in the glass monolith are the thoughts of Escher some new cubist language for architects and day trippers "Acid City" with fractal steel zebras rows of ellipsis yawn sideways two stories the sun is going down and soon we will not retrieve this picture of happens to be painted slick across the sky