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mooncalfe
Sophie Campbell
Artist | Professional
Artist | Professional
United States
| I'm the creator of Wet Moon and Shadoweyes, and I work on Jem and the Holograms and Teenage Mutant Ninja Turtles. |
Comments
I wanna say that your art has been an inspiration for me for a very long time. I love your ability to portray so many body-types / physiques, it's something I really want to be able to do as well as you can one day!
but I really wanted to comment to ask you: I've bought a few Jem comics digitally, I think the first 3 volumes? but I was wondering where the best place to purchase the digital copies is? In terms of supporting the artists and writers, that is. I think I've gotten them from both Amazon and another comics website, but I want to make sure I'm getting from a source that doesn't screw any of the creators out of profits since I heard recently that things like that can be an issue?
but I really wanted to comment to ask you: I've bought a few Jem comics digitally, I think the first 3 volumes? but I was wondering where the best place to purchase the digital copies is? In terms of supporting the artists and writers, that is. I think I've gotten them from both Amazon and another comics website, but I want to make sure I'm getting from a source that doesn't screw any of the creators out of profits since I heard recently that things like that can be an issue?
I love your TMNT designs. I wish the new animated series, or an animated series, was based on your designs.
What do you think about what Bebop & Rocksteady Hit the Road did with Anchovy, overall? Considering he's one of your creations.
That would certainly be fun to see, coming from you.
Question: (I hope I never asked this one before!) Which other TMNT artists have influenced you most as a TMNT artist yourself?
Also, I wanted to say that I liked the many slice-of-life and beat panels in the Leonardo Macro-Series issue. It had a nice, decompressed pace that made it feel more unwound and less cramped than usual 20-page issues whose important moments compete for visual real estate. It reminded me of when it was more common for TMNT comics to be upwards of 30, 35 pages and that was considered the normal length rather than double the length.
And Bludgeon keeps sporting these gentle grins here and there in his scenes. Such a formidable-looking shark warrior grinning in a way that's totally the opposite of a slasher smile. He didn't speak a word of dialogue and he still made an impression.
Question: (I hope I never asked this one before!) Which other TMNT artists have influenced you most as a TMNT artist yourself?
Also, I wanted to say that I liked the many slice-of-life and beat panels in the Leonardo Macro-Series issue. It had a nice, decompressed pace that made it feel more unwound and less cramped than usual 20-page issues whose important moments compete for visual real estate. It reminded me of when it was more common for TMNT comics to be upwards of 30, 35 pages and that was considered the normal length rather than double the length.
And Bludgeon keeps sporting these gentle grins here and there in his scenes. Such a formidable-looking shark warrior grinning in a way that's totally the opposite of a slasher smile. He didn't speak a word of dialogue and he still made an impression.
Kevin Eastman is definitely the main influence for me, and some of Jim Lawson's really early stuff like in the Leonardo micro. I don't know if I'm too influenced by any other TMNT-specific artists, just the original stuff.
I'm so glad you liked the Leo Macro, thanks!! 
I've been trying to soften Bludgeon up, I felt like that was a good direction for his character, so it's great to hear his presence was felt even though he didn't speak.
I've been trying to soften Bludgeon up, I felt like that was a good direction for his character, so it's great to hear his presence was felt even though he didn't speak.
I noticed something about Leonardo's face in TMNT #89 page 17. I thought a certain detail looked very familiar. 
I actually thought you might have already known about it. It's a fun little easter egg.
The face paint patterns differ, except for Leonardo's, whose pattern is almost a spot-on match for your version of him. Paint around eyes, check. Two extra blue dots in the eyebrow region, check. I'd say someone else has been reading your webcomic.
The face paint patterns differ, except for Leonardo's, whose pattern is almost a spot-on match for your version of him. Paint around eyes, check. Two extra blue dots in the eyebrow region, check. I'd say someone else has been reading your webcomic.
Oh cool!! I'm not totally caught up on the series (usually I get the collected books or PDFs from my editor) but that's super cool! I'm sure either Michael or Ronda or both of them have seen it. 
Is it okay if can use your Yuan-ti as a reference not to copy because I've been trying to come up with one of my own but yours is exactly how I pictured mine.
