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How to design a typeface (Part 3)
|37 min read|by MartinSilvertant
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Why Helvetica is not great
|17 min read|by MartinSilvertant
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How to design a typeface (Part 2)
|46 min read|by MartinSilvertant
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How to design a typeface (Part 1)
|35 min read|by MartinSilvertant
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History of Roman typefaces
|23 min read|by MartinSilvertant
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How to design a typeface (Part 3)
How to design a typeface (Part 3) Serif — Roman In the last two article of the type design series we made a geometric sans serif and added italics and a bold weight. The geometric sans serif is the easiest style to do, but for me personally things really get interesting with serif typefaces. Of course there is the addition of serifs, but the structure and weight distribution is also much more advanced. In this article I will make an introduction to designing serif typefaces. This article won’t be as detailed as the previous ones because this third article serves as an expansion on the first two. In other words, I won’t get
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Why Helvetica is not great
Why Helvetica is not great Type design is a rather obscure profession but even the typefaces themselves don’t get too much attention by the general public. Most people could only name a few typefaces, but among those few are always Times New Roman, Arial and Helvetica. Well-known and popular or not, in this article I will show you why Helvetica is not the great typeface people perceive it to be. Figure 1 The designer Arial is often frowned upon due to its history, but what most people don’t know is that Helvetica has a very similar history. A bit different, but as far as I’m concerned it’s just as dubious and embarra
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How to design a typeface (Part 2)
How to design a typeface (Part 2) Sans serif — Italics & weights In the previous article of the typography series I presented some of the basic principles of type design and we started designing a geometric sans typeface such as Futura. In this article we will expand that typeface and add italics and alternate weights. Or rather, I will show you how to design italics and briefly present how you can modify your regular weight typeface to create alternate weights rather than having to re-draw the whole letter. Before we start If you haven’t read the last article/tutorial but you want participate in this one, you can download a
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How to design a typeface (Part 1)
How to design a typeface (Part 1)Sans serif — Roman In this article/tutorial I will show you how to design a typeface. I will cover the basics and show you how to design advanced letters as well. There is so much I can talk about though, so if people like this article I might expand on this with future articles and get more into detail. I will only cover the design though, so you will have to research how to do the spacing and programming and turn your typeface into a usable font—or wait until I might do an article on that as well, but I don’t have such an article planned anytime soon. What will we design? I will first sho
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History of Roman typefaces
History of Roman typefaces Typefaces are our instruments to construct words and sentences. Of course this very article couldn’t be written without type other than writing by hand and scanning it in, but I wouldn’t know how to save the file or how to access the website to upload it to if I had no access to typefaces. Of course I don’t have to say where type can be found; it’s absolutely everywhere. However, most people don’t consider where typefaces come from. Most of my life and even the first 5 years or so of my design career I was absolutely ignorant of where typefaces came from. I mean, they were just "there"
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