ShopDreamUp AI ArtDreamUp
How to design a typeface (Part 3)
How to design a typeface (Part 3)
Serif — Roman
In the last two article of the type design series we made a geometric sans serif and added italics and a bold weight. The geometric sans serif is the easiest style to do, but for me personally things really get interesting with serif typefaces. Of course there is the addition of serifs, but the structure and weight distribution is also much more advanced. In this article I will make an introduction to designing serif typefaces. This article won’t be as detailed as the previous ones because this third article serves as an expansion on the first two. In other words, I won’t get
Why Helvetica is not great
Why Helvetica is not great
Type design is a rather obscure profession but even the typefaces themselves don’t get too much attention by the general public. Most people could only name a few typefaces, but among those few are always Times New Roman, Arial and Helvetica. Well-known and popular or not, in this article I will show you why Helvetica is not the great typeface people perceive it to be.
Figure 1
The designer
Arial is often frowned upon due to its history, but what most people don’t know is that Helvetica has a very similar history. A bit different, but as far as I’m concerned it’s just as dubious and embarra
How to design a typeface (Part 2)
How to design a typeface (Part 2)
Sans serif — Italics & weights
In the previous article of the typography series I presented some of the basic principles of type design and we started designing a geometric sans typeface such as Futura. In this article we will expand that typeface and add italics and alternate weights. Or rather, I will show you how to design italics and briefly present how you can modify your regular weight typeface to create alternate weights rather than having to re-draw the whole letter.
Before we start
If you haven’t read the last article/tutorial but you want participate in this one, you can download a
How to design a typeface (Part 1)
How to design a typeface (Part 1)Sans serif — Roman
In this article/tutorial I will show you how to design a typeface. I will cover the basics and show you how to design advanced letters as well. There is so much I can talk about though, so if people like this article I might expand on this with future articles and get more into detail. I will only cover the design though, so you will have to research how to do the spacing and programming and turn your typeface into a usable font—or wait until I might do an article on that as well, but I don’t have such an article planned anytime soon.
What will we design?
I will first sho
Featured in Groups
© 2010 - 2024 MartinSilvertant
Comments18
Join the community to add your comment. Already a deviant? Log In
Travelling faster than the speed of light may be achievable be sending out an strong enough pulse of kinetic energy just as it reaches close enough to 98% the speed of light to force it against the barrier. Sound barrier breaches cause sonic booms, so it is likely that breaching light would cause some sort of phenomena, which is why it may appear to be so hard to cross that barrier.
It may be easier than we first thought (as space phenomena can tell us), but any effects of time travel would most likely not be visible to us due to the fact that we would be affecting the past of another parallel universe.
Btw, thought you might be interested in this journal I wrote too: On-the-Feasibility-of-Time-Travel
It may be easier than we first thought (as space phenomena can tell us), but any effects of time travel would most likely not be visible to us due to the fact that we would be affecting the past of another parallel universe.
Btw, thought you might be interested in this journal I wrote too: On-the-Feasibility-of-Time-Travel