Wachtmeister Jaeger is investigating the case of the slaughtered Gestapo agent and finds himself coming up short on any tangible clues. Is he being set up for failure by his superiors? Or do they know something he doesn't?
Three monsters stalk 1930s Berlin.
Reinhart Fohl is a senior clerk in Goebbels' propaganda ministry, who's recently made a dizzying discovery: the party gives its loyal servants so much support and so much latitude that he's functionally omnipotent.
Basilisks--reptilian in infancy, close to human in adulthood--turn to stone in their dotage. 'Welcome', a basilisk in its final sessile stage, has become an old patrician house, complete with portico and gables.
Immortal vampire child Magda Bescu has to live--and to feed--otherwise the tumor in her brain, which is every bit as immortal as she is, will eat more and more of the healthy tissue and leave a bigger hole in her sanity and her memories. And in this place and this time, Magda has one other pressing problem: racially, she belongs to the Roma, the gypsy peoples. The eugenics laws of inter-war Germany have effectively declared open season on anyone of her race.
Wow, thanks so much! That's so awesome to hear--it's the first thing I've ever written! Ile's artwork is incredible, though, and the real treat Wait until you read the next few episodes...and the last of the arc--five--has two different endings
LOOOVED it just like the other episodes! Mike Carey's scripting feels so effortless yet conveys so much. Dave Kendall's art is dark, beautiful and perfectly matching to the story. The build & effects are a smooth mood experience. Jeez. Yeah. Great stuff.