Featured in collections
"Why this one? Why did I choose this face? It's like I'm trying to tell myself something. Like I'm trying to make a point. But what is so important that I can't just tell myself what I'm thinking? Well I don't like it either. I mean it's alright up to the eyebrows. Then it just goes haywire. Look at the eyebrows! These are attack eyebrows. You could take bottle tops off with these. They're cross. They're crosser than the rest of my face. They're independently cross! They probably want to cede from the rest of my face and set up their own independent state of eyebrows. That's Scot, I am Scottish and I've gone Scottish. I am Scottish. I can complain about things. I can really complain about things now."
The more I look at this the more I'm persuaded this is the one I love most amongst your pieces! The use of chiaroscuro is beyond beautiful, and the resemblance is the lesser thing in comparison to how you capture his strange and potent unearthly charm. Bravo!