F.A.Q - new and improved

the loish brushset
Is there any possibility that you could post the png of the brushes here?
Like a png of the brush preview? Asking because I do not have PS but with the png's I could replicate the brush into something I can use 

hello, i search you're online market for buy a sweat shirt, please. with this link for buy a sweat shirt : loish.deviantart.com/art/dark-…

would you ever do free art commissions?

Will art pieces from your artbook be available as prints one day? I really adore the one with the pink ribbons.

What are your stages for colouring? I feel like my art always kind of goes downhill when I try to colour my lineart, and I'm wondering how many steps you take, what kind of process you go through and how long it generally takes for you to do your paintings?

Hi there, I have a question for you if you have the time!

From what I've seen you seem to directly paint colours for your digital painting style. I was wondering if you've ever instead used things like multiply layers or greyscaling? If so, I'd love to know your process or if you have any information/tips/advice on it. 

I'm more of a cartoonist rather then painter, so I always used this like multiply. I also mostly do commissions, where commissioners want colours a specific way or may need a lot of changes, so it makes it very difficult/impossible to do direct painting as it's much harder to fix things (being a furry artist primarily, I have markings I may need to tweak as well), I also just find it more difficult to directly paint on it. 

I've more recently switched to greyscaling, where I keep a folder with all my shading, and half paint, half cell shade. Then add colours on top, but I'm quite new to doing it this way and can't seem to find a good balance. It either looks too cell shaded, or doesn't really look painted. In the end it often looks too simple, and yet at the same time is really busy and took a lot of work, so I seem to be missing something! When I look at your work, because it's directly painted, there's not always a huge contrast in places, like say an arm, yet doing similar it looks pretty simple on mine. 

Of course, I'm sure I'll get it with lots of practice and experimenting, I've already improved in this style quite a lot. 

But, ya, multiply/greyscale is different then directly painting so I was mostly curious if you had information on how you'd do it with that style or if you had examples. 

Wish I could get the opportunity to print your work, Im a fine art printer from South Africa, I do work for artists like Victoria Verbaan and Wesley van Eeden. When you do commissions for private clients what paper and print process do you prefer?