literature

Breathe...

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Literature Text

Standing on the edge of a precipice
Staring down into the blackest abyss

Hesitation…

And breathe…

Silence to the raging thoughts
Calm to the racing heart

Back away slowly…

And breathe…

Embracing solid ground
Soaking warmth through your bones

Inhale…
Exhale…

And breathe…

The grave does not look as comforting
And the tombstone not as welcoming

So walk back to your home

Let go a sigh of relief…

And finally, start to

Breathe…
Blackberry: So this one came from seemingly random moment of inspiration.

I was at the studio where I ballroom dance, and during the Music Theory class the instructor mention hesitation steps.

So my random moment of inspiration came when he said the word "hesitation". It just kind of echoed in my mind, all sibilant and silky smooth. And almost immediately after I realized I was holding my breath and thought "and breathe.." and slowly let go of the breath that I was holding.

And then I thought to myself 'how perfect would a moment like that be in one of my poems?'

So, yeah this entire poem came from the phrase

Hesitation...
And breathe...

All of my poems are copyrighted and I will take you to court if I find them used without my permission.
© 2010 - 2024 LemonandBlackberry
Comments4
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The pensive reservation of the refrain is well balanced in this poem by the quickened pace you have achieved in the paired lines that I shall henceforth, for want of a quicker and better term, call couplets. Much of this celerity springs from the subtle ways in which the lines of the couplets mirror each other, in "Standing... precipice, Staring... abyss; raging, racing; comforting, welcoming". Where this effect is deficient, however, is in the thrid couplet, where I can discern no such technique. As a result, this couplet feels weaker than the others, and creates a negative bathos that breakes the building ebbs and flows of rhythmn you have created and leaves the ending underwhelming. If you could create some such effect in the third couplet, the poem would be rhythmically wonderful.

Besides this, I am a little unsure about the line break you have employed to create the final line of the poem. Whereas, on the one hand, I can see your desire to highlight the emphatic effect of your final word, but I also feel that this leaves the end of the second last line feeling mistakenly shorn and abrupt. I cannot see for myself a definitive way of altering this, but perhaps you shall have more luck if you think on it?

Sorry about the shorter comment on this one, but, well, it's a short poem.