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Literature
Response to The Indian and the Ice
The thought problem of The Indian and the Ice is the second thought problem that deals with how we handle doubt.  Whereas the first problem with The Evil Demon dealt with how can we know anything this deals with what could be seen as more practical dilemmas.  How do we deal with the source of new information, and what do we do when someone’s claim counters what we already know.
For this problem it seems best to try and set up some parameters for those thinking about it.  Doubt in claims is something that we can easily overcome in moments with a smart phone in hand, nearly regardless of where we are or when.  This problem, however, deals with how we deal with doubt when we can’t confirm nor deny what is presented to us.  That is partly why the scenario presented works as the option to confirm this is not given.  This leaves us with what I feel is the intended dilemma.
The source of the claim is one of the deciding factors on how believable a cla
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Literature
Response to Beam Me Up...
The problems that arise from the scenario described in “Beam Me Up...” that I wish to deal with first are not the intended problems of the scenario.  I find the scenario as described to simply be too implausible to take it serious enough to not address the problems with it right away. When I feel that these problems have been adequately addressed I will then move on to what the author intended to be the primary point of discussion rather than what I found it to be.
The legality of such a technology would have to be dealt with well before it would ever be unleashed on the public. The author sets up a scenario in which our understanding of murder at present time is still the legal standing, but they put us into an era where this is no longer functional in society.  At present death is determined when brain activity ceases and for our current era of technology that is entirely accurate.  When the brain stops functioning all that we understand of what makes a per
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Literature
Response to The Evil Demon
Doubt is one of the most useful tools in our quest to rationalize our experiences and discover what truths may be out there.  The problem, however, is determining what is an acceptable level of doubt and what is doubt gone wild.  A proposed demon that distorts our perceptions, thus causing us to believe that we are being logical when in fact we are quite illogical is an example of doubt that far exceeds reason.  Or is that just what the demon wants us to think?  As humans we desire to find comfort and certainty in our worldviews.  It is the assurance that we understand how things are that allows most people to get through the day instead of suffering through something like an existential crisis.  This is why solipsism and extreme doubt in our ability to know anything poses such a serious problem.  That is, until we are able to get a firm grasp on being able to counter the questions raised by such positions.
The position of solipsism, in simple terms,
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Literature
Deep Sea Horror Movies
Tonight, as with many nights, is spent with a sort of movie marathon.  The genre of choice, also as usual, is horror.  Specifically tonight is spent with deep sea monster movies.  The combined genres of horror and monster movies quite often rank among the most frequently watched types in my own little world.  If I had my way they would be the most watched genres in everyone’s world as well, but that may be a bias in hoping for not just more movies but more movies with some semblance of quality.
Horror is a many faceted catch-all genre with little that most of the movies classified as such have in common.  Probably the easiest way to describe the genre is an emphasis on ‘something scary happens’.  It could be something that scares the audience, something that is scary within the movie itself, or both.  There are prevailing themes in horror genres such as perpetrators of something heinous and victims, which often results in moderate to
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Literature
Swamp Monster
"We're here in these noname swamps of Tennessee on the hunt for what could be a true swamp monster."  Eric said excitedly into the camera, turning briefly to face the swamp lands behind him for a nice scenic shot.  This was his job, searching the wilderness for stories of strange and fascinating local legends as host of the show .  This wasn't anything new on TV, but he liked to think that he did it better.  "Out there somewhere is a creature the locals are claiming has taken pets, and possibly even people.  We'll be meeting up with a local who claims to have actually seen the monster first hand."  He turned back to the camera as he finished for a nice, dramatic finish.
"And we're done!" The cameraman yelled as he lowered the device from his shoulder.  "Nice as always man, no one does it in one take quite like you."
"Think we'll actually see something this time, or do you want to try and find the right angle to sell a log again?"  The sound man j
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Literature
A Song for You
Memories fade as they ripen on the forest of our past
They grow ever bitter but the sweetness will not pass
In the branches of the trees sits a robin gently singing
”I love you.  Bring me home to sweet embraces,
Bring me home to welcome arms.
Bring me back to unripened times, so fresh.”
And bring me home this robin, so gentle and sweet
To the cabin of our present lost in the forest of our past
Taste the bittersweet fruit and gently sing together
This is a song for a lover
This is a song for a friend
This is a song for the one and only you
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Literature
Decay
I am lost in the mind of another
Swimming in their memories
Drops of flesh refreshing
Bittersweet on my tongue
What is joy, take it away
Bring me the misery I know
Touch down, reality
Death is another choice
Don’t dare, don’t debate
Old friends will decay
See the light, it shines at last
Through eyes so pale, gray
Petals drop from cold hands
To the stone below
There was never joy
Misery will set you free
Touch down, reality
Death is another choice
Don’t dare, don’t debate
Old friends will decay
I am lost with the mind of another
Drowning in the memories
Tearing flesh so fertile
Oh, the sights I’ll see
What is joy, I don't know
When your friend is misery
Touch down, reality
Death is the only choice
Don’t dare, don’t debate
No friends in this decay
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Literature
Swamp Monster
If you’re going down South
Then you’d best beware
Of that fabled swamp monster
That eater of men
For its got sharp teeth
That will rip you to shreds
And claws stained red
From the blood it has shed
They say it’s 15 feet tall
But they can never agree
Does it have hair or scales
Or skin like you and me?
One thing they agree, though
That they always warn of
Are those yellow eyes
That sit on the water
Waiting for you to take
Your last step closer.
Not everyone believed in
Swamp monsters and fairy tales
Take for example the TV crew
Of an ill fated reality show
Who took it upon themselves
To find this eater of men
They went out a’ searching
To find the answers to
What could have made
This mighty myth
And could it all be true
Arrive in Tennessee they did
And set out for the swamps
All four of them that left that day
Camera, sound, and hosts
Only two would make it out
But who’d believe their tale?
Along the way they did meet
A local, a guide, a witness
A backwoods
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Literature
The Fight
“You were out all night drinking again,”
were the first words I heard him say.
I placed my hand against wall and turned
away from his side of the bed as the room
began to spin.  It was going to be this fight again.
“Why do you do this?  You know you have to go
to work in the morning.”  He wasn’t angry,
but the concern in his voice seemed even worse.
“I just want to have fun, am I not allowed to be happy?”
I said softly, balancing myself carefully as I made
my way to the closet.  Kicking off my shoes I almost fell
backwards before flinging myself forward into the wall.  
“How can this be fun?”  He asked, genuinely unsure.
“It’s called being social.”  I hissed back.  
These few seconds of silence hung heavy
between us before I continued.  
“I have friends, you know.  People who want
to be around me and have me around
and go around and have fun.”
“Are
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Literature
I am rage
In peace I am trapped
In the still life shatters
In fire I am free
In rage all appears
Let no vengeance go
Let no wrongs, unpunished
We are unified by hatred
Broken by pacification
No man walks on bended knee
Only eternal rest on his back
The world does not pass us by
We burn, and so shall it.
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Literature
I am a robe of white
I am that which breeds destruction
Death, devastation, a witch’s coven
Ghouls we are, feed on the dead
Behind the mask, inside wicked head
In blood is power, unholy transfusion
Take the knife like a good peon
Laugh with me as the world stains red
Laugh with us just as you were bred
In blood is power, I have power over you
I am in your veins, I am lord over you
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Literature
Little dog
Dark brown matted fur
Shakes, rain soaks visible bones
Homeless little dog
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Literature
Death and Life: Dread of Peace
There was no more a home, a world that he could call his own.  Yet the loneliness was kept at bay by the very darkness that had torn him away from it all.  They clouded the stars and lay beneath his feet as he walked alone.  The eyes followed at a distance, having been blinded by shadow, rage, and jealousy.
“Where do I go when I have become everywhere?  What can I do when I am now in everything?”  He asked to the eyes.  “You, who saw all of existence, is there purpose at the furthest corners where light dare not go?  There is nothing left for me to fight, no source of rage, or font of joy.  I am at peace and fear that I shall cease to be from it.”
The shadows parted and he saw once again the world which he had called his own.  The great blue orb spun as it always had.  He had left it, traveled across time and space, and it would never notice.  Yet that is where life and where death was.  They would neve
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Mature content
The Long Welcome Home ch. 21 :iconkurnderak:KurnDerak 0 0
Mature content
At The Club :iconkurnderak:KurnDerak 0 0
Literature
Before the War
Faelric sat on the damp morning grass, the blue sky clear and the valley below silent.  This was a hill he had been to before.  It sat at the base of the mountain Nuromg, home of his people the dwarves.  To the other side of the valley lay the Whispering Woods, home to the elves.  The war had been a long time coming, no one surprised when it finally arrived.  Like an unwelcome guest at a depressingly dry party this war was sure to be a great disappointment that the bards and tale tellers would surely try their hardest to embellish.  
“Your ears are not what they used to be, you hair rock.”  The familiar voice of Tryel danced lightly as a light breeze.
“Or you have very familiar steps and are far less interesting than this fascinating nothing going on in front of me.”  He didn’t need to turn to see the elf step gingerly from the trees, taking a seat beside him.
“This is very beautiful land, I will be sorry to se
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Activity


I did a Q&A a bit ago, and here it is.  Most of these I asked myself, a few at the end were asked by another.

How often do you read?
Anymore I read very infrequently. The last time I sat down and read was maybe a month ago. I got a random, free book on my Kindle that I read maybe 6 pages of. Before that I think the last time I read something was when I got most of the way through High Moor earlier this year. I have always read at a slow speed since I mentally read it out loud. I have tried to learn faster reading skills and was able to noticeably increase my speed. However, it seemed to lose a lot of the enjoyment doing so.

Do you find reading to be important?
Yes, very much so. There are many stories that the best format is literature. You can learn how to express yourself, understand others, give your creativity a workout, and many other skills.

Are people who read often the best people?
No. If they go out of their way to inform you that they read a lot or how great people who read a lot there is a chance that they are an elitist. Elitism is another form of dick. Don’t be a dick.

Should people read frequently even if they dislike doing so?
In general a person shouldn’t do things they don’t enjoy if they don’t enjoy to do so. They shouldn’t give up on it because of this. There may be a type of literature they haven’t tried yet, or an author, or get into the right mood. If they have given it a good try and still don’t enjoy it then don’t read.

What is your favorite book? Author? Genre?
My favorite anything is often really hard to choose. I don’t have a single favorite book, but some I would list among my favorites would be Marc Cerasini’s Godzilla series, all of the Terry Pratchett books I’ve read thus far, The Eyes of the Dragon by Stephen King, the MtG book The Brothers’ War by Jeff Grubb.
As for authors I really enjoy the work I’ve seen by Geoff Johns (specifically his work on Green Lantern some years ago), Stephen King, Terry Pratchett, and probably some others.
My all-time favorite genre is horror. The very polarized good vs. evil, the cliché archetypical characters, monsters and villains, the ability to show humanity at its very best and worst, and the ability to really overlap it with practically any other genre. I have always loved monster movies, be they giant monsters like Godzilla, classic monsters like werewolves and vampires, mythological monsters, or brand new ones. My time studying zoology has really seemed to increase my interest in this while decreasing my ability to suspend disbelief. I do really like trying to come up with realistic creatures, or trying to mentally dissect the monster on the screen.

Where do you start with a story?
Where I personally start is anywhere and everywhere. I’ve had stories begin with a random scene, a character concept, some kind of theme for the world, spring boarding off of ideas from other sources, or anywhere else, really.

Is it more important to build a world around your characters or to create characters that fit into your world?
I would say that it is far more important to have malleable characters in a static world. The more consistent the world your story occurs in the easier it is for readers to stay in the story. It is easier to achieve this as an author if you work on creating a consistent world. If you change the world to accommodate characters it can easily lead to contradictory circumstances if you’re attempting to accommodate for multiple characters. However, it is important to make a world suited for the characters you want in it. There is a certain degree of give and take between the two that is required to make a good balance.

What form of writing do you prefer? Genre?
My overall preferred form of writing would be short stories. For literature I have found it to be the most satisfying overall as I can get the story I want to tell out in reasonable time while having enough room to clearly tell the story. I used to prefer poetry for similar reasons, but over time I’ve found that it wasn’t quite adequate for getting the story itself across to the reader clearly. However, I still turn to poetry for quick ideas, non-narrative expressions, and the like. I have mixed feelings about longer formats, such as novels. I do like being able to work more in depth with an idea, really flesh out characters, and take a reader on a long journey. The problem for me, however, is that I have a hard time sticking to the long journey of writing it.

Is literature your preferred creative medium? If not, what is?
Literature is not actually my preferred medium. I would actually list it as third. My first would be visual media such as television or movies with second being music. I tend to think visually and mentally narrate stories that I’m either writing or reading in this way. It can be difficult sometimes to try and translate that to a purely written format and get across what I see in my mind clearly and efficiently. At some point, after I get through at least one or two projects that I’m working on right now, I want to move on to tackling script writing. I think it is something that I would be good at. Music is simply impactful. You can practically run the full spectrum of emotions in less than an hour on a full album. Like poetry it is the fastest way to get a story across with any efficiency, it gets right to the climax and you can experience the entire story in minutes. This kind of experience is something that I have not been able to find a way to translate it to longer stories. If feels like there is too much dead time in stories for me to be able to effectively get across a similar experience that can be done with music.

What subjects do you consider to be off limits to the hands of writers?
As a general rule nothing is off limits, nor should anything be off limits. If it exists, if it can be thought of, if a single person can envision it than it should be a part of literature. I will say, as a means to not turn that into an invitation to write the most horrific, obscene pile of excreted prose possible, that a person should limit themselves to what they are capable of writing. If you don’t know how to write specific types of characters either learn to or limit your use of them. Writing things you don’t know how to write well does not end well. And, for the love of all that is literature, never, ever use something like rape as a tool to motivate the hero to jump into action. By doing so you make the victim nothing more than a violated plot device. Write people as people, not plot devices as people. It isn’t off limits; you just suck at using it.

What influences your writing?
Everything. I get inspiration from each and every part of my life. Let’s take a recent example with the story I tried to write for the second Sojourn Anthology. I first got the idea when thinking about horror movies and how The Descent is rather unique with its entirely female cast. Then I started thinking that would be a good kind of story to write and went with it. I sort of went with the beginning of the movie where they all were on a group vacation; only I kept the story inside the cabin itself. For the character interactions I thought back to what my brother and his friends were like and tried to just switch the genders of those involved. For the two women in a relationship I took queues from my past relationships, and for one of those women I based her half off of an ex and half off of Tara from Buffy. If it inspires you, use it. Don’t steal it, however.

Do you prefer to write male or female characters? Any preference in regards to other aspects of characters such as ethnicity, orientation, or religion?
I imagine I’m better at writing male characters, and only marginally do I prefer writing them. I am male and have been my whole life so I can associate with other males easier, and I am able to picture myself as the male characters easier as well. I think my go to character type would be white, rational, straight male. That is who I am and I used to use myself as a generic placeholder character. Though, more recently, I have consciously tried to diversify my use of characters for several reasons. Part of this is that I don’t want to get in a rut of using the same type of characters. I also want to get better at writing overall and using characters that are new and unique people is a good way to do this. Lastly there is sort of the self-conscious feeling that I need to diversify because there should be diversity. For the most part I have tended to not address the religious nature of characters. It hasn’t really been an aspect of any story I have written in recent memory.

How hard is it to write characters that differ drastically from you?
I’m not really sure to be honest. This isn’t because I try and avoid characters that are different. I think it is more that I have learned how to place myself behind other viewpoints. Trying to imagine things as a character that sees the world very differently from me is more of an exercise in adjusting to a viewpoint than it is a burden.

Is it easier to write the good guys or the bad guys? Which are more fun to write?
Which is more fun? Most certainly the bad guys. I feel like there is a lot more wiggle room with them, I can explore so many different aspects of what the character could be than I can with the good guys. There is also the freedom in them not always having to be a bad guy. That is a bit more difficult when you start with someone as the good guy. Which is easier? I would say neither is necessarily easier. Sometimes you get the good guy who just falls right into place for the story while you’re stuck working out what makes the villain tick. Other times it is the exact opposite scenery. They each produce their own challenge which is something that I personally love.

What are some advantages and disadvantages to literature versus other forms of media?
Being practically the only person responsible for how the story turns out is both a major advantage and sometimes an equally big disadvantage. In music you have the entire band that needs to perform the song right, the sound guys who need to mix it correctly, and so on. Film is even worse. You have all the actors who need to act the script you wrote, a director, producer, sound and visual effects, post production, and so on. In literature you have to put in less effort to the story telling experience, you can say the damsel in distress screams and the reader imagines just how she screamed. You don’t have any budget to worry about; there can be explosions, 500-ft monsters, and any sort of event you want.
However, there are certainly severe limitations to literature as well. As I’ve said before it doesn’t have the instant oomph that music tends to have, and at least for me is well below most film media on the oomph scale. I’ve also mentioned how I tend to think visually, and this is something that is hard to translate well to the written word sometimes. The biggest roadblock I’ve hit is in literature you can only have one thing happening at a time. You can say multiple things are happening at once, but that doesn’t change the fact that you have to describe them one at a time. In film you can have multiple layers going on at once. The main, foreground story can happen while silly antics occur in the background, for example. Another one is subtleties in the background. One example that I’ve thought about a lot is from the movie Alligator. There is a scene where the main character and a rookie cop are down in the sewers. The rookie shines his flashlight around, but just as it passes over the massive alligator they look away. Sure, you can say that happens but it feels like it has lost most of its significance to just state it. That, or perhaps a scene where events occur out of the main focus that you can easily miss yet still add to the story. Say someone is walking through the park at night. From a bush you can see for a half second the gleam of animal eyes. A little bit later you can see the back of a large animal move through the shadows. All of this is occurring while the character is talking on the phone or otherwise drawing your attention to them. Then, seemingly without warning to those who missed the queues, the beast attacks. If you were to write this everyone would know what is coming, or no one would. It is really hard to get some kind of middle ground here.

Are you guilty of writing your own Mary Sue?
Yes. However, I feel quite proud that I try to stay far away from Mary Sue fanfic. A small victory, but a great service to society.

Cassie:
How do animals fit into your stories?
For the most part my stories have no included a strong animal element. There are a few exceptions, though. Honeymoon involves the ghost of a wolf from the early 1900s, and it is sort of a hero. Perhaps more of an anti-hero but still a hero. I have toyed with the idea of doing animal horror. Something along the lines of Jaws, Anaconda, or any of those movies but trying to make it at least scientifically plausible. That last part has made it rather difficult.

Have you ever considered making one a main character?
There is a story idea I had been trying to flesh out that would have had a primarily animal cast. The story would have been about animals at the human society, with the main character being a young dog that had just arrived. Outside of that I can’t recall any ideas I’ve had that would have had animal main characters.

(less serious -->) How about an evil bunny antagonist?
The Monty Python bunny and Bunnicula both make this a very tough niche to do well in. However, I’m sure it can be done.

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KurnDerak

Artist | Hobbyist | Literature
United States
Current Residence: Thic Chair, Colorado
Favourite genre of music: Metal
Operating System: Windows XP, Windows 7
Shell of choice: Blue Shell, they blow up the person in 1st.
Skin of choice: Mine
Interests

Comments


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:iconanybodygottamap:
anybodygottamap Featured By Owner Jul 9, 2013   General Artist
If you don't mind me asking, what inspired the creatures from Don't go Out Alone?
Reply
:iconkurnderak:
KurnDerak Featured By Owner Jul 10, 2013  Hobbyist Writer
A little bit of it was inspired by the Scream movies (the white mask specifically), but part of it was also just what sounded good at the time. I'm still trying to work out what exactly they will be.
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:iconanybodygottamap:
anybodygottamap Featured By Owner Jul 10, 2013   General Artist
I think the mystery makes them more terrifying... And they are quite frightening, so good job!!! :D
Reply
:iconkurnderak:
KurnDerak Featured By Owner Jul 10, 2013  Hobbyist Writer
Thank you. I'm really glad that my horror story isn't lacking in horror.
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(1 Reply)
:icontroubleandbitchey:
TroubleandBitchey Featured By Owner Feb 19, 2009  Hobbyist General Artist
hey hunni
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:iconbobdd0:
bobdd0 Featured By Owner Nov 28, 2008
thanks!
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:iconkurnderak:
KurnDerak Featured By Owner Nov 29, 2008  Hobbyist Writer
Welcomes!
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:iconpoetryod:
PoetryOD Featured By Owner Jan 27, 2008
thanks for watching me :heart:
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:iconkonnyanyanichiwa:
konnyanyanichiwa Featured By Owner Jul 22, 2006
well, that failed. I'LL TRY AGAIN!

:heart::D
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