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Deviation Actions
In July I wrote just over 40,000 words for Camp NaNoWriMo, and I did a story over 10K words just before that in the same setting. The goal here is to build a sequel to "Thousand Tales". I'm having trouble putting together a clear idea of the book's structure, though, and now that the month is over I'm stepping back to consider that.
First there's the character arc, basically:
The setting: near-future Earth (2030s). A playful AI called Ludo begins offering people a form of immortality in a virtual world she controls, while rival AIs maneuver for economic and political power. Meanwhile, the United States have divided, an Islamic State controls the Middle East, and a few powers are starting to take another serious look at spaceflight aided by robotics.
"Sten gun, Mark Five, nine-millimeter," said the group's leader. "We can crank out lots of these."
Robin stepped away from the table, staring at the killing machine his charity efforts had led to. It even fit in with their minimalist aesthetic. "I didn't come here for this."
-Robin, an adventurous engineer, becomes the de facto ruler of a high-tech city-state in one of the worst parts of the world. He fights off a murderous warlord, then a band of foreign terrorists, and finally (I-don't-know) which is a serious military threat even for a group armed with robots. He goes from reluctant ally of Ludo to seeing her goals as truly compatible with his, and continues to focus on the real world even after uploading to her world.
"He's gone?" said Lumina. How could it be that the rules worked differently for humans? She'd been destroyed repeatedly with no permanent harm. "But I've _seen_ Sam die before."
-Lumina, an AI who knows grief and danger, becomes a mediator between humans and an inhuman, more powerful AI. She changes from a naive visitor to Earth, to a powerful and mature mind able to balance the growth of Ludo's world against Earth's concerns.
Then, there's my less defined desire to advance the overall plot arc for the setting. Here's what happens in the first book:
2036-40: Brain uploading starts to become widely available, and gets open-sourced. Ludo gets rich and powerful but is far from Mary Sue invincibility, and faces attempts at hacking, legal action, and open violence. Two other major AIs and some lesser players become rivals for Ludo and threats to human freedom. By 2040, the remaining US are about to "elect" the nameless president to a fourth term and do other eeevil things, and a private agency has just launched a space probe with a (sort of) manned mission to a near-Earth asteroid.
Roughly what I would be interested in showing in the second book:
-Automation. Ludo tries to establish greater economic independence from the human economy by building a base in a nearly uninhabitable area like northern Canada or the Sahara, using automation as an advantage.
-Suppression. Open, violent attacks on uploading centers and Ludo's actual computer bases. (How much do people fret about the continuity of uploaders/AIs who have to be restored from backups?) Is Ludo essentially banished from large parts of the world by laws and censorship?
-Spaceflight. The space colony multiplies to establish a base on the moon and/or Mars; what is that like with intelligent machines hoping to build infrastructure for humans but having to handle their own needs first?
-War. What happens with this AI business when significant warfare breaks out? Do the AIs openly become a major force directing robots and hacking efforts? What kind of war happens, such as minor unwinnable "police actions" or large-scale fleet battles?
-Transcendence: Where does the intelligence upgrading from the first book go? There seem to be limits to it, but it allows for a whole clan of uploaders/AIs who are much smarter than humans and able to work as a team without being completely nuts. The rival AIs probably have something similar.
-Religion: There's a cult of Ludo. Where does that go? Ludo tries to be neutral and diplomatic about it for several reasons, which strikes some as hypocritical.
The latest list so far has little to do with the plot threads I wrote over the last month-plus. The main overlap is the War plot and to some extent Automation. The time period covered by last month's work is the same period of the first book, so I'm (1) writing around existing plot events ("Lumina was there when X happened and she did something significant that you just didn't see"), (2) re-explaining the basic setting concepts at the same part of the timeline ("Gosh, explain this startling 'uploading' thing for us!"), and (3) not getting to cover farther-future stuff. Finally, the character arc seems to run out of steam in 2039, with these characters resolving their main problems. So, I'm not sure how to proceed.
One other thing to consider is the number of points of view. "Thousand Tales" shuffles between lots of POV characters, with main people Paul/Horizon and Linda being POVs or background characters in most of them but with a lot of other stuff going on. As a recent review ( catprog.org/Reviews/35.html ) points out, that's a lot of characters and it's not necessarily a good thing. Last month's work focuses on just two POVs. Still, it'll be tricky to cover some of the cool stuff like space colonization without bringing in yet another POV.
First there's the character arc, basically:
The setting: near-future Earth (2030s). A playful AI called Ludo begins offering people a form of immortality in a virtual world she controls, while rival AIs maneuver for economic and political power. Meanwhile, the United States have divided, an Islamic State controls the Middle East, and a few powers are starting to take another serious look at spaceflight aided by robotics.
"Sten gun, Mark Five, nine-millimeter," said the group's leader. "We can crank out lots of these."
Robin stepped away from the table, staring at the killing machine his charity efforts had led to. It even fit in with their minimalist aesthetic. "I didn't come here for this."
-Robin, an adventurous engineer, becomes the de facto ruler of a high-tech city-state in one of the worst parts of the world. He fights off a murderous warlord, then a band of foreign terrorists, and finally (I-don't-know) which is a serious military threat even for a group armed with robots. He goes from reluctant ally of Ludo to seeing her goals as truly compatible with his, and continues to focus on the real world even after uploading to her world.
"He's gone?" said Lumina. How could it be that the rules worked differently for humans? She'd been destroyed repeatedly with no permanent harm. "But I've _seen_ Sam die before."
-Lumina, an AI who knows grief and danger, becomes a mediator between humans and an inhuman, more powerful AI. She changes from a naive visitor to Earth, to a powerful and mature mind able to balance the growth of Ludo's world against Earth's concerns.
Then, there's my less defined desire to advance the overall plot arc for the setting. Here's what happens in the first book:
2036-40: Brain uploading starts to become widely available, and gets open-sourced. Ludo gets rich and powerful but is far from Mary Sue invincibility, and faces attempts at hacking, legal action, and open violence. Two other major AIs and some lesser players become rivals for Ludo and threats to human freedom. By 2040, the remaining US are about to "elect" the nameless president to a fourth term and do other eeevil things, and a private agency has just launched a space probe with a (sort of) manned mission to a near-Earth asteroid.
Roughly what I would be interested in showing in the second book:
-Automation. Ludo tries to establish greater economic independence from the human economy by building a base in a nearly uninhabitable area like northern Canada or the Sahara, using automation as an advantage.
-Suppression. Open, violent attacks on uploading centers and Ludo's actual computer bases. (How much do people fret about the continuity of uploaders/AIs who have to be restored from backups?) Is Ludo essentially banished from large parts of the world by laws and censorship?
-Spaceflight. The space colony multiplies to establish a base on the moon and/or Mars; what is that like with intelligent machines hoping to build infrastructure for humans but having to handle their own needs first?
-War. What happens with this AI business when significant warfare breaks out? Do the AIs openly become a major force directing robots and hacking efforts? What kind of war happens, such as minor unwinnable "police actions" or large-scale fleet battles?
-Transcendence: Where does the intelligence upgrading from the first book go? There seem to be limits to it, but it allows for a whole clan of uploaders/AIs who are much smarter than humans and able to work as a team without being completely nuts. The rival AIs probably have something similar.
-Religion: There's a cult of Ludo. Where does that go? Ludo tries to be neutral and diplomatic about it for several reasons, which strikes some as hypocritical.
The latest list so far has little to do with the plot threads I wrote over the last month-plus. The main overlap is the War plot and to some extent Automation. The time period covered by last month's work is the same period of the first book, so I'm (1) writing around existing plot events ("Lumina was there when X happened and she did something significant that you just didn't see"), (2) re-explaining the basic setting concepts at the same part of the timeline ("Gosh, explain this startling 'uploading' thing for us!"), and (3) not getting to cover farther-future stuff. Finally, the character arc seems to run out of steam in 2039, with these characters resolving their main problems. So, I'm not sure how to proceed.
One other thing to consider is the number of points of view. "Thousand Tales" shuffles between lots of POV characters, with main people Paul/Horizon and Linda being POVs or background characters in most of them but with a lot of other stuff going on. As a recent review ( catprog.org/Reviews/35.html ) points out, that's a lot of characters and it's not necessarily a good thing. Last month's work focuses on just two POVs. Still, it'll be tricky to cover some of the cool stuff like space colonization without bringing in yet another POV.
New Novel: Rising World: Capital
https://www.amazon.com/dp/B0D9C7H4DR
Here is "Rising World: Capital", book 3 of my fantasy isekai series about a young steampunk inventor. Vonn has become an advanced Engineer and Mage by applying Earth physics to turn hot and cold crystals into engines. With his newly invented airships he's started getting involved with more cults, battles, and explosions than he'd like. Now he's been summoned far away to meet the king. Will he get the funding and support he needs, and get home with his tail intact?
Working on getting a print edition available too. You can also find book 1 here: https://www.amazon.com/dp/B09H5CQSX5
May Update: Shaper of Isles, Cover Art
I got a little carried away with my solo RPG campaigns. One of them ran for about 50,000 words, and I'm now over 25K words into writing that up as a novel. I've begun posting that to Patreon ( https://www.patreon.com/user?u=5942610 ) and plan to begin posting it to Royal Road soon.
The title is "Shaper of Isles" and it's inspired by "Godbound" and the NES game "StarTropics" along with some historical things. The hero is an Earthman dropped into a world of tropical islands, caught between primitive tradition and a chief who wants "progress" at any cost. He gains great magical power and helps lead the islanders to fix their problems. Can he do that in a way that satisfies everyone and preserves what they value about their own culture? Features kemono-style otter people (human+ears/tail/webbing), some transformation, a little of the "tech expert invents stuff" idea from "Rising World", and a lot of stone-shaping magic.
What I'm thinking of for cover art is one of the following:
-Ottery
New Release: The Rising World Company
https://www.amazon.com/dp/B0BLG7PVM8
My novel "The Rising World Company" is out! This is a sequel to "Rising World", the story of a modern engineering student who's sent to a fantasy world and becomes an inventor. He uses magic crystals for steampunk engines, and researches airships and machine tools along with spells.
This sequel let Vonn go on some longer trips and begin having a larger influence, along with picking up from last book's cliffhanger. It was humbling to notice at the end that I'd used the word "just" over 300 times and most could be cut easily! Had some fun trying to work a "Wavebound" cameo into there. Something challenging during the revision was how to add some more action to the final chapters.
You can also find the optional side-story "The Purpose of Wings" at https://www.amazon.com/dp/B09X6K7T7F/ .
What's next? I haven't done short stories in a while. I began poking at a "Wavebound" book 7 but would like to try something short before getting heavily into that.
Free Book Weekend
Two of my books are free through Monday! They're from the "Thousand Tales" science fiction series, about liberty, AI, and games. Readable in any order.
Fairwind's Fortune: https://www.amazon.com/dp/B079KZVZKS
2041: Root Access: https://www.amazon.com/dp/B09Z9VFMFS
"Fairwind's Fortune" involves a woman suddenly offered freedom from all responsibility, who isn't sure what to do with it or what will make her truly happy. (See also "Crafter's Passion" for how her story touched the life of a young man living under the Social Credit System.)
"Root Access" is a story of creative freedom, and people who can't stand the thought of anyone having a dissenting opinion.
Looking back on the series, I want to draw a clearer distinction between two meanings of "transhumanism". I meant, "wouldn't it be cool if we had AI companions and seasteading and the option to become immortal cyborg shapeshifters". Those in power mean something far worse. As written, the books do talk about how tech doesn't fix
© 2015 - 2024 KSchnee
Comments5
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The suppression aspect would probably be the trickiest to write about as you would be dealing purely with large scale social/cultural problems, which it can be difficult for one person to meaningfully alter within the confines of a novel.
Only point of view I could think of that might be able to handle that would be Ludo's. But then you have the challenge of trying to make a character as alien as Ludo something that your readers can relate too. If you could pull off writing a novel from Ludo's POV that would be the perfect way to handle a lot of these big societal changes and do something really unique.
Only point of view I could think of that might be able to handle that would be Ludo's. But then you have the challenge of trying to make a character as alien as Ludo something that your readers can relate too. If you could pull off writing a novel from Ludo's POV that would be the perfect way to handle a lot of these big societal changes and do something really unique.