Jerome-K-Moore's avatar

Jerome-K-Moore

11.5K
watchers
627 deviations
758.8K
profile views
With this online art community, we have a unique opportunity to connect with our kindred. We must avail ourselves of this experience, for, once it's gone, it may never come again.

            ***************************************************************

🍿SPOILER-FREE IMPRESSIONS OF™: SPIDER-MAN: FAR FROM HOME -

Better than I expected, which wasn’t much, unfortunately. Some nifty stuff involving Aunt May (Marisa Tomei), and Happy Hogan (Jon Favreau), some cool special effects. I like how they handled Mysterio (Jake Gyllenhaal), particularly those sequences highly reminiscent of the Bronze Era comics. I still hate that this Spidey is so reliant on Stark technology. Another problem involves the rather weak school kids supporting cast. Most of the comedy relief involving them falls flat, and none of them generate any interest for me. This may be a mix of the material and the performances as much as the casting. Zendaya continues to be a poor choice as Peter Parker’s love interest, in my opinion, unfair comparisons to previous Spidey love interests (Kirsten Dunst/Mary Jane, Emma Stone/Gwen Stacy) aside.

As for the added credits scenes, I definitely smiled at the return of a character so sorely missed from this movie iteration of Spider-Man. I totally understand the capitulation, returning to You-Know-Who as You-Know-Who, since no other actor will match or top that actor for that role. What I couldn’t understand was why the left him without his trademark “roof.”

Anyway, problems persist, but I managed to enjoy this sequel more than the first outing, SPIDER-MAN: HOMECOMING. With the whole S.H.I.E.L.D. angle, I think it would have been cooler to push for a more 007/Bourne Identity flavor for this Spidey adventure. There are moments where they almost get it, but not enough.

So, it still needs more garlic, but this flick isn’t bad.
My rating: MEDIOCRE.
As always, Your Mileage May Vary.



anonymous's avatar
Join the community to add your comment. Already a deviant? Log In

With this online art community, we have a unique opportunity to connect with our kindred. We must avail ourselves of this experience, for, once it's gone, it may never come again.

            ***************************************************************

🎟 🍿 SPOILER-FREE IMPRESSIONS of™ - CAPTAIN MARVEL!

• Directed by Anna Boden, and Ryan Fleck
Starring Brie Larson, Samuel L. Jackson, Ben Mendelsohn, Lashana Lynch, Annette Bening, Clark Gregg, and Jude Law.

Okay... After all the hype, the trailers, and the ultra-silly online fussing, it was time to see the actual FILM, and take it on its own merits. All the negative buzz doesn't look to be hurting the opening weekend box office too much. Where things go from here we shall soon see.

I enjoyed it. I also think it could have been a lot better, considering the Marvel movie pedigree. True, not all of the entries have been homeruns, and I rank this one as a solid double. A double seems apropos since the directing team is yet another duo. However, this tandem is not in the same league as the Russo Bros.... yet.

As most folks know, I tend to call 'em like I see 'em, to extend the baseball analogy. I grew up loving the male version of the Captain Mar-Vell character as illustrated most notably by artists Jim Starlin, Gil Kane, and Allen Milgrom. But as much as I might have wished to instead see that version up on the big screen, I never insisted on it to the point of even entertaining the notion of skipping this film simply because they decided to go with the Carol Danvers version. I mean, really? Someone astutely pointed out that if the version of Captain Marvel that so many fans were whining for had been supported back in the day, the successful sales of that comic book would have kept it afloat. Instead, Marvel wound up trying different iterations, male, to female, to black female, all to inevitable failure. So, where were those fans then that they should rightfully make demands now? The fact that Marvel/Disney is bold enough to take a chance on a third-string character that failed repeatedly back in the day is nothing if not to their credit. So, kudos to them. And, to the whiners? Suck it up, and just go have a good time. Personally, I can't conceive of an all-out war with Thanos on the big screen without some version of Captain Marvel involved. And here she is at last. In the interest of opening up the playing field to more female characters, and more characters of color, I can embrace a dose of inclusion under the right conditions. This may not be the ideal, but I'm cool with it. And I definitely don't feel threatened by a powerful female character given the spotlight. The genre could use more diversity in order to reflect this modern era, and less of the era in which most of these superheroes were created. If it's done well, then all the better.

I think the script needed some tweaks. The bulk of what we get here consists of an array of clichés and tropes which cannot surprise. It's a better Green Lantern story, but that's not saying much. They do offer a nice twist in the third act, and everything manages to fit snugly into the established MCU. I appreciated the sensitive heart at the center of this story, and it's there that we get to see Larson step up her game in glimpses. But for the most part, she is required to rein it in, largely because of her character's clouded past, the struggle of a woman in a very macho corner of a man's world, as well as her role as a soldier in an extraterrestrial military. All of these factors serve to make the actor's performance a bit cold, wooden. But I can forgive this on her first outing, as she works to find and grow into the character. Gal Gadot possesses an inherent innocence which enhances her charm, and which meshed so well with the innocence of her Wonder Woman character. Brie Larson, on the other hand, appears to be a mix of sardonic sass, peppered with a no-nonsense attitude. She can still be playful, and she has a quick laugh, but she's been around the block a few times, so to speak. No, she isn't as dour as some have pegged her based on the trailers. She's NOT. Indeed, there are splashes of humor present, as is typical of these movies. Those gags that are derived naturally are what I prefer, the "fish out of water" stuff. But, of course, they couldn't resist going for too much, in my opinion. I also don't like the lack of scope and impact, where such incredible occurrences fail to register on the world around, as if no one else noticed, or as if they somehow entered MEN IN BLACK territory and forgot to tell us.

Mendelsohn has some very good moments. Jackson is-- well-- Jackson. I like that Lee Pace and Djimon Hounsou are present to lend some valuable continuity. Bening shines-- literally. Akira Akbar is a delight as young Monica Rambeau. Yes, there are Easter eggs aplenty scattered throughout this film. The tribute to the late Stan Lee is appropriately touching. My audience applauded enthusiastically. Rest in peace, Stan "The Man."

So, going forward, this movie nicely dovetails into AVENGERS: ENDGAME right down to the modified pager used by Nick Fury. Based on this adventure's climax, Captain Marvel does justify Fury's faith in her. While several questions go unanswered as to how exactly Captain Marvel managed to become who she is, and even more, how she became the powerhouse she is by the end of the movie, she is definitely one formidable beast. Larson mastered her superhero stance, and her super slow-mo power strut for sure. I'm not crystal clear on what power level she belongs, but I'd place her well above Iron Man, and perhaps in the vicinity of Thor. Yeah, this woman's a bad-ass.

And so, though this movie is a bit wobbly, I still see it as a welcome addition to the Marvel Movie Freight Train. Mediocre, but an entertaining interlude between the Avengers epic two-parter. By the way, stay seated for key middle and post-credits fun. But you all should know that by now.
RECOMMENDED.
And, as always, Your Mileage May Vary!
Cheers! :)




anonymous's avatar
Join the community to add your comment. Already a deviant? Log In

With this online art community, we have a unique opportunity to connect with our kindred. We must avail ourselves of this experience, for, once it's gone, it may never come again.

            ***************************************************************

• MUSINGS™ - Of Early Beginnings, and Inspirational Words to the Artist -

- A friend's post in The Lunchroom group posed the question about what was the best advice we may have received on the way to becoming a good artist. My own personal journey towards that goal continues. But, thinking back, my answer was this...

I don't remember exactly where I heard it, or to whom it is rightly attributed, but someone once said that "every illustrator has a million bad drawings in him, and best to get them out so that he can finally create the good ones," or something to that effect.
The idea was that it takes tons of hard practice to get really good, and that an artist mustn't be afraid of that hard work, nor of continuous failure before success.
After all, we learn most from our failures, not our successes.

FROM DC COMICS:
Upon becoming a pro, two of the most salient pieces of counsel I remember...
Julius Schwartz: "No, you're no good at doing likenesses. Stay away from that."
That hard bit of advice was never mean-spirited, only frank at the time. And I used that as motivation to strengthen one of my many weaknesses. Thank you, Julius Schwartz.

And on my last day at the DC headquarters in NYC, circa 1982 (I was moving with my family to Los Angeles.), I somberly leaned in to Karen Berger's office to say good-bye. Marv Wolfman stood by her desk as Karen wished me well. I asked Marv how I could ever repay them for giving me my big break. Marv simply smiled, and said, "Prove us right."


anonymous's avatar
Join the community to add your comment. Already a deviant? Log In
With this online art community, we have a unique opportunity to connect with our kindred. We must avail ourselves of this experience, for, once it's gone, it may never come again.

            ***************************************************************

I believe the hands are just the secondary tool of Creativity, as part of the artist's body. Sometimes that secondary tool is the voice, as it is for singers, poets, and orators. Sometimes that secondary tool is the entire body itself, a moving means of expression for the dancer. The primary tool is the union of mind and heart, wielding imagination and passion, respectively. Talent is the necessary aptitude, the desire, the affinity, the calling, and it is a gift bestowed by a higher power.
Skill is that which is acquired through knowledge and practice, continuously honed by time and effort. Talent and skill may exist independently of one another, but in combination a greater fulfillment is possible.
All else are tertiary tools... the pencil, the paintbrush, the paper, the computer, the guitar, the piano, the pen, the microphone, the clay... and on and on.



anonymous's avatar
Join the community to add your comment. Already a deviant? Log In
With this online art community, we have a unique opportunity to connect with our kindred. We must avail ourselves of this experience, for, once it's gone, it may never come again.

            ***************************************************************

• In a word: EXCELLENT.

Now, some more words...

Yeah, they did it again, those Mighty Marvel Movie-making Mavens. If you liked the first bugged-out flick, this sequel does not disappoint. Kudos once again to director Peyton Reed (I can only wonder what Edgar Wright would have done.), and to everyone else involved. I had a great time watching this movie, as they found a way to continue the "heist" style adventure, while deftly incorporating some amusing and heartwarming relationships between family, friends, and a resuming romance. Some of the funny gags are forced comedy. But most of the humor is naturally derived from the offbeat characters and the outlandish situations. In other words, it works. The audience I saw this with were literally laughing out loud at the silly shenanigans, as intended by the filmmakers. And they REALLY responded perfectly to the-- stinger-- ending (pun intended)! I was beginning to wonder how they were going to tie THAT in. Shhhhh!

Paul Rudd is fantastic once more, displaying a flair for comedy that is razor-sharp, yet never overdone. Michael Peña is at his scene-stealing best, along with his cronies Tip "T.J." Harris, and David Dastmalchian. Michael Douglas is just spectacular throughout, playing such a lovable grouch.
Evangeline Lilly once again proves to be too much woman. All the advance whining about her character's costume design can be flushed in favor of her actual performance which is stellar, and sexy, and bad-ass. In fact, the Wasp may be the most bad-ass of all Marvel's non-enhanced superheroes. I think she's definitely better than Black Widow in a fight (the former gold standard).

Little Abby Ryder Fortson as Scott Lang's daughter Cassie is every bit as adorable as before. Aw, heck, I'll go ahead and say she's BETTER than before. That kid has SKILLZ! And her screen chemistry with Rudd is pure magic.

The guest-cast and new additions are also pitch-perfect, including Laurence Fishburne, Hannah John-Kamen as Ghost, and, of course, The Pfeiffer! Walton Goggins is always fun to watch. And Randall Park is a gem.
Incidentally, Fishburne has reportedly admitted to considering himself a "Marvel guy," and he had previously pitched his own ideas on how he could become part of the MCU. Personally, I dislike cross-pollination within a specific movie genre. Nevertheless, Fishburne is GREAT as Perry White, and he's wonderful here as Bill Foster (a.k.a. Black Goliath in the comics).

Another interesting note is how this film handles its "villains." But I'll say no more about that here.

Stan Lee's cameo is another hilarious entry into that collectible sub-series. Gotta love Stan The Man!
Composer Christophe Beck turns in another solid musical score. When the rapid-fire bongo drums accompany a Michael Peña close-up, we know that a funny flashback is next, as Peña narrates all the flashback characters in his inimitably sassy motor-mouth style! Watching Evangeline Lilly perform street-sassy moves while speaking in Peña's voice is a total crack-up. I need to see the out-takes!

GRIPES:
Not that many, to be honest. Because they've already established such a tongue-in-cheek flavor for this corner of the MCU (one that I appreciate better than that of the Guardians movies), I don't feel the need to scrutinize any lack of logistics concerning science, physics, or techno-babble. Sure, I find it impossible that a shrunken van can suddenly enlarge beneath a full-size SUV and hurl the other vehicle into the air without crushing itself or its passengers. But we're talking about a universe where a kid can wear a gloved outfit with boots, and still climb walls and cling to ceilings. Such are the vagaries of a comic book movie.
And, of course, I couldn't help thinking about how impossible it must be for a person shrunken down into the micro-verse could still breathe air, let alone survive for a great length of time. Aside from breathing, what would they eat and drink? How could they live without the sun? How could they avoid going insane? These are legitimate questions, but I was willing to set them aside in favor of an engrossing adventure story.
No, I guess I had the biggest problem with them getting too cute with the giant ant gags. The very first of these in the previous film was great. But some of the stuff they try to get away with here pushes it into the groaner territory.

I was seated next to two foreign guys who, I could tell from their accents, were German. After confirming this as the end credits rolled ("Ah! Sprechen sie Deutsch!"), the two Caltech employees remarked on how lively American audiences are, as opposed to those in their homeland. They got a big kick out of the open laughter, and gasps of surprise, along with the reaction to the first post-credits scene. And yes, they thoroughly enjoyed the movie, too.
All in all, a good time at the cinema!
And, as always, Your Mileage May Vary!
Cheers!

anonymous's avatar
Join the community to add your comment. Already a deviant? Log In
Featured

S-F Impressions of: SPIDER-MAN: FAR FROM HOME by Jerome-K-Moore, journal

Spoiler-Free Impressions of: CAPTAIN MARVEL! by Jerome-K-Moore, journal

MUSINGS of Beginnings and Advice for the Artist by Jerome-K-Moore, journal

MUSINGS - Of the Tools of the Artist by Jerome-K-Moore, journal

SPOILER-FREE IMPRESSIONS OF: ANT-MAN and the WASP by Jerome-K-Moore, journal