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At the time I was trying out a technique of rendering everything grayscale then colouring afterwards, which I think produced a nice effect but turned out to be rather too laborious for everyday comic pages and also seemed to be more appropriate to more organic subject matter and not a good fit to the simple modernist settings of Teh Future, so I've now gone back to straightforward inks and colours.
Very nice! I like how you've kept suspense in there by not showing Lucy from the front or her sister's face. We're immediately in a story, as opposed to just looking at a picture.
Nice décor, too.