I just want to share a very sad and unpleasant story that happened recently. Perhaps this is not diplomatic. And unprofessional. But hell, I'm very, very upset and disappointed. The most offensive is that this is a stab in the back from a regular customer who has several very important for me sculptures in his collection. It all started with the fact that during the current sale (10% discount), the buyer asked to refund $ 10 from the last order. The client motivated this by the fact that he bought a pair of creatures (a mother with a baby Liontari), which supposedly costs more than an adult creature and a baby separately in total. At the s

Many believe that criticism will help to do a better work. But there is one very important nuance: the work can be done better ALWAYS. - At first, the schoolboy will come and say "faugh! What the crap...?" - Then the sofa critic will come and say "legs of different lengths, neck is too short". - Then the teacher will come to the rural art school and say "the thigh muscle of irregular shape". - Then the teacher of the prestigious art university will come and say "in motion this muscle will perform one more tenth of a millimeter". - Then the art historian will come and say "you are a good master, but your work lacks style / dynamics / work wit

This is a series of my works, the inspiration for which was the film "Alien: Covenant", as well as the continuation of this story in our worlds. The character of Titmouse (and one of eagles) was created by my friend Eva Odinez. «My initial attitude towards Titmouse — “I’d strangle him with my own hands!” — at some moment transformed into “I’ll tear off the hands of anyone who dares touch him”. As we got to know the details of his story I came to respect him. I even felt admiration. What else was perceptible in Titmouse was his eternal trust in the world, his belief that life is not only ab