GamerGate

Even with my unpleasant experiences of two breakdown seizures from playing Final Fantasy XIV for over 7 hours two years ago since last summer, I still hold my interest in the game as the very best game in my heart since it was my virtual place of refuge from the deconstruction of World of Warcraft. Why I am bringing this up now, even since it has only been two months now, is because I have found some rather hair-raising drama surrounding the toxic American voice actress Sena Bryer, who is known for being a transman -- basically a man assigned at birth before having transitioned into a woman, i.e. Jim Sterling -- and he said that lots of FFXIV players have been cruel to him over his role for one of the supporting characters in FFXIV's latest -- and most polarising -- expansion Dawntrail called Wuk Lamat, who appears to be a beast-lady princess warrior. I had no knowledge of this character nor the expansion's content apart from the Aztec-themed islandic hub area Tuliyollal which looks

BioWare made the Mass Effect board game that features pronouns on character sheets and anybody that criticised it for pumping that meaningless current day political rubbish get called "manbabies". Before the board game was introduced, Mass Effect: Andromeda was what signified the wokification of Mass Effect as a whole with the blatantly large number of female characters that are intentionally written as flawless without any nuance to their backgrounds just for the sake of adding what BlackRock likes to see so they can grab their daily earnings from BioWare -- for a more simple sentence to any idiotic woke lowlife reading this and retardedly wondering why they don't comprehend what I'm on about, Environmental, Social & Government credit score system. At least before the Diversity, Equity & Inclusion drivel was introduced some time ago in this decade. However, that is just the starter pack of BioWare's current day virtue-signalling; if Mass Effect as a board game that shows pronouns on

I have great respect for Bandai Namco as a Japanese company, at least as a holdings enterprise that I know for unforgettable anime I enjoyed like Inuyasha and Welcome to Demon School! Iruma-kun as well as several awesome games I got into like Tales of Berseria, Tekken and Pac-Man, but how they had to concoct such a failed experiment of a shameful shovelware product like Unknown No.9 which the title sounds as if the writer couldn't even remember what the full name of the song "Love Potion No.9" was with the help of the woke D.E.I. consultation firm Sweet Baby Inc. is truly beyond me. Not helping matters that the publisher itself chose to lay off most of their staff and cancelled more anime-based games even after the commercial success of Dragon Ball Sparking Zero. If this is the "Virgin" of videogames set in South Asia where you play a native, then Far Cry 4 would be the "Thad"; in other words, the latter does a terrific job at portraying Indians, Britannians and other expatriate

I wonder how long it took for that CEO who was responsible behind the corpo cel-shaded disaster piece of art that is the videogame Dustborn to lose his marbles over the overwhelming majority of criticism towards it for its blatant forced far-left progressive politicisation which is generally about the developers' (Red Thread Games) seemingly endless "trauma" over the 2016 United States General Election which Donald Trump, a traditional Republican who got his first career in being a TV mogul since the 1980s, scored his first presidency which they claimed has negatively impacted their lives despite them clearly having lived in Norway, a European country within the region of Scandinavia which is best known for black metal, wooden shoes, windmills, meatballs and Vikings, all of which is something you'll never come across in the American countryside, except for the Amish communities, pizzerias & bistros and maybe Avenged Sevenfold. If the CEO is Norwegian and has spent the rest of his life

Netflix has been a real harbinger of destruction towards certain intellectual properties in entertainment that we all came to know and love through the years regardless of how young or old we are. It has even touched some anime titles like BEASTARS and JoJo's Bizarre Adventure: Stone Ocean, the latter which obviously was staler than a Gregg's sandwich left to decay on a subway, because of Netflix's executive meddling especially since the "Definitely Not Chinese Pandamonium" that spread across the world and caused a lot of economical problems, not because Stone Ocean has a nearly all-female cast like the otherwise beloved Jolyne Cujoh since that is obviously intended for the next storyline by Hirohiko Araki himself, rather than by some random American AAA company that threw them in to boost D.E.I. credit scores. But this time, Netflix did the unthinkable with Tomb Raider and desecrated the very goddess of feminity and adventuring that is Lara Croft, in which they reduced her to a

Much like my best days with some people here on DeviantArt that love Ghost of Yotei whilst completely being oblivious to the fact that Erika Ishii is a toxic far-left social justice activist that wishes death to all police officers and white people, the Quebecois consultation firm whose name is as PDF as it sounds is now going clubbing against my favourite Canadian Endymion, Rev, KUNG FU HOTDOG and several others I have been following staunchly. And that was right after they changed their website with a new identity but suspiciously similar colours that their ideology bears. I won't be upset about your reputation that will be swirling down the abyss, Sweet Baby, because you'll never even crawl out of it in decades to come.