Planning the Evil Plot
A half-guide, half-narrative on writing a story
brought to you by Super Editor
Before I start writing, I like to have some idea of where I'm starting, where I'm going, and how I'm going to end up there. Let's say that I want to write a comedy about an author who suddenly changes places with her Mary Sue. I usually jot down some basic ideas:
Sarah, the author: ~13 years old, average-looking, glasses, rather tall and gangly
Ellemere, the Mary Sue: ~16 years old, long flowing hair, violet eyes, etc.
Forrest (Ellemere's love interest) : ~18, stereotypical pretty boy who is too dark and broody to make a good love interest
Leon: ~17, Ellemere's somewhat dorky friend who falls in love with her but is cast off to side in favor of Forrest
Tangent: For those of you who are confused, the ~ symbol means "about." I think it comes from math.
I like to draw, so I'd probably make doodles of these characters too. Drawing characters is a great way to develop th
Maximum Ride oc TemplateBASICS
Strengths (balance these two out!!!):
Favorite of the Flock: (or least favorite, if they hate they Flock)
School (Institute or another lab) History:
Species of Experiment:
WHITE COATS ONLY
How did they get a job wherever?
Have they met the Flock?
Are they the nonexistent so-called 'good white coats'?
(Okay, no idea what else to put here, sooo go crazy)
Character Cliches to AvoidCharacter Cliches to Avoid (Like the Plague)
This tutorial-suggestion love child will be split into two parts :: 1 for cliches that should NEVER, EVER, EVER, EVUR be done by anyone, and the second part being ones that shouldn't be done by beginning writers.
Section One: The Black Plague
These are character cliches that are so overdone that they should NEVER be done anymore. EVER.
Not a lot to say on this one. There's nothing worse than reading a piece of writing though with a main character or side character that never got the character development that they deserved.
This is my name for characters that never change through the series/work. Your character should always grow with each obstacle they're faced with.
Characters with Atrociously-Spelled Names
Let's just say that if I have to get out the pronounciation guide to get through the first half of your character's name, it shouldn't be done.
How to Create a Character: Protagonist Edition.
Have you ever caught yourself reading a book, manga or watching a TV show and wonder how the creator could come up with such a realistic character? Well, whether it'd be an anthro, anime or real-life character, characters take time to think through. In this tutorial, I will tell you just how to create that realistic and believable character! You can also use this tutorial to think through the characters you've already created in order to re-vamp their appearance and personality!
There are 3 important aspects to a character, they are: personality, design and purpose. Characters lacking one or more of those aspects may come off flat and boring. Personality is how the character acts and interacts with other characters. The personality is what gives your audience feelings for your character. Design is another important aspect. Their de
Knowing Your CharacterIn a storywhether it be told on stage, on screen, or in printknowing your main characters inside and out helps create a well rounded and interesting plot. It also makes writing them easier too. In this guide, a companion to To Create a Character, I'll attempt to help put skin and flesh on the bare bones of a character, to create "character," and to discover things about them that youthe creatornever knew.
Exercise 1: Interviews
One of my favorite ways to get to know my character is to interview them as one would a celebrity. The interview can be general, just asking about their life, likes, pet peeves, etc. or it can be prior to or after a significant event (i.e. just saved the world, just won the World Cup, recently defeated by protagonist, etc.).
Here's a list of interesting things to ask your character:
- Do you have any pet peeves?
- What do you think of [insert character here]'s opinion on y
Exercise: Your Character's Distinct Voice
The purpose of this exercise is to see how much you've differentiated each of your main characters' voices from each other.
How to Use
Pick a few major characters in your story. (I recommend using between 3 and 6.) For each of the numbered prompts below, choose what each character would say in that circumstance. You may want to write a few sentences of dialogue from that character or a quick internal monologue.
These lines are meant to generate short pieces of dialogue (about 1-5 sentences), as it's easiest to compare lines to each other that way. If you start writing long paragraphs or another character's reply to your character, then stop. Copy and paste the text. Then place it in a Sta.sh Writer or other document and continue the scene there. If you like it, post it (and credit me for the prompt, if you please!). When you finish that and return to this exercise, write about 1-5 sentences for that character and c
To Create a CharacterAre you starting a story? Do you have an incomplete, flawed, or no character at all? It's happened to me many times and in my struggles to perfect my creations, I have learned a few things. I present you with seven easy steps with a challenge each to get you thinking.
Grab a piece of paper and a pencil. Let's start
Step 1: Past
When creating a character, you must first establish a past. Even a person with amnesia has a past, they just don't remember it. Pasts are important, they show what shaped the person and why they are the way they are today.
If your character has a scar, why? If they have amnesia, why? If they have a phobia of water, why?
Remember one thing: there is always a reason.
Challenge: Write a brief story (vignette) of your character's past to familiarize yourself with the way things were.
Step 2: Appearance
You may have a certain idea, a vague idea, or no idea at all as to how your character will look. First, think of their