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About Student Artist FritzVicari29/Male/Italy Recent Activity
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'Nam by FritzVicari 'Nam :iconfritzvicari:FritzVicari 9 2 All Quiet on the Western Front (1918-2018) by FritzVicari All Quiet on the Western Front (1918-2018) :iconfritzvicari:FritzVicari 22 4 British Hussar, 11th Regiment, Crimea 1854 by FritzVicari British Hussar, 11th Regiment, Crimea 1854 :iconfritzvicari:FritzVicari 16 2 Battle for Patroclus' body, Iliad, XVII, 290-365 by FritzVicari Battle for Patroclus' body, Iliad, XVII, 290-365 :iconfritzvicari:FritzVicari 21 12 Menelaus strangles Paris, Iliad, III, 369-375 by FritzVicari Menelaus strangles Paris, Iliad, III, 369-375 :iconfritzvicari:FritzVicari 17 7 The Battle of Treyden (Turaida), 1211, Livonia by FritzVicari The Battle of Treyden (Turaida), 1211, Livonia :iconfritzvicari:FritzVicari 25 8 Pike and Shot, 1620s by FritzVicari Pike and Shot, 1620s :iconfritzvicari:FritzVicari 38 14 Les Tems Revient, Firenze 1469 by FritzVicari Les Tems Revient, Firenze 1469 :iconfritzvicari:FritzVicari 13 2 Lorenzo il Magnifico by FritzVicari Lorenzo il Magnifico :iconfritzvicari:FritzVicari 26 6 Anal nathrach, orth bhais bethad, do cheol denhma! by FritzVicari Anal nathrach, orth bhais bethad, do cheol denhma! :iconfritzvicari:FritzVicari 10 3 After the Storm, Tagliacozzo 1268 by FritzVicari After the Storm, Tagliacozzo 1268 :iconfritzvicari:FritzVicari 20 1 Charles d'Anjou, Tagliacozzo 1268 by FritzVicari Charles d'Anjou, Tagliacozzo 1268 :iconfritzvicari:FritzVicari 14 1 The Fate of Henry of Courances, Tagliacozzo 1268 by FritzVicari The Fate of Henry of Courances, Tagliacozzo 1268 :iconfritzvicari:FritzVicari 25 3 Swabian Onslaught, Tagliacozzo 1268 by FritzVicari Swabian Onslaught, Tagliacozzo 1268 :iconfritzvicari:FritzVicari 21 1 Before the Storm, Tagliacozzo 1268 by FritzVicari Before the Storm, Tagliacozzo 1268 :iconfritzvicari:FritzVicari 26 2 Conradin, the last Hohenstaufen, 1268 by FritzVicari Conradin, the last Hohenstaufen, 1268 :iconfritzvicari:FritzVicari 18 6

Favourites

Persian cataphract by JFoliveras Persian cataphract :iconjfoliveras:JFoliveras 508 14 Persian officer by JFoliveras Persian officer :iconjfoliveras:JFoliveras 144 9 A Half King by Skvor A Half King :iconskvor:Skvor 578 41 100 Jahre by Shabazik 100 Jahre :iconshabazik:Shabazik 160 34 Gunslinger by TuomasMyllyla Gunslinger :icontuomasmyllyla:TuomasMyllyla 10 6 Roe Deer Spirit by dwarfeater Roe Deer Spirit :icondwarfeater:dwarfeater 172 30 Armour 16th century - Study by NaamahVonhell Armour 16th century - Study :iconnaamahvonhell:NaamahVonhell 300 33 Lighting the way. by LordLJCornellPhotos Lighting the way. :iconlordljcornellphotos:LordLJCornellPhotos 441 44 baroque Character by Christoph-Schroen baroque Character :iconchristoph-schroen:Christoph-Schroen 18 0 armor/materialstudies 01 by Christoph-Schroen armor/materialstudies 01 :iconchristoph-schroen:Christoph-Schroen 21 0 knight studies 01 by Christoph-Schroen knight studies 01 :iconchristoph-schroen:Christoph-Schroen 21 0 White - Morph Gyrfalcon by AnyaStone White - Morph Gyrfalcon :iconanyastone:AnyaStone 195 19 Anglo-Saxon peasant family by quargon Anglo-Saxon peasant family :iconquargon:quargon 136 4 Shapur II 3 years later by deWitteillustration Shapur II 3 years later :icondewitteillustration:deWitteillustration 11 1 Inktober 2018 - 17 - Swollen by JanBoruta Inktober 2018 - 17 - Swollen :iconjanboruta:JanBoruta 74 1 Inktober 2018 - 16 - Angular by JanBoruta Inktober 2018 - 16 - Angular :iconjanboruta:JanBoruta 37 2

Groups

...ERGO BIBAMUS!



ENGLISH:

Lately I'm having extremely little time to draw what I would. 
Since it saddens ME not to publish anything for ages, I decided to open a new instagram page in which to post not only completed illustrations, but also the majority of what I actually do as an aspirant illustrator: sketches, roughs, W.I.P., studies, unfinished illustrations, dumped ideas. This doesn't mean I'll abandon DA, on the contrary I'm trying to share with you even more stuff than before, at a possibly more sustained rythm. If you liked what you saw - and will see - here, you'll probably appreciate what's behind it. 

Thank you!


ITALIANO:

Ultimamente mi sono trovato ad avere poco tempo a disposizione per fare illustrazioni soddisfacenti a piacere, come fatto finora.
Dal momento che mi rattrista non pubblicare niente per lunghi periodi, ho deciso di aprire una nuova pagina su instagram dove postare anche ciò su cui impiego buona parte del mio tempo: sketch, roughs, W.I.P., studi, illustrazioni abbandonate a metà, idee abortite. Questo non significa che abbandonerò DA: al contrario, l'idea è quella di pubblicare ancora più materiale di prima a un ritmo ancora più sostenuto. Se apprezzate quello che avete visto - e vedrete - su questa pagina, probabilmente apprezzerete anche il lavoro che c'è dietro.

Grazie!


www.instagram.com/fritz_vicari…

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FritzVicari

Artist | Student
Italy
I'm a student illustrator and a former student in Medieval History with a very old passion for drawing.
Interests

Activity


'Nam
ENGLISH:

Finally started reading Max Hastings' Vietnam.
And so, a pretty fast sketch with grunts, jungle, grass, napalm, hueys and, althought you can't hear it, Fortunate Son playing in the background. Some classic, generic 'Nam. 
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All Quiet on the Western Front (1918-2018)



ENGLISH:

He fell in October 1918, on a day that was so quiet and still on the whole front, that the army report confined itself to the single sentence: "All quiet on the Western Front". He had fallen forward and lay on the earth as though sleeping. Turning him over one saw that he could not have suffered long; his face had an expression of calm, as though almost glad the end had come.

ITALIANO:

Egli cadde nell'ottobre 1918, in una giornata così calma e silenziosa su tutto il fronte, che il bollettino del Comando Supremo si limitava a queste parole: "Niente di nuovo sul fronte occidentale".
Era caduto con la testa in avanti e giaceva sulla terra, come se dormisse. Quando lo voltarono si vide che non doveva aver sofferto a lungo: il suo volto aveva un'espressione così serena, quasi fosse contento che la fine fosse giunta a quel modo.

(Erich Maria Remarque)

11/11/1918 - 11/11/2018
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British Hussar, 11th Regiment, Crimea 1854
ENGLISH:

Ah, those dashing Hussars in their dashing uniforms!
This one in particular is from Lord Cardigan's 11th Regiment, his "Cherry-Bums" as he called them. During the Crimean War, the splendid regiment was famously involved in the legendary Charge of the Light Brigade - a feat of military idiocy sung by poets, historians, film directors, heavy metal bands. The whole Battle of Balaclava was a far more complex affair, but the Light Brigade charging into the russian guns vastly obscured everything else.

If you're curious to know more about the Charge of the Light Brigade, Lord Cardigan personal life, the regiment, the victorian society, the crimean war and even the great irish famine, read the splendid "The Reason Why" by Cecil Woodham-Smith; maybe a tad dated, but still one of the best historical essay I ever read. 
If you are lazy but still curious, the 1968 movie, "Charge of the Light Brigade" (Tony Richardson); while being certainly flawed, it is one of the most historically accurate movie I ever seen and a very good adaptation of the book. Trevor Howard as Cardigan and Harry Andrews as Lucan are just...wow.

If you are even lazier, Iron Maiden's The Trooper is all about the event.

ITALIANO:

Un magnifico ussaro nella sua splendente uniforme.
Questo in particolare è dell'11° Reggimento britannico all'epoca di Lord Cardigan. Durante la guerra di Crimea, lo splendido reggimento fu coinvolto in quella che rimase poi famosa come la "Carica dei Seicento" - un'impresa di eroismo ma soprattutto imbecillità militare successivamente cantata da poeti, storici, registi e gruppi heavy metal. La carica della Brigata Leggera contro i cannoni russi riuscì a oscurare tutto il resto della Battaglia di Balaclava, affare molto più complicato.

Se siete curiosi di sapere qualcosa in più sulla carica dei seicento, su Lord Cardigan, Lord Lucan e tutti gli altri, sul reggimento, la società vittoriana, la guerra di Crimea e persino la carestia irlandese, leggete lo splendido volume di Cecil Woodham-Smith, "La Carica dei Seicento", uno dei migliori saggi storici che mi sia mai capitato di leggere. Forse un po' datato, ma scorrevole come un romanzo, breve eppure densissimo.
Se foste più pigri, potreste farvi bastare la versione cinematografica del 1968 "I seicento di Balaclava" (T. Richardson); non è un film perfetto, ma è tra quelli più storicamente accurati che mi sia mai capitato di vedere e un ottimo adattamento del saggio della Woodham-Smith. Trevor Howard e Andrew Harris nel ruolo di Cardigan e Lucan...eccezionali.

Se foste ancora più pigri, fatevi bastare The Trooper degli Iron Maiden, forse uno dei "prodotti" più famosi sulla carica.
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Battle for Patroclus' body, Iliad, XVII, 290-365
[...]

those about Patroclus 
were well covered by their shields, and held their spears in front of them, 
for Ajax had given them strict orders 
that no man was either to give ground,
or to stand out before the others, 
but all were to hold well together about the body and fight hand to hand. 
Thus did huge Ajax bid them, and the earth ran red with blood 
as the corpses fell thick on one another alike on the side of the Trojans and allies, and on that of the Danaans 
[...]

Homer, Iliad, XVII, 354-365 ca.

BASIC PREMISE:

Achilles, the strongest warrior in the Aechean army, is offended by king Agamemnon, who seized the slave Briseis from him, and refuses to fight. Weakened by the absence of the Mirmidon leader, the Aecheans are pushed back by a furious Olympus-supported Trojan counteroffensive. The battle rages in and around their camp - and worst of all, their ships! Despite the desperate situation, Achilles, still enraged, does not intervene.

Enters Patroclus, which was the man's...well, it's pretty debated here - and ambiguous too. Was Patroclus' simply Achilles closest friend? Or was he Achilles lover? Maybe in the ancient sense of pedagogic pederasty? Were they simply bond by intense comradeship? Read the tome and give the interpretation that suits you best, but know Patroclus wasn't just "another comrade" for Achilles.

So, Patroclus.
He asks Achilles' permission to wear his armor to rally the Aechean and save the ships. Achilles agrees, but warns Patroclus: just push back the Trojans,don't try to follow them under the walls of Troy...

DEATH OF PATROCLUS:

As you may have imagined, not only did Patroclus scattered the Trojans, but also chased them down to the city walls, in a glorious counter-counteroffensive in which a lot of Trojans fall. Yet it wasn't his destiny to seize the city (and he was told not to push that far). Apollo himself strips him of his armor and weapons and stuns him to the ground; a spear immediately wounds him and Hector, the Trojan prince, finishes the heroic boy.

Again, the tide of battle turns. This time, the greeks are panicking.
Hector, having already taken Patroclus armor, now wants his body as a trophy, too.
A bloody battle ensues around the dead body; 

In the drawing, Hippothoon, a very young warrior from the Trojan side, is dragging away the body of Patroclus with a rope when Ajax Telamnon, the strongest and bigger Aechean warrior, stabs him in the head (Iliad, XVII, 290-300 ca.) while a shield wall forms around Patroclus and a big cloud of dust and divine mist starts to form.

The Greek slowly retreated all the way back to the greek camp, where Achilles was awaiting his beloved Patroclus...


POST SCRIPTUM

For armor weapons etc. I took inspiration from www.salimbeti.com/micenei/inde… and from a greek association, Koryvantes koryvantesstudies.org/studies-…


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Menelaus strangles Paris, Iliad, III, 369-375
ENGLISH:

So saying, he [Menelaus] sprang upon him [Paris], and seized him by the helmet with thick crest of horse-hair,
and whirling him about began to drag him towards the well-greaved Achaeans;
and Paris was choked by the richly-broidered strap beneath his soft throat,
that was drawn tight beneath his chin to hold his helm. 

Iliad, Homer, III, 369-375

This day I went back to the basic, reading Homer's Iliad, a (possibly) 3000 years old epic poem about a short segment of the mythical war of Troy.
Differently from what most people thinks, the poem starts in media res, after ten years of siege - and it ends before the capture of the city.
The war, which seems to be fought a couple of generations after some of the most famous characters of greek mythology by their nephews and sons, was famously caused by Paris, one of the many princes of Troy. The prince famously broke the rules of hospitality (Xenia) with Menelaus, king of Sparta, when he fell in love and took away the king's wife, Helen. All of the Greece went to war to avenge the capital offense.

At the beginning of the poem, as the two armies met in the plains outside the city for yet another offensive, Paris challenges the anyone brave enough to duel him.
When an enraged Menelaus shows up, the prince cowers and hide behind the troyan ranks.

Now, despite the mythological subject, both sides are weary of the prolonged and bloody conflict fought to avenge a remote offense committed ten years before and openly question the war. The Trojans despise Paris just as much as the Aecheans: a truce ensues and Hector, Paris' older brother, forces the prince to take responsability and fight Menelaus.

The decisive duel would have finally decide, in a pretty rational way, the fate of the war; 
Had Menelaus won, he would have received Helen back, with a cospicuous sum of money; had Paris won, the Aecheans would have abandoned the siege.

Now, as bitter and resentful as I actually am, this whole part gave me a lot of satisfactions; you can see how pissed off the stronger Menelaus is when he can finally fight his one and true enemy Paris. Having lost or broke his weapons during the fierce fight, Menelaus simply grabs the prince by helmet's crest and humiliatingly drags him into the Aechean ranks.

So, the war is over now, is it?

SPOILERS

Sadly, the gods begged to differ, particularly Aphrodite (Venus, in latin): she let loose the strap and covers Paris with a mist, and instantly teleport him in the safety.
Now this could pass as a minor problem, as technically, claims Agamemnon, Menealus' brother and leader of the Aecheans, the duel was won by his side. 
Yet Hera (Zeus' wife), pissed at Troy for reasons of her own, wants the war to continue and the city to burn down: a trojan hero, Pandarus, is convinced by Athena to kill the Aecehan leader Agamemnon with an arrow.
Needless to say, the leader is only wounded.

The truce is broken and so here we go again, another offense, another betrayal, the massacre starts again.


HISTORICAL NOTE:

For clothing and armor during Greece's Bronze Age, I used this wonderful and rich page as a source.

www.salimbeti.com/micenei/inde…

Discovering that the heroes of my youth were not dressed with cool V century BC hoplite armors and corinthian helmets hurts as dinosaurs with feathers, you have been warned.
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The Battle of Treyden (Turaida), 1211, Livonia
[...] Quorum fortitudinem videntes milites per medios hostes confestim irruunt, equis suis phaleratis timorem eis incuciunt, ad terram multos prosternunt, alios in fugam convertunt, fugientes persequuntur, per viam et per agros comprehensos interficiunt. Lyvones de castro cum balistariis fugientibus paganis occurrunt, ventilantes eos per viam et includentes in medio et occidentes usque ad Theuthonicos in tantum persequuti sunt, ut pauci ex eis evaserunt et ut Theuthonici eciam quosdam ex Lyvonibus similes Estonibus interficierent  [...]

Henrici Chronicon Livoniae, XV, 3

ENGLISH  (based on Henrici Chronicon Livoniae translated by P. Bugiani, R. Bartlett, The Making of Europe, E. Christiansen, The Northern Crusade, W. Urban, The Baltic Crusade) :

[...] Seeing their courage, the knights immediately charge the enemy army, striking fear with their armored horses; they threw many of them to the ground and many others are forced to run for their. They chase the running Estonians, then they capture and kill them in the road or in the field. The Livonians, together with the crossbowmen, fight the pagans from the fort, they hunt them down of the road, they surround them, they kill them and chase them so relentlessly to the german lines that only few of them escaped and the Germans even killed some of the Livonians, thinking them to be Estonians.  [...]

In the winter of 1211 the christened armies of the bishop of Riga and his allies conquered Fellin (Viljendi) in Sackalia, gaining an important stronghold in Estonia. In the summer of the same year, three Estonian tribes, the Oeselians, the Rotalians and Revelians, united in a great estonian army, counterattacked: their objective, the stronghold of Treyden (Turaida), home to one of the most prominent leaders among the christened Balts, Caupo.
The attackers wanted to neutralize the fortress on their way to Riga itself or to force the defenders to surrender and join them. Treyden was defended by Caupo and his livonian retinue and a bunch of german crossbowmen (www.deviantart.com/fritzvicari… ): with the countryside devastated and completely surrounded, they would not have lasted long...

An army of Swordbrothers and western Crusaders came to their rescue. As pitched battles and western style cavalry charges were not really typical of the Baltic warfare, the Estonians were starting to waive. When the defenders of Treyden joined the battle, the besiegers were trapped into a pincer movement and forced to retreat.

What started as the greatest combined offensive ever launched by Estonian tribes ended in disaster. Before the day was over, more than 2000 estonians were killed, a good portion of their leadership included and hundreds of their ships were captured. 

In the illustration, the point of view of the defenders of Treyden when they launched their counterattack from the fort. In the background, you can see the knights charghing the estonians in a wedge formation.


ITALIANO (basato sulla Henrici Chronicon Livoniae a cura di P. Bugiani, R. Bartlett, The Making of Europe, E. Christiansen, La Crociata del Nord, W. Urban, The Baltic Crusade) 

[...] Vedendo il loro coraggio, i cavalieri subito irrompono in mezzo alla schiera avversaria incutendo terrore con i loro cavalli guarniti; ne gettano molti a terra, altri li mettono in fuga. Inseguono quelli che scappano e, dopo averli catturati, li uccidono sulla strada e nei campi. I Livoni, insieme ai balestrieri, affrontano dal forte i pagani fuggiaschi, gli danno la caccia per strada, li accerchiano, li uccidono e li inseguono così impietosamente fino alle file tedesche che pochi di loro scampano e addirittura i Tedeschi uccidono alcuni livoni prendendoli per Estoni [...]

Nell'inverno del 1211 gli eserciti cristiani del vescovo di Riga e dei suoi alleati avevano riconquistato Fellin (Viljendi) in Sackala, guadagnando alla loro causa un importante avamposto in Estonia. Quella stessa estate tre tribù Estoni, gli Oseliani, i Rotali e i Revelesi, unite in un grande esercito, lanciarono la controffensiva contro Riga. Il loro primo obiettivo era il forte di Treyden (Turaida). 

Treyden era difesa da Caupo, una delle personalità più importanti tra i balti convertiti e da alcuni balestrieri tedeschi al servizio del vescovo di Riga (www.deviantart.com/fritzvicari… ). Per quanto determinati, accerchiati dagli Estoni e privati di qualunque rifornimento, i difensori di Treyden non sembravano avere molte possibilità...

Il vescovo di Riga affrettò in soccorso di Caupo e dei suoi un esercito di crociati occidentali e di confratelli dell'Ordine dei Portaspada. Nonostante il loro numero, gli estoni, al pari della altre tribù del Baltico orientale, non avevano molto da opporre alle cariche di cavalleria tipiche degli eserciti occidentali;  quando anche i difensori di Treyden si unirono allo scontro uscendo dalla fortezza e lanciandosi sugli assedianti dalle colline,  gli Estoni, vedendosi stretti da due lati e già demoralizzati dal formidabile assalto dei cavalieri, iniziarono a ritirarsi.

Quella che era iniziata come la più grande offensiva Estone mai lanciata fino a quel momento, si concluse in un disastro. Nella battaglia di Treyden caddero più di duemila estoni, nel loro numero numerosi principi.

Nella tavola ho illustrato il punto di vista dei difensori di Treyden quando lanciarono il contrattacco dal forte. Sullo sfondo è visibile la carica del cuneo dei cavaleri contro le formazioni estoni.
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Pike and Shot, 1620s
ENGLISH:

Have you missed it?
Finally a new illustration about the Thirty Years' War!

This scene, set in the 1620s, is not referred to anything in particular, it's just a skirmish between a spanish tercio and some caracoling dutch cuirassiers.
Yes, caracoling - riding towards the enemy, discharge the pistols and going back - wasn't probably a proper tactic anymore, just something discouraged or tactically disadvantaged cavalry formations would have done to avoid risking their precious horses in a charge. And charging inside a forest of pikes - that would be tactically disadvantegeous.

ITALIANO:

Nel caso ne aveste sentito la mancanza,
una nuova illustrazione sulla guerra dei trent'anni.

La scena, ambientata negli anni 20 del seicento, non si riferisce a nessuno battaglia in particolare e rappresenta una schermaglia tra un tercio spagnolo e alcuni corazzieri olandesi.
Il caracollo - cavalcare verso il nemico, scaricare le pistole, tornare indietro - non era più una tattica molto utilizzata in quegli anni; si trattava più che altro dell'azione offensiva meno rischiosa per formazioni di cavalleria scoraggiate o tatticamente inferiori. 
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Les Tems Revient, Firenze 1469
ENGLISH:

(based on G. Busi, Lorenzo de Medici, una vita da Magnifico, U. Dorini, I Medici, storia di una famiglia, I. Walter, Lorenzo il Magnifico e il suo tempo)

Florence, February 7th, 1469, the tournament in Santa Croce square.
Lorenzo de Medici, then a 20 years old youth, made his proper debut in the Florentine society. Everything about his figure was literally awesome and filled with symbolism.
According to the highly detailed descriptions we possess, his colours, red and white, were an homage to his wife family, Clarice Orsini, which he had recently married but never met, and so were the dried roses which adorned his sleeveless tabard*.
The crown of violets that adorned his helm was instead a tribute to the object of his courtly love, 
Lucrezia Donati.
His hat was covered with golden chains, plumes, jewels and pearls; pearls also decorated his tabard and his horse caparison, an obvious, excessive display of his status.
Lorenzo seemed to be coming out from the splendid standard, commissioned to Andrea Verrocchio an year earlier (and, apparently, never paid): under the sun and a rainbow, a motto written in golden letters: "les temps revient", time returns; underneath the motto a laureal tree and a woman in a blue dress decorated with silver and golden flowers, entangling a laureal wreath from its feathers. The evergreen laurel, a reference to Lorenzo, was an allegory to the renovation, the continuity, the triumph and the immortality of the de Medici family.


Historical notes: the basilica of Santa Croce is based on what it looked like before the neo-gothic facade was added in the XIX century. The actual church is actually much bigger, but I decided to sacrifice realism to composition.

*The clothing and armor are based on contemporary descriptions and mostly based on king Rene's d'Anjou Tournament Book, produced in the 1470s. I added sleeves to Lorenzo's tabard, making it more similar to those shown in the aforementioned book, to better show the roses.

(Done for a school project with Adobe Illustrator)

ITALIANO:

(basato su  G. Busi, Lorenzo de Medici, una vita da Magnifico, U. Dorini, I Medici, storia di una famiglia, I. Walter, Lorenzo il Magnifico e il suo tempo)

Firenze, 7 Febbraio 1469, il grande torneo in piazza Santa Croce.
Lorenzo de Medici, all'epoca ventenne, debutta trionfalmente in società.
Niente è lasciato al caso, ogni particolare della sua figura è splendido e ogni più piccola decorazione ha un significato simbolico.
Secondo le dettagliatissime descrizioni che ci sono giunte, Lorenzo indossava un mantello smanicato sopra l'armatura*, bianco e paonazzo e coperto di rose, un tributo alla famiglia della moglie, Clarice Orsini, che all'epoca Lorenzo non aveva ancora mai incontrato.
La corona di viole che adornava l'elmo era stata intrecciata anni prima da Lucrezia Donati, oggetto d'amor cortese di Lorenzo, alla quale il giovane dedicò il torneo.
Non mancavano oggetti di lusso a simboleggiare lo status e la ricchezza del de Medici: la berretta, probabilmente l'oggetto più costoso dell'inventario di Lorenzo, era tempestata di diamanti, piume e catene d'oro e perle di varie dimensioni. Decine di perle decoravano anche il mantello, lo scudo e la gualdrappa del cavallo; 

Lorenzo sembrava una figura uscita da un affresco del Gozzoli o dallo splendido stendardo commissionato ad Andrea Verrocchio (e mai pagato), che apriva la sua processione. Sotto il sole e un arcobaleno, risaltava un motto caro a Lorenzo, "Le Tems Revient", "Il tempo che ritorna"; sotto il motto, un albero di alloro e una donna che con i rami dell'albero intrecciava una corona.
L'alloro, chiaro riferimento etimologico al nome di Lorenzo, rappresentava una potente allegoria al rinnovamento, la continuità, il trionfo e l'immortalità della famiglia de Medici.

Nota storica: la basilica di Santa Croce è basata sull'aspetto che aveva prima che intorno a metà dell'ottocento ne venisse ultimata la facciata in stile neogotico. L'edificio è in realtà molto più grande e alto, ma ho deciso di sacrificare il realismo per la composizione.

*Gli abiti e le armature sono basati su descrizioni contemporanee e in particolare sul "Libro dei Tornei di Re Renato d'Angiò", prodotto negli anni settanta del quattrocento. Ho aggiunto le maniche al mantello di Lorenzo, trasformandolo in un tabardo, per mostrare meglio le rose che lo decoravano.

(Realizzato con Adobe Illustrator per un progetto scolastico)
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Lorenzo il Magnifico
ENGLISH:

According to older medieval bestiaries, the peacock represents vanity and luxury, its beauty being only superficial: the beautiful, coloured tail of the peacock covers the awful legs - a corrupted soul.
But the peacock, according to a different interpretation, was also seen as the icon of resurrection and rebirth. In september, the peacock starts to molt and loses its feathers, only to gain them again with the spring, its beauty resurrecting with the spring.

I've tried to portray Lorenzo de Medici (1449-1492) in all of his splendor: he was an intelligent and cunning politician, beloved by his people; a great patron of the arts and a poet; he was rich, and not really afraid to show his status, especially in his youth...

...yet, i didn't forget to show his more violent, impulsive side. After a failed coup d'etat committed by the Pazzi family killed his brother and almost killed Lorenzo himself, he hanged all the members of the conjuration and let the brutality of a popular vengeance fall upon their relatives and friends. Amongst the hanged was even an archbishop. His execution, an unusally unwise political move, brought a papal excommunication and a subsequent war on the city.

So, what better animal than a peacock would have fit better to represent the renaissance and its contradictory, magnificent icon, Lorenzo de Medici?

Done for a school project with Adobe Illustrator.

ITALIANO:

Secondo i bestiari medievali, il pavone è animale vanesio e lussurioso, ammantato di una bellezza solo superficiale: la magnifica coda serve a coprire le sue orrende gambe artigliate, sempre infilate nel fango - un'anima corrotta. Eppure, secondo altre interpretazioni, il pavone è anche simbolo di resurrezione e di rinascita. Con l'inizio dell'autunno il pavone fa la muta e perde le sue belle piume, che rinasceranno insieme al mondo a primavera.

Ho cercato di ritrarre Lorenzo de Medici (1449-1492) in tutto il suo splendore: un politico intelligente e calcolatore, amato dai suoi concittadini, grande patrone delle arti e poeta: ricco e poco timoroso di sfoggiare il suo status, specialmente durante la sfrenata gioventù...

...ma non ho dimenticato di ritrarre anche un suo lato più violento e impulsivo. La congiura dei Pazzi, un fallito colpo di stato, venne repressa con estrema brutalità. I congiurati vennero catturati e impiccati sommariamente, le persone a loro vicine vennero colpite da una furiosa popolare che Lorenzo non si curò di placare. La vendetta sui congiurati non risparmiò un arcivescovo, l'impiccagione del quale spinse il papa a scomunicare Firenze e i rivali della città a devastarne il contado nella guerra che seguì.

Quale altro animale sarebbe stato più adatto a rappresentare Lorenzo de Medici, una figura complessa e ambivalente come l'epoca in cui visse?

Realizzato con Adobe Illustrator per un progetto scolastico.

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Anal nathrach, orth bhais bethad, do cheol denhma!
ENGLISH:

"Anal nathrach,
orth' bhais's bethad,
do che'l de'nmha!"


[...]

Uther: "But the CLIFF! The SEA!"
Merlin: "Your LUST will hold you up! You will float on the dragon's breath! RIDE!"

A tribute to one of my childhood's classic movie, Excalibur (1981), by John Boorman.

www.youtube.com/watch?v=_4I_zb…

ITALIANO:

"Anal nathrach, 
orth' bhais's bethad, 
do che'l de'nmha!"

[...]

Uther: "Ma il mare! La scogliera!"
Merlino: "La tua lussuria ti sorreggerà! Galleggerai sull'alito del drago! VAI UTHER!"

Tributo a uno dei classici dei più importanti film della mia infanzia, Excalibur (1981), di John Boorman.

www.youtube.com/watch?v=Z_nIiC…
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:iconocioproduction:
OcioProduction Featured By Owner May 19, 2018  Hobbyist Traditional Artist
Felice genetliaco, Messere :)
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:icongurdim:
Gurdim Featured By Owner May 19, 2018
buon compleanno :)
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:icongrassa48:
grassa48 Featured By Owner May 18, 2018  Hobbyist Writer
Happy Birthday.
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:iconlibra1010:
Libra1010 Featured By Owner May 18, 2018
 Happy Tomorrow Master Vicari - I hope you shall thoroughly enjoy your latest birthday when it comes!Nod 
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:icondawidzdobylak:
DawidZdobylak Featured By Owner Apr 12, 2018  Professional Traditional Artist
thank for the fav :)

Sun by DawidZdobylak
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:iconfritzvicari:
FritzVicari Featured By Owner Apr 14, 2018  Student
You're welcome!
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suzarte01 Featured By Owner Oct 23, 2017  Professional Digital Artist
Sayonara Speed Tribes by suzarte01  
Thank you for the watch and helping my profile grow! I really appreciate it!
I hope you'll continue to enjoy and support my art! <3
.:Bullet:. Patreon by FreakyEdPatreon Instagram New Icon by poserfanInstagram Twitter Bird Icon by poserfan Twitter
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:iconclockworkmultiverse:
ClockworkMultiverse Featured By Owner Aug 19, 2017  Hobbyist Writer
I just want you to know that I really love all of your drawings of stuff relating to the 30 Years War (you seem to be incredibly knowledgeable about it), and I would be very happy if you were willing to contribute any of them to the group galleries. You have lots of amazing content.
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:iconfritzvicari:
FritzVicari Featured By Owner Aug 19, 2017  Student
Of course, feel free to request whatever you prefer, I'll gladly accept! 
And last but not least, thank you very much.
One day I'll return to the Thirty Years' War, eventually :D
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:iconocioproduction:
OcioProduction Featured By Owner May 28, 2017  Hobbyist Traditional Artist
Grazie mille per il watch. :D
fai parte di qualche associazione rievocativa?
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