CATALINA REYES: La Vibora.

She moves like a whisper of silk over steel, a shadow gliding through alleys that reek of saltwater and gasoline.

Catalina Reyes was born into Havana’s dying streets, raised by whispers of cartel power and the scent of gunpowder. By nineteen, she was already a ghost story — a girl with a dancer’s grace and an executioner’s aim.

The night she killed her first boss, she walked barefoot through his mansion’s marble halls, dripping blood and perfume in equal measure.

Marisol Cortejo found her hours later, leaning against the balcony rail with a cigarette and a stolen pistol, watching the city burn. Instead of killing her, Marisol crowned her.

Catalina became La Víbora — the Snake of Havana, the executioner and silent queen of La Sangre Nueva.

Now her body is an altar of engineering and sin: chrome-plated arms with hydraulic joints, seamless thigh plating under glistening skin, and glowing circuitry tattoos that slither up her spine like serpents coiled for a strike.

Her pistols are custom-forged artifacts, gold-accented and engraved with Havana saints, designed to kill clean and loud.