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CiaraMcAvoy

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Ciara McAvoy

Artist Biography

Freelance Illustrator & Film artist

Early Years, Influences & Education

Ciara McAvoy is a celebrated artist and "seventh art" devotee who has worked in the motion picture and publishing industries for over 20 years.

Ciara is of Scottish and French descent and inherited her talent for portraiture from her grandfather, a pre-WWII portrait artist from Montmartre. At the age of 14, she became fascinated with Star Wars and turned her artistic hand to science fiction, adventure, and action movie genres.

Influenced by notable movie poster artists John Alvin, Tom Jung, the brothers Hildebrandt, she built her industry reputation for hand-painted, realistic concept art and pre-production art.

She works almost exclusively in oils for her movie posters. However, she built a broad repertoire of skills in other media (acrylic, gouache, watercolor, graphite, charcoal, and pastels) as well as storyboarding, animation, character design, and matte painting while studying at L'Ecole Nationale Supérieure des Beaux-Arts de Paris (ENSBA), where she obtained her Diplôme Supérieur d'Art Plastique (D.S.A.P.) in 1985. Later, she expanded her artistic skill set to include costume design and historical fashion, which now play an integral supporting role in her posters and illustrations.

Work, Commissions & Exhibitions

Ciara has been invited to solo and group exhibitions across the U.S., France, and Scotland; her work can be found in many private collections. Her career also spans critical acclaim and first-place awards for her oil paintings, beginning with her work, Cop, which won first place in La Rochelle under the patronage of the CALC; the same work was bestowed The David Cargill Award and The Armour Award by the Royal Glasgow Institute.

In addition to sci-fi book covers, she is regularly commissioned for film illustrations as well as science fiction, adventure, and action movie posters due to her early career accomplishments as a freelance illustrator for the Company Courleciel, a high-quality Lucasfilm magazine. She began working there in 1996 and soon received industry commendation and recognition for her highly detailed Star Wars: The Empire Strikes Back and Raiders of the Lost Ark anniversary posters.

Upon discovering Ciara's work at the Company Courleciel during a Paris visit, Mr. Leonard Maltin, American film critic, recommended her work to Skywalker Ranch and she was soon invited for contract work by Allan Kausch, the continuity editor of several Star Wars guides and sourcebooks at Lucasfilm, including Star Wars Galaxy Magazine. She has also been engaged by the Chaplin Association on several projects.

Her legacy project to date involved a commission by the French Lucasfilm magazine, for which she created an epic poster for Star Wars Episode III: Revenge of the Sith. Ciara has recently completed movie posters for X-Men: First Class and Sherlock Holmes: Games of Shadows.

For information about commissions and art available for purchase, please contact her exclusive gallery representative, CMCV Studios in Glasgow at cmcvstudios@icloud.com or +44 0141 255 1911. The art by Ciara McAvoy available for purchase at any time will be displayed at

ciaramcavoy.com/

Facebook official page :
www.facebook.com/McAvoyCiara2
Wikipedia : en.wikipedia.org/wiki/Ciara_Mc...
IMDB : www.imdb.com/name/nm5051865/

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Comments

I agree with you on that but it would have been tragic if Professor X did apply his superhuman “mind force” to make Magneto drop the 26,000-ton heap of metal. That could have been ugly for someone’s toes. ;)
X-Men : First Class Traditional movie art (oil)
To me, the two central figures as the key to the story. They understand each other but find themselves at odds, and that is the nature of good and evil. It is never completely black and white. Xavier looks dark and serious and Erik has slight, yet perhaps, devilish smile. The scene at the bottom is of course the culmination of the training lavished by Xavier on his most powerful student and friend and represents the moment where there is no going back. While it isn't a spoiler, it does live in the minds of the fans as a tragic moment, and a shift that throws them forever out of balance.

I wanted to express that as well as the intensity of both characters…. I always hope and strive to achieve a connection between the viewer and the art, and here it is the connection we all feel to the struggle we all one day face between the best and most reptilian parts of ourselves.
X-Men : First Class Traditional movie art (oil)
Thank you very much indeed!
The process of creation for my X-Men First Class poster is on You Tube :
youtu.be/aWhzaii_aBA
X-Men : First Class Traditional movie art (oil)
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Thanks !
Posted by Magnolia / Magnet for the Video on Demand day
 
twitter.com/MagnetReleasing/st…
Filth poster