I brought this up in my previous journal entry, and there have been some questions. I know there's not a whole lot about it out there, so hopefully this can shed some light.
Sometime in the 1930s, a man called N. Senada put forth an almost bizarre new idea he called the Theory of Phonetic Organisation . Originally applied to composed music, the theory states that "the musician should put the sounds first, building the music up from [them] rather than developing the music, then working down to the sounds that make it up."
N. Senada collaborated with a few obscure bands and musicians in the 70s, most notably with the Residents (who, themselves, collaborated with and helped launch many bands in that time, thus further helping Senada's theory spread throughout music).
Through this, phonetic organisation became altered slightly and applied as much to the words as it was to the music. The main backbone of the theory was still upheld, and while bands experimented with using recording equip