Thanks a lot! That was my intention, I'm glad it shows. I don't remember every step of the process for this one, but I'm sure I put the linework on a multiply layer and added the colour below that. Also, for the deepest shadows (like on the rocks, cloak, hair, mushroom and sky) I used a dotted halftone pattern. I kept (and probably enhanced) the original paper texture, not sure if I added another one on top as well, and boosted the yellows to make it warmer, a bit like old paper, and also so it would serve as a base colour. For colours themselves, I must have had the "colour dynamics" option activated (see the brush menu). Oh and I went with desaturated colours to give it a less digital, artificial feel. Hope it helps!