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I'm glad you're here. If you're just stopping by to browse, or download a design to use in your digital jukebox or re-post elsewhere on the www... I hope you'll give credit where credit is due (I try to do the same when I repurpose others' work); regardless, I'm glad you're here -- thank you for stopping by and a special thank you to you regular folks that visit frequently to favorite, badge, bejewel, etc... and let me know you're looking and liking. Whether you're complimenting or criticizing, I welcome your constructive feedback and appreciate your encouragement. As I said in the beginning: whether a regular or just a tourist, I'm glad you're here. Thank you.
Deviation Spotlight
Artist // Hobbyist // Design & Interfaces
- Feb 11
- Austria
- Deviant for 15 years
- www.hqcovers.net
- He / Him
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My Bio
I design cover artworks, digital booklets and 3D mockups
Thanks to a friendly ghost, I'm now a Core member and I will spend the next couple months uploading some of my non-soundtrack album art re-creations into deviantART sub-galleries. I'll try my best not to clutter up my gallery too much, I promise!
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So now I have to 'watch' someone to be able to see their content!? Uhm.... seriously!?
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My randomly generated mashup was:
Spider-man, in Jurassic Park, with an unusual pet
I'd draw that straight away, if only I could draw lol.
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Profile Comments 17
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Howdy Anakin! Thank you for dropping a sparkly on my 'X' soundtrack!
Would love to get your thoughts on this! ^^
Oh man, have you seen those? www.deviantart.com/rockydavies… 
Wow very cool! All of those hit home so very hard.
Howdy Anakin!
Just sticking my head in to say hi and tell you Take Shelter #3, the entire VOID series (particularly inspired these are... a SOLID series of equal heavyweights deadlocked for best in show -- almost hit and run, you seemed to arrive at this series' thematic nexus very quickly and I'm curious if, for you, that was a hallmark of inspiration or practical brevity -- a means of cutting to the chase so you could satisfy your fascination with The Void before moving on to a property you found more exciting/a design space that moved you to pack a night bag, get a hotel room and stay/explore for awhile... ), Arrival #24, Prometheus #32 (you CERTAINLY packed a night bag and booked a long stay in the Prometheus universe...), and Kong: Skull Island #12 (I agree the movie was not nearly as good as it should have been; however the die cut rabbit-hole all the way to the vinyl label is a very exciting stunt indeed...) are all winners.
The blog continues to look great (the "making of" animations resonate -- designers remember going to similar lengths for their own passion projects while lay viewers get a glimpse into just how. much. damn. work. goes into making these things... the lengths to which we'll go to completely deconstruct an image in order to resolve either a thematic or compositional problem); it's good to see you're still here plugging away. I'm sure we'll chat again sometime soon.
Just sticking my head in to say hi and tell you Take Shelter #3, the entire VOID series (particularly inspired these are... a SOLID series of equal heavyweights deadlocked for best in show -- almost hit and run, you seemed to arrive at this series' thematic nexus very quickly and I'm curious if, for you, that was a hallmark of inspiration or practical brevity -- a means of cutting to the chase so you could satisfy your fascination with The Void before moving on to a property you found more exciting/a design space that moved you to pack a night bag, get a hotel room and stay/explore for awhile... ), Arrival #24, Prometheus #32 (you CERTAINLY packed a night bag and booked a long stay in the Prometheus universe...), and Kong: Skull Island #12 (I agree the movie was not nearly as good as it should have been; however the die cut rabbit-hole all the way to the vinyl label is a very exciting stunt indeed...) are all winners.
The blog continues to look great (the "making of" animations resonate -- designers remember going to similar lengths for their own passion projects while lay viewers get a glimpse into just how. much. damn. work. goes into making these things... the lengths to which we'll go to completely deconstruct an image in order to resolve either a thematic or compositional problem); it's good to see you're still here plugging away. I'm sure we'll chat again sometime soon.
Good Evening!
Thanks for showering my work in praise, I really apreciate
My blog has been a little quiet the last few weeks (well, due to my inactivity), so reading your thoughts was extra satisfying to my artist's soul.
The Void was a special endeavor for me. I've stumbled upon the very first posters back in 2015 and the whole project stuck in my head ever since. I wanted to let the covers speak for themselves this time, hence the axed blog entry. But it did draw some attention, I even received a Twitter message from the composers (Blitz//Berlin) and they asked for high resolution print-versions of them. We even agreed on collaborating on a future project, though things like these usually leads to nothing...
It's great to see that you're still into custom covers as well. I particularly chuckled at your Fight Club cover (yet was too damn lazy to let you know... sry). That's a covers series I still have on my plate as well, next to about 60 others lol. Business is booming
Thanks for showering my work in praise, I really apreciate
My blog has been a little quiet the last few weeks (well, due to my inactivity), so reading your thoughts was extra satisfying to my artist's soul.The Void was a special endeavor for me. I've stumbled upon the very first posters back in 2015 and the whole project stuck in my head ever since. I wanted to let the covers speak for themselves this time, hence the axed blog entry. But it did draw some attention, I even received a Twitter message from the composers (Blitz//Berlin) and they asked for high resolution print-versions of them. We even agreed on collaborating on a future project, though things like these usually leads to nothing...
It's great to see that you're still into custom covers as well. I particularly chuckled at your Fight Club cover (yet was too damn lazy to let you know... sry). That's a covers series I still have on my plate as well, next to about 60 others lol. Business is booming
I had a similar experience with my Carnival of Souls jacket. It caught the attention of release label Citadel Records who contacted me wondering if I wanted to do some design work for them on an upcoming anthology release of -- it's been a while now -- I think it was California beach music. We had a chat on the phone about it... and then I never heard from them again. Regardless, the attention was encouraging...