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I thought I was a terrible artist, quite honestly.
I mean, I'm not great, but I'm also never really satisfied with what I create, for reasons that I'm always sure are quite obvious. I have a four-year art degree, and I know what it's supposed to look like! That being said . . . it ain't all terrible, if you look at the whole. Usually taking pictures just makes my art look worse, but in this case it forced me to see it from a different perspective: as pictures of progress, showing much more clearly than I suspected where I've been and what I've learned.
I still don't really ever finish my drawings, and most of them are sketches. Most of my finished work is from my unemployment/part-time era (don't move to a tourist town...DON'T. Unless you know people/are really good at networking/don't have mental issues and can get along with the locals and be a functional and necessary member of a team that's likely to retain your employment for more than four months a year/can handle working three or more jobs to pay your bills). Anyway ... the sketches aren't terrible. The longview is more impressive than I had expected. There's a few things here and there that I wish had played with a lot more (a cartoonish style I can't seem to replicate, namely), but I was frustrated, I suppose. I hate it when my art looks immature, and I catch myself using the same lines/techniques over and over again. I suppose I'm impatient as fuck, but I'm 33 and have a four-year degree. ...Dammit, I expect better.
Overall, I've been going over a lot of old work, and finding that there was a time when I had passion. When I got up early to write before work, and took notes while working, and came home and wrote some more. I wrote and sketched in front of the TV and I used my sketchbook to flesh out and play with ideas I came up with while writing. I didn't want to go to work, necessarily, but I didn't mind it either. I had a passion, and when I moved away from tiny-town-USA and found work in the city, formed relationships and developed other obligations ... it slid. I had worked myself in too deep, and had trouble breaking out of it to live my life realistically. It helped my writing, obviously, being part of the real world, but it also damaged it. I chose manufacturing. I chose 40+hrs/wk (about 60-70+ in the months before I left), I chose health benefits and a 401K, and I burned out. Only recently, I've started to remember why I reveled in getting up so damn early; and, faced with getting my energy back, I've started to reabsorb myself into my own universe a bit. It's time to come home.
Doing an "improvement meme" isn't really going to quite cover this artistic journey, so I'm going to do it more "my way" as themed collages. Hopefully, this will be a fun and educational experience for me, and will be fun to look at!
I mean, I'm not great, but I'm also never really satisfied with what I create, for reasons that I'm always sure are quite obvious. I have a four-year art degree, and I know what it's supposed to look like! That being said . . . it ain't all terrible, if you look at the whole. Usually taking pictures just makes my art look worse, but in this case it forced me to see it from a different perspective: as pictures of progress, showing much more clearly than I suspected where I've been and what I've learned.
I still don't really ever finish my drawings, and most of them are sketches. Most of my finished work is from my unemployment/part-time era (don't move to a tourist town...DON'T. Unless you know people/are really good at networking/don't have mental issues and can get along with the locals and be a functional and necessary member of a team that's likely to retain your employment for more than four months a year/can handle working three or more jobs to pay your bills). Anyway ... the sketches aren't terrible. The longview is more impressive than I had expected. There's a few things here and there that I wish had played with a lot more (a cartoonish style I can't seem to replicate, namely), but I was frustrated, I suppose. I hate it when my art looks immature, and I catch myself using the same lines/techniques over and over again. I suppose I'm impatient as fuck, but I'm 33 and have a four-year degree. ...Dammit, I expect better.
Overall, I've been going over a lot of old work, and finding that there was a time when I had passion. When I got up early to write before work, and took notes while working, and came home and wrote some more. I wrote and sketched in front of the TV and I used my sketchbook to flesh out and play with ideas I came up with while writing. I didn't want to go to work, necessarily, but I didn't mind it either. I had a passion, and when I moved away from tiny-town-USA and found work in the city, formed relationships and developed other obligations ... it slid. I had worked myself in too deep, and had trouble breaking out of it to live my life realistically. It helped my writing, obviously, being part of the real world, but it also damaged it. I chose manufacturing. I chose 40+hrs/wk (about 60-70+ in the months before I left), I chose health benefits and a 401K, and I burned out. Only recently, I've started to remember why I reveled in getting up so damn early; and, faced with getting my energy back, I've started to reabsorb myself into my own universe a bit. It's time to come home.
Doing an "improvement meme" isn't really going to quite cover this artistic journey, so I'm going to do it more "my way" as themed collages. Hopefully, this will be a fun and educational experience for me, and will be fun to look at!
Anti-AI Rant #2
As artists we often argue over what art is or should be, splitting hairs over fine lines between form, color, composition, and especially content, but by God we can all agree: AI is not art. It doesn't even inspire conversations about art. It's just infuriating to realize that all the thought you imagined going into a piece is all a lie and never happened, and was just cooked up by a computer trained on art by real humans who worked hard to learn how it was done in the first place. Brush strokes? Fake. Light, Shadow, Form, Color, Texture? Fake. Composition? Fake, because the "artist" never took it into consideration. The computer made it, and the user said, "That's pretty. I'll save that one." (Rant #1 is on my blog. I keep forgetting to actually post it because I kept hoping it would become an irrelevant tirade. It has not.)
Time to update that Marasuchus.
People seem to like my Marasuchus reference model, and that thing was so rough. 😅 Y'all. I'm gonna make a new one with updated source material. My model frankly does little to contribute to the paleoart community - nor was it meant to do more than show how I was using Photoshop to work around my frustration at the time. Finding information on that particular animal is quite tricky and requires keeping up with the latest studies, as not a whole lot is really known about it, so I'll include some of that information and my latest thoughts in the new model. I'm already somewhat at odds with statements I made in the old one. -- Disclaimer: I am not a paleontologist or paleoartist in any way. I've been out of the science world for a long time (for almost as long as I was in it ... God. Where is time going....). I'm just a fan and fiction writer who wanted to build a better Marasuchus. I also don’t draw skeletons particularly well, so I will also link to folks who did it better. Stay tuned!
Patreon is LIVE and ACTIVE
Shapeshifting semi-magical dinosaur space agents. 1990s Southeast USA. A series of science-fantasy fiction that uploads around 2 chapters per month. A writer/artist's sketches and editorial process. Patreon is LIVE. $3USD Tier will also post to Ko-Fi as often as possible. Please understand that I will be doing what I can to minimize the amount of additional work I need to do outside of writing, due to work/life constraints. I'm trying to make this as easy as possible for myself but still entertaining for the rest of you (which means I will probably minimize my time on Twitter except to continue using it as night shift entertainment). www.patreon.com/ryozaealliance ALL MATERIAL FOR FIRST THREE CHAPTERS is CURRENTLY UNLOCKED! Check it out now! Sign up today to support the project! Ko-Fi contributions are also welcome! Your support will help contribute towards future perks, professional editing, publication, and the goal of seeing the whole series come to fruition.
PATREON- 10.31.2022 -this time with a better plan.
Barring life's insanities, I will be uploading CHAPTERS to PATREON 10.31.2022. From the website blog: "I’ve tried to start up Patreon once before, and it didn’t go well. In my defense, there was a lot less going on in my life, and I had overly-lofty goals because I was under the mistaken impression that Patreon is about offering lots of stuff. I don’t exactly have time to keep up with a whole lot of subscription tiers and fancy rewards, as I’m already stretching the limits of my available time and energy. But really, that’s not what it’s all about, is it? If you’re here, it’s because of the book. And that’s what ultimately matters. "What I do have is a solid 1/3 of a book — that is to say my current edits lie somewhere around the 1/3 mark and I feel relatively confident with the present iteration, at least to the point where I’m not having to explain myself (as much*) when other people read it. That’s really what this is about, after all, isn’t it?" [...] "October 31st is the date
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