Explore secondpersonpointofview

AN: I went on a WRITING SPREE this weekend, y’all. Here’s the second Measure For Measure chapter, again inspired by the evocatively weird Vakhtangov Theatre. In homage to their weirdness, I decided to undertake an experiment of my own, combining three second person POVs to create the full narrative. I firmly believe that the only positive couple in this play, in terms of how they relate to each other, what their love is based on, and what they’re willing to do to maintain their relationship, is Claudio and Juliet: our two primary voices. Naturally, their love provides one major source of conflict in the play, as the zealous Angelo seeks first to punish fornicators in his quest to clean up Vienna. And who better to make an example of than a well-liked, more or less innocent, child-expecting gentleman like Claudio? Naturally, the more equitable characters in the play do NOT approve, leading to a quite interesting amount of pleas in his favour. People really do not want to see this guy

You are a scientist. You graduated from the top of all favourable classes specialising in the study of souls at the best university in Eire. After you received your diplomas, you opened your own business and laboratory. This lab aims to create new kinds of healthcare and therapy treatments for people that were previously not thought possible until you arrived on the scene. These treatments are commissioned by the ETHO and sold around the world. You have been working with colleagues- that had now become close friends for several years- and they all approved of your scientific perspectives. These experiments into learning more about souls always went well but you could never help feeling anxious about them. I mean, if you were to look at it from the perspective of someone who didn’t know any better, you were risking people’s lives every time you ran a test. Is that really not problematic? That’s why you always do this yourself. You’re assured by this, aren’t you? The innumerable number