Rask waited in the shadow of a window ledge, his narrow frame curved into the twisted branch of a Hedya tree; its flowers already open to the moonlight and releasing the heady scent for which they were famed. This was a wealthy compound, all delicate lattice work and intricate stone archways, an exploration of colour and geometric patterns, all muted by the shadows of the night.
In his belt he had the knife, specifically given to him by his employer for this task. It was an unusual request, very personal. Rask tried not to involve himself in the intricacies of such things. He was merely useful to these people, and in his line of