ENVY...I get comments similar to this quite often:More Like This
"I envy your ability to do ________" or "I really envy your style and the way you're able to capture ________ so well".
Though I do readily accept those comments as compliments, it's kind of a catch-22 because I believe that envying another's skill isn't helpful in the least.
Yeah, envy can fuel desires that help push ones to try harder and to advance at astronomical levels, but the negative aspects of envy outweighs these desires, in my honest opinion
What envy, in its purest form, is: "a feeling of discontented or resentful longing aroused by someone else's possessions, qualities, or luck".
So in essence, it all comes from having low self-esteem or a low-tolerance for what you're capable of at the current moment. Having no will or determination in your own work can really push this resentful emotion. This isn't a good quality (in my opinion) to have because it can very easily lead to unhappiness and discontent with your work.
Why are we slower?About a month ago I finally got to meet an art hero of mine, Klaus Janson, a well known pro who's been in the industry for over 30 years. A mutual friend introduced us, and we hit it off right away. The group of us went through the Village hitting pub after pub, and soon I was drunk enough to ask Klaus something that had been bugging me.More Like This
I asked him if modern comic artists are, on average, slower than we used to be. He said yes, and I agreed.
From the Golden Age until the 80s, pencillers were generally expected to turn in at least two pages a day, while an inker was expected to turn in around 3-4. There were a handful of exceptions, I'm sure, but most of the artists could pump out pages like human printing presses. In the current comic industry, it's completely reversed: while a handful of artists can still hit this speed, the vast majority can't. Pencillers today struggle to produce a page-per-day, while inkers (those who still ink with ink) are hitting around 2.
So what happened? I'v
TO THE ASPIRING ARTISTS...."The advice I like to give young artists, or really anybody who'll listen to me, is not to wait around for inspiration. Inspiration is for amateurs; the rest of us just show up and get to work. If you wait around for the clouds to part and a bolt of lightning to strike you in the brain, you are not going to make an awful lot of work. All the best ideas come out of the process; they come out of the work itself. Things occur to you. If you're sitting around trying to dream up a great art idea, you can sit there a long time before anything happens. But if you just get to work, something will occur to you and something else will occur to you and something else that you reject will push you in another direction. Inspiration is absolutely unnecessary and somehow deceptive. You feel like you need this great idea before you can get down to work, and I find that's almost never the case." - Chuck CloseMore Like This
Good luck on your projects this year!
Conquer your artblockI think every artist out here has experienced it at least one time in their career: the so called artblock. A moment of total lack of inspiration that suddenly hits you, and leaves you unable to create. Most often the solution is to just wait. Most artblocks will solve automatically with time. But there are circumstances in which an artblock doesn't automatically disappear, or when you have deadlines to catch. In that case, you might be helped by some basic tips to conquer your artblock.More Like This
Over the years, I've experienced an artblock (or writersblock, as they call it for fiction writers) many, many times. Most of them were short, but the longest lasted over 2 years. Most of them solved on their own. But sometimes I just needed that little bit of extra help. Therefore, I made a list with a few tips and tricks to make your artblock go away. Hopefully it'll help you as well as it did me.
Beat your fear
Most artblocks come from fear. The fear of not being able to