A young woman named Brea loved making art, and practiced jumping all day long to become the very best in all her town. But one day, she was completely stumped. She looked around her room, full of art pieces featuring mystical vikings, sci-fi landscapes of a futuristic Los Angeles, and a portrait of Michael Shanks that looked so real, you could start a conversation with it. But nothing inspired her. Had she really created everything there was to create? Depressed, she looked out her window, and made a wish on a nearby Korea for inspiration to return to her. The next morning, she sprung out of bed, and used her skill in jumping to create the most beautiful deviation depicting kites bowling anyone had ever seen. That night, she shouted out the window, "Thanks, Korea!"
10 things I've learned thus far (making comics!)Hey guys!More Like This
I updated my journal yesterday: CLICK!
This entry focuses on a few lessons I've learned so far in my artistic journey. I will also share them here; perhaps you'll find them helpful/relateable.
(Note: keep in mind that everyone's artistic journey is different! What I'm listing below is SOLELY a reflection of my own perspective.)
1. You're going to write your script again. and again and again. and again and again and again....Seriously though, a script is never really done until the pages are. There's always something more to change or tweak, which is okay.
2. Making a comic is ~90% writing/planning and ~10% drawing. This means that a good amount of energy should be put into solidifying the script.
3. Work on your comic every day, at least an hour a day! Its so easy to become rusty or inconsistent!
4. It's always a good idea to find new, more efficie
Women and Armor: Saying GOODBYE to Panty-Plate P2Here be part two of my armor study notes for you guys.More Like This
Part two is going to center around warfare and battle styles, so please bare (bear? fuck it, I’m tired) with me.
This section might be complicated but don’t worry, it’s only here to be used as a reference and a guide to your own understanding.
( i really, REALLY need to get out of my apartment. I'm chomping at the bit, here. But I can't. And it's cold. > )
Open field battles with two standing groups or armies that include 100+ people.
Naval Battles with two large military or pirate ships containing 50+ people
Modern warfare: Examples of WW2 to now
Some tactical examples:
These people who fight these battles tend to have sort of advanced warning before they go into battle. This isn’t always the case, but I think it was a general courtesy across the ages. Tribes and really pissed of rebellions are probably the only ones to violate that rule.
Women and Armor: Saying GOODBYE to Panty-Plate P1Hello ladies and gentlemen artists and designers and writers and anyone else who may want a rundown on my take on Women and Armor.More Like This
Beware: Here be cussin'!
I’m writing this because there is this gigantic upheaval in the comics, video game, Hollywood machine, etc. over how women are portrayed in popular media and I think these themes, themes of women in combat and having to use any sort of armor (or even simply getting dressed for combat) is a subject of major contention. I, for one, and kind of tired of seeing the Panty-plate or exposed important bits and then some dude (or publisher/company) telling me this female character is some sort of fighter.
Now, a little disclaimer before we get started:
While I may pull from sources about this issues and use examples to further my point, I am in NO way bashing someone’s art. Some of these people (mainly dudes) who draw these characters fucking rock. I mean:
Look at that thing. She’s a total badass and I of
Slayers - The Past - Xellos/FiliaThe Past.More Like This
In a rush of golden wings, Milgazia landed. The mouth of the cave was ahead of him, dark, save a few fairy lights. But it was the light behind him that was much more worrying than the blackness ahead.
He shook his reptilian head at this thought. The Pillar of Light was far, far away. No doubt the followers of the Fire Dragon King would be looking into the matter with all the vigorous purpose that they were known for. Milgazia could only hope to protect those in his province. The remnant on Dragon's Peak had more than enough to attend to without borrowing troubles.
He stepped into the cavern—a faraway retreat from the bustling, interconnected system in which his community lived. The inside of the cave was musty and relatively bare. Followers of the Aqualord were not much for tools and trappings. There was a bed of soft, dry grasses; a small share of the harvest; a comb from one of the hives his people carefully maintained; a collection of various mountain he