I have completed another deviation request for my friend Eric. Featured here is Minako Aino clad in an Aurora (Sleeping Beauty) gown.
Sleeping Beauty gown (c) Walt Disney. Minako Aino (c) Naoko Takeuchi.
- this is the 2nd time I'd be drawing Mina clad in a Disney girl character's outfit. The first one; she was in Alice's dress. - to be honest; I really don't know what sparkling thingies I'm gonna draw on her necklace and crown.
Page 13 of Kerry's Royal Shoes - a shoeshine themed manga for:
Queen Kerry Adarvez intends to confirm Arthur the shoeshine boy's fetish for women's footwear. She also wishes to see whether he can control his love or stay away from temptation.
- it's been a long time since I last posted new pages for Kerry's Royal shoes. The last time I did it was the end of january after I was hospitalized. - looks like I flunked at something. I forgot Sailor Mini Moon's choker in panel 1.
I have completed yet another giantess/shoeshine alt POV deviation for Eric's OC Danielle Adarvez right on time on her birthday. (whew!) I also did the same for her with the giantess/shoeshine last year.
- I had to make sure I don't disappoint that fine young lady on her special day. So I had to get this finished throughout the night. - if you look closely, my jacket's blue color clashes with her blue inner skirt. - I really like this... her shoes are blue, my favorite color.
CAN YOU BELIEVE THIS?! Those things are happening TODAY!
People are getting discriminated because of what hand they use to write, their skin colour, their religious choises, ... The list goes on and on. This is a very important issue and I cannot say it often enough: We all should try to be more respectful and open for people who look or think different. I know that many people are afraid of others who are somehow „different“ – we are trained to „not be different“. To „belong to the crowd“.
But I tell you something: We only can have more peace and love in this world if we stop fighting against each other and instead try to COME TOGETHER and hold each others hands. If you want to change this world for a better than try it, immediately: Try to be more kind and open-minded from today. Try to be more „human“ – in a positive way. Which means: Accept that we are all full of mistakes and everyone of us is a wonderful and important being. We can only change this world if we start with ourselves.
Thank you for reading this.
What do YOU think about this issue? Let us know!
If you ever come across an interesting film/article/whatever about left-handedness, just send us an information! We are always interested to get such stuff!
Thank you again, ActsofArt, for bringing this up to us!!!
I was asked by to draw himself, Jose A. meeting one of my popular OCs, Muneca Powell.
Muneca came to Jose A. because she needs her help in dealing with a live obstruction, that Akosmia left on the railroad tracks. Akosmia somehow figured out a way to wrap Lord Akami and left him on the tracks, hoping for a train to run over him. AKosmia and Lord Akami really dislike each other. I'm still trinketing with the design of Muneca's car and that her steam-powered car can go on both road and railroad track (far smoother ride). A Nice thing about driving on double railroad tracks... no crazy drivers to worry about!
Jose A. is himself
Other characters from Pacificators webcomics belong to me and that includes the not-finalized-yet car design.
This drawing was an artistic collaboration between two of my friends my university, Leidy Avellaneda and Sonia Parra and me.
Leidy started with the body shape bases and proposing the concept with the girlīs pose for the drawing. Then Sonia continued giving it the basic forms of the girlīs hair and clothes. And I finished this artwork by drawing the details on what they gave me and giving it a background according to the concept.
I HOPE YOU LIKE IT!
Please comment your toughts on this artwork, my friends and me would apreciate your opinions. ^_^
ARTWORK BY: Leidy Avellaneda, Sonia Parra and Julian Ramirez (me )
Boy this was a doozy. I sort of underestimated the sheer size of this one, not really considering this when setting out the thumbnail options for this piece. In some ways I wish we could get a closer look at the girls, but the distance of the scene is nice too. It's nice to see so much, but the tradeoff is that we're so far away. It's sometimes too bad we can't have everything, ne?
I was thinking about what said about the previous ones: how the gel restraints, while nice, looked a bit like they could slide right off. I had to agree... to some extent. So this time I took the details and blurred it a little, trying to make the restraints look "stickier" and less slick. I think the result is really nice!
This piece really was, to me, a practice in textures. The texture of the conveyor belt vs the hard plastic "strapping tables". Trying to make Anna's shoes look like suede or a rich velvet, while having Val's shoes "polished" up to the patent leather. And the little puffs of exhaust coming out fo the machines, I think look nicely shaped.
I suppose if I had a critique, it might be the style of the eyes for Sally and Anna, but it was a tradeoff I had to make. Since we're so far away, the expressions needed to be exaggerated enough that it could still read from a distance.
What I like most about this is all the little bits of story and narrative we get. You could really look at this piece for a while and maybe still not get it all. Each of the robot's interactions with each of the girls. The costumes under glass. There's something just... fun about it.
Hopefully the next one around we can get a closer look at our damsels ^_^
*** Warning this picture contains giantess VORE and a LOT of it. If vore offends you, please don't enlarge this picture. Seriously, you have been warned ! ***
Here is a big collaboration with Utopia ! He is very talented japanese artist who specialize in drawing Touhou vore and giantesses. If you are interested in vore, you most likely know his work already ;3 vesquare.jinja-modoki.com/upld…
I did the drawing and he did the coloring here ^_^ I have a lot of admiration for his work, especially his vibrant and natural coloring and how fluid and dynamic the poses and angles he uses constantly look Seeing him color my lineart with his very refined painterly touches was really a blast !
So here is Yukari, a Youkai with the ability to control the boundaries "between any and all things". She often uses it to open portals between places, including different worlds. And apparently she just found a certain use for ours It's not even out of character as she does in fact eat humans and there is a bit about her abducting them from outside of Gensokyo in "Perfect Cherry blossom" I believe.
With the Vore day, the comic and now this, this has been quite a heavily several vore-charged weeks XD
My second pokemon fusion! It's a Ghost, Fire, and Fairy type, which is pronounced "Sil-mag-si-en" but you can pronounce it anyway you want. When I showed this to my mom, she said it reminded her of the characters from "Alice and Wonderland."
Rosalina as a child and adult. The idea was just to draw Rosalina teeling her story. I am not good at drawing faces in profile, it was a challenge for me. And the green Luma look fat. I drew this in 2010, before Galaxy 2 came out.
- this is my first time to draw his Diva character. - during chat sessions in RP with Liz; Rachael has been very a helpful and a really kind witness and audience. - I'm not pretty sure of the shade or color of her lipstick. Hope it's okay, man.
- this is my first time to draw his Diva character. And she is ready to be in that shoeshine themed art that is pending. - though she seems to be really nice during RP sessions I would like to present her likeness drawn in my style.
- to make it easier for me to do the line pattern in her gown I had to use the 'pen' tool to produce a better line strip. It was simple for me to do it at her chest. - I think I didn't observe the blue highlights properly. Hope they're okay, Eric.