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The Simpsons TM and Copyright FOX and its related companies. All Rights Reserved
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This is my special 100th drawing! ;D
This drawings will be in the map "Bart`s Younger Days"
This time I`ll will put out two at the time ;)
Other drawing: [link]

Storyline on this cartoon who will be in more parts is:

Homer has been on work from the morning to the afternoon. Marge who has been home with Bart ( He is here 1 year and 4 months old ) had just put Bart to sleep on his bedroom, when the doorbell suddenly sounds. She begins to wonder who that will might be but she open ups anyway. She looks up, and her old boyfriend, Artie Ziff stands there. Marge gets very sceptical but invites him in anyway...
Marge who don`t understands what are going to happend, gets suddenly a hand over her mouth and a gun pushed into her rib.

Artie Ziff; If you scream I`m going to kill you.

Marge gets sceard and won`t do eny resistance. Artie ties her up in the livingroom on a chair, and goes into the other room across over where Marge sits. He is wainting on Homer who is coming just 15 minutes after all this has happend.

Picture 1: Homer comes home from work and are shouting with a low toned voice;

Homer; Marge, honey I`m home! Where are you? He shouting low because he knows that Bart is asleep.

Marge who is sitting in the room left from Homer, gets tears in her eyes and knows that Artie is going to shoot Homer.

Picture 2: Marge? Are you... Homer take on the lamp in the roof and get shocked.

Picture 3: Marge with rope around her hands and can`t speak, tries to shout something out to stop him from coming into the room. But Homer does`nt understand and come in afterall. He wan`t see his love tied up in a chair, and ask what has happend to her.

Homer; What has happend to you, Marge?
Homer take away so she can speak.
Marge; Artie Ziff..
Homer; What??

Artie who has get Bart in his room ( Bart is still sleeping ) comes in and says;

Artie Ziff; Hallo, Homer. Tries to save your wife?? That does`nt work right now.

Artie goes to Homer ( Homer is standing still cold as ice ) and point with his gun on Homers back.

Artie loads his gun and Homer turns quick around..


Part 2 is coming right away ;)

Hope you`ll guys like it! ^^
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Marge visiting Bart`s gravesite. This was a place Homer and Marge choose to have their son since this was a place they had spend a lot togheter as a family before Lisa and Maggie was born. Marge visit his gravesite 3 times a week and often she just left without telling Homer and the kids first. Homer understanded right away where she was and would often find her crying by his gravesite while she was thouching the words "son" on the grave. Marge was feeling so guilty and she knew that the feeling would never go away. Though Homer was comforting her and saying that it was nothing they could to the accident day, she still felt she could get something done with Sideshow Bob before that day. But now it was to late. She had been sitting there on her knees 30 minutes when she heard a car stop 50 meters behind her. She knew it was Homer and some seconds later she felt a hand on her shoulder.

"Marge?"
She turned around and saw his concerned face. She stood up and just leaned into Homers chest while her tears slowly felt down her cheeks. Homer stroke her on her back while holding around her. Homer was looking over Marges shoulder and looked at his sons gravesite. He felt a terrible pain to realise that this was the place to visit his son. They stood there for some minutes before Homer took Marges hand a leaded her to his car. 

By the tree Bart was watching his parents, never realised that they would be so sad when he died. But he was sad to, he didn`t want to die like this. :(

Hope you guys like it! :D     
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Marge and Homer comes in Lisa`s room with a little cat in a box gotten from a nabour some houses from them. It was in the morning and they looked up the door and made sure she was a sleep, and she was. And they said togheter: "Happy Birthday, sweety!"

Lisa opens her eyes and turns around to her parents and sees the best gift ever, her first cat Snowball (1)! :w00t: It was the best birthdaygift she had ever got to just be 6 years old, she had wanted a cat since she was 4 years old. And now she had one! And soon a little babysister! This was her best year so far in her life :aww: 

Used a Wacom Intuous Bamboo tablet + photoshop cs4. 

Hope you guys like it! :D

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Someone asked me if I could draw Lisa to and here it is:

This is how Lisa would grief over her dead brother. Sitting in the treehouse with a picture of Bart, candle and a rose. This was so hard for her. She had never felt more alone then now. This was in the late evening when the darkness had come to Springfield. It was close to bedtime but she couldn`t sleep. She would, as the last respect for her brother, sit in his treehouse. The treehouse her brother had been in so many times.

Hope you`ll guys like it! :D
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Simpsons
:iconmariosimpson1:
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Marge: "I`m glad you asked"
Homer: "I didn`t want to ask anyone else than you"
Homer and Marge as 16 years old at a camptrip! :aww:

Hope you guys like it! :D
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Lisa and Maggie!! :squee:
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Marge have gotten a little cold and had to stay in bed for some days. Homer and Marge had woken up when Marge had been feeling not well. Homer looked at her and felt her forehead and felt it very warm and her eyes was shiny of the fever. Marge was going to get out of bed and making the breakfest but Homer layed her down again and insisted that she was going to stay in bed for the rest of the day. He had free from work anyway and didn`t mind making breakfest for his family. Outside the bedroomdoor the kids was wainting for their parents to wake up. When just Homer got out the door the kids wondered why Marge was still in bed. Homer grabbed Lisas hand and said:
- Mommy is not feeling well today so we are going to make her breakfest in bed! And afterwords we are going to the zoo! What are you saying kids?
Bart and Lisa: - Yay!
Homer: - Go and get your clothes on while I give Maggie a bath. Of you go!

Behind them Marge was only smiling and felt so lucky to have such a wonderful family. And to have Homer when she needed him most :aww:

Hope you guys like it! :D
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Lisa is in a rush for something, and wants Maggie to see:)

There is also a version where both of them are wearing identical pink dresses. But you will only be able to get that picture in Simpson Girls Galleries 2014 when Gallery Pack 3 is released in the near future.
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Lisa is concerned about something??
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Reviews of Age of Ultron have been going up and one consistent theme across many of them is the “problematic” nature of Black Widow’s character arc. The general consensus seems to be that Black Widow, the bad ass female hero on a team of men, was devalued by forcing her into a relationship and making her goals “let’s be a couple” and it’s all Joss Whedon’s fault.

As a feminist myself, I find a lot of this over simplification and anger at the movie to be kinda misguided. I haven’t been seeing my viewpoints talked about much at all, which is where this journal comes into play. So here’s why, in my opinion, the subplot for Black Widow isn’t as bad as you may think.

1. First off I want to address the growing complaints that Black Widow is somehow “weaker” for wanting to have a normal life. I think that’s a really problematic mindset to have in regards to feminism. You see, in our American society there are a lot of gender coded tropes and beliefs. Sometimes these gender codes are so ubiquitous we don’t even realize they’re there. Moviebob did a whole video called “Pink is not the problem” where he elaborates on this concept in greater detail, but the gist of it is “girly things aren’t evil.”

Often when we look at bad-ass female characters they are exhibiting positive gender coded male traits. Strength. Bravery. Stoicism. Emotionless. On the flip side, a lot of villains are gender coded female. They’re emotional. Flowery. Exhibit feminine leanings (even in men). And it’s EVERYWHERE. Katness vs the people of The Capitol. James Bond vs Raoul Silva. Leonidas vs Xerxes. Batman vs the Joker. Etc.

So I think it’s dangerous to have people complaining that wanting a normal life, or even motherhood, is “reductive” or “bad.” Motherhood is not evil. You can still be a bad ass woman AND be a mother. Emotions do not make you weak. Wanting normality in your life is not bad. So if you’re criticizing Black Widow for that reason, maybe rethink how you’re phrasing it because it’s coming across as yet another example of how gender coded male tropes are GOOD and gender coded female tropes are BAD. Not very feminist in my opinion...

2. The next bit I want to address is the awkward nature of Natasha and Bruce’s love. In fact, I think it’s SUPPOSE to be awkward. If you’ll notice, in nearly every single scene it’s Natasha who forces it on Bruce. I think at this point in the story Natasha is looking to right the wrongs of the past. She’s never let ANYONE get close to her her whole LIFE. She was designed, through the backstory we got, to be a trained killer and even not ALLOWED to have kids or settle down. I think anyone who’s trying to repair their life after so much trauma would, at some point, WANT to be close to someone and WANT to try and have a semblance of a normal life eventually.

The problem is that Natasha is committing the sin of not imagining others complexly. She sees Bruce struggling with his own fears and problems and she identifies with him. She thinks that because they’re both damaged that it’s ok and that maybe THAT is a foundation from which to start a relationship. (SPOILERS: it’s not!)

Throughout the whole film we see Natasha basically coming on to Bruce and even Bruce being taken aback and confused by this. He doesn’t look like he really wants it at all. Trust for BOTH OF THEM is difficult. And one of the things a relationship needs in a strong foundation in trust.

So I don’t see this whole Black Widow thing as being problematic in the ways a lot of other people are suggesting it is. I see it as another stepping stone in her continued character development.... which brings us to the last point...

3. One of the WEIRDEST things to me is how people seem to want Natasha to not grow... in a film franchise entirely ABOUT growing and evolving. Remember, this is not the first time we’ve met Black Widow. We’ve been following her character development through several films. And it seems to me a lot of people are ignoring this timeline of events when complaining about her in Age of Ultron.

Remember, the last time we saw her she just realized her entire life of trying to correct her mistakes as a Russian Assassin through joining SHIELD... was a lie. She was actually working for Hydra because “The Winter Soldier” happened. She spends the greater half of “Winter Soldier” going through a character arc of realizing the way she’s been living hasn’t been healthy. Extrapolate from that then: What’s the next logical path to her continued character growth? Most likely it would be trying to right her wrongs and find some semblance of normality to regain the things she’s lost as a person.

Sounds an awful lot like the Black Widow we got in Age of Ultron, if you ask me....

But people don’t seem to WANT her to grow. They’ve spent the past several movies DEMANDING she get more character and growth and to have her be less of a background character... to saying “no, we just want her to kick ass” in Age of Ultron. That’s... weird to me. I mean, she still DOES kick ass... but she’s just a more complex character now too. Is that wrong? Why is it ok for Iron Man to make mistakes based on his fear of failure and likely lingering PTSD, but wrong for Black Widow to also make mistakes based on her fears and failures? How does that make her LESS of a strong character?

4. I’m not gonna say that Black Widow’s character was handled perfectly in Age of Ultron. That’s up to you to decide. I would, however, like to have people take a step back and look at these movies on a wider scope and realize that the Black Widow in Age of Ultron ISN’T the same as the Black Widow in The Avengers because character development has happened to her through OTHER films (most notably Winter Solider). Pretty much EVERYTHING about Age of Ultron was setting up character development for stuff coming down the road and growing the universe and plots and developing naturally the way stories SHOULD develop naturally... and it just feels odd to me that people DON’T want Black Widow to do so too.

Just one feminist’s opinion.
  • Mood: Relief
  • Listening to: Stronger Than You (feat Estelle)
  • Reading: Twitter
  • Watching: Steven Universe
  • Playing: Marvel Puzzle Quest
  • Eating: Some sort of food like substance.
  • Drinking: Decaf. Tea. Earl Grey. Hot.
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*cringes because pose and anatomy and proportions and everything*
*hides under the desk in shame from my art*

So if any of you saw this Wakfu - Thea and the twins, this is my baby girl Thea, as a young adult and a personal bodyguard to Kouto Smisse.
Now I'm going to get a little expositional on you with her backstory.

Thea's parents became unhappy in their marriage very quickly after tying the knot, a lot of it due in part to the fact that her father was more or less exiled out of shame. This made things difficult with his young wife, and when she found out she was pregnant, she started praying almost in a feverish, religious way to the god Sram for her child to have no trace of her husband in them, wanting nothing more than good things and happiness for her baby.  This continued throughout her pregnancy, this somewhat religious praying to Sram daily, and eventually the god came to love this Rogue woman. Sure enough, when her daughter was born there wasn't a trace of the sire in the baby, and this became more evident as time wore on and little Alethea grew. Naturally this only made things worse with her parents, and things didn't mend either three years later when the twins were born. Thea's mother mysteriously vanished when the girl was 5, and at the age of 9, she took to the streets, her younger twin siblings following in her wake. With some intervention from Remington and Grany [City of Rogues RP, referenced and explained in the above linked deviation] the three were taken in by the palace staff, the twins eventually becoming potioneers and poison experts, and Thea becoming the king's personal bodyguard.

Sram does consider Thea to be "his" daughter, though she's certainly not a demi-goddess, at least not in a conventional way at all. She has the natural aptitude to become a master assassin that most Srams have and is a more skilled fighter by far than the average Rogue, but she doesn't necessarily have any powers, per se. Apparently she's incredibly beautiful? Moreso than average? At least, she is according to both Kouto and River. She is long-lived and ages slowly after she hits adulthood, but she's not immortal and doesn't have eternal youth either. She doesn't know Sram is her father though, and I've got it in my head that the moment she learns this and finds out that she was originally supposed to have a life shadowed by unhappiness and ending in a tragic death (her destiny gets thwarted by the entire Smisse family to a degree, more than once mostly by River, primarily,) she's going to be one TICKED-OFF bodyguard.

I'd elaborate more, but I gotta save SOME things for the description for other art pieces. And yes, her first choice of a blade is a cutlass. Idk why, I just roll with it.

Wakfu and all related titles and elements are © to Ankama

Alethea "Thea", Blanche and Noir [mentioned] are 
© to (primarily) me and :iconthexdarkenedxlight:

IF YOU STEAL MY ART, YOU WILL BE HUNTED DOWN AND REPORTED.
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In a perfect world, Markiplier would play the guard in the FNAF movie.

Edit: I added more credits details and cleaned up some stuff. 
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i started doodling and it became this :0
by far the scariest expression ive ever drawn mark with |D

totally not a mikasa ref
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DEM SOME NICE CRITS, HANI.

It’s been a while since I drew Hani in a fitting t-shirt (like I use to ages ago).  I saw this t-shirt at GenCon last year and I felt it was extremely fitting geek shirt for Miss Hani-kins.  Plus, I just love drawing her in glasses so …. 👓✌️

T-Shirt Explained: The two items on her shirt are 20-sided dice (d20).  In RP games, when you roll a d20 and get “20″ it’s called a “natural 20″, and considered a “critical success”.

Artwork © mongrelmarie
Hani Hachi © mongrelmarie
Do not use, trace, modify or reproduce without permission.


Social Media: Portfolio / Tumblr / Twitter / YouTube / Facebook / Society6 / Patreon

Other Hani Hachi Stuff


Gai and Hani: Snuggles. by mongrelmarie Hani: Fluffy Sweater by mongrelmarie Doujin: Catfight Pg. 1 by mongrelmarie

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Requested by some dude on reddit. Decided to do it for the lolz. Super fun piece~ 

So there ya have it! Knee-high socked, Twin-tailed, Sailor-outfitted Weiss Schnee

a-smike.tumblr.com
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Decided to redraw bottle miku because i saw my old posts of bottle miku and it made me cringe :icondatfaceplz:

OLD VERSIONS : 
fav.me/d60znbf
fav.me/d6v9hqc
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Honey Whip X Supreme
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Today's episode was so damn good ! Especially Dashie's song ! <3
The Game of Thrones reference with Twilight saying "Winter is coming" was just perfect, and I had to do a quick drawing about this one ! (but geez, why did she say "prepare yourselves" instead of "brace yourselves" !)
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Guess what show I've been binge-watching in the past few days so I don't feel miserable all the time?
At first I didn't know what the hell to think about this cartoon. Seriously. It was somewhere between "wow, this is so damn obnoxious ugh" and "actually it's kinda fun", lol.
I decided to keep on watching bc Grim amused me and I liked his character design (idk??) and now I'm at the end of season 4 and I LOVE it omfg. I actually like almost all
characters? But Grim is still my fave. I love that he's sarcastic, dark and idk SOMETIMES mature, but on the other hand he also seems real nice and fun. It's so
adorable whenever he goes all "aww" and soft every time someone makes him feel 'special' (I mean just look at the nun episode.)

...Also he's badass.

And yeah I felt like drawing Grim. Idk where the fuck he is and why Billy and Mandy aren't anywhere near him (...but they are still there :P) but I like it nevertheless. UvU</small></small>
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Creator Owned Comics

Thu Apr 30, 2015, 3:05 PM
Img-00 by techgnotic














Can creator owned comics save the comics industry?


The Comics Industry is going through something of a secret crisis right now. A crisis that could have been avoided, but one where there is still a way out. The two biggest problems are a stagnation of business ideas and lack of sales.


Let’s look at the origins of these problems


For years many have bemoaned the fact that comics have lost their easy accessibility. For decades comics were available on street corners and drug stores (pharmacies or chemists to those of you outside the United States). In the early 1960s single issues of comics regularly sold in the hundreds of thousands. Even before the Adam West-starring TV show, Batman was selling over a half of a million copies every month, Superman even more, although neither sold as many as Disney’s Uncle Scrooge, which sometimes sold over a million copies. Walking through a major city like New York you would have found comics for sale on almost every street corner. Back then prices for comics were lower, even allowing for inflation, than they are today. They were available in more locations and there were fewer titles to collect.


Today Marvel and DC Comics are each publishing more titles each month than were available from all publishers combined in the 1960s. Over the last few years DC’s core line averaged fifty-two titles every month, not including specials, collections, and their Vertigo line. Each of these comics ranged from $2.99-$3.99, with specials and trades ranging from $5 to over $100.


In 1965 the average comic was 10¢. Today the average comic is around $3.99 to $4.99. Allowing for inflation, the price today should really be around 71¢ for a normal 32 page comic, although paper quality has improved, sales per title have dropped way down, rates have increased and companies have added royalties and reprint fees as added incentives for creators, all factors affecting each company’s bottom line.














In the 1960s Batman’s sales doubled to nearly a million copies a month due to the effect of the popular TV show.


In 2012, when The Avengers movie was released, the comic was selling 67,000. Admittedly they were also the co-stars of Avengers Vs X-Men the same month that sold 178,000, but even combined The Avengers aren’t selling today what they were in the mid 1960s when Marvel was still the underdog to DC Comics.



The Avengers sales declines can be traced to the 1980s when, in a move to create marketshare, Marvel started spinning off many new titles from the more popular books. More Avengers titles, more Spider-Man titles, and a ton of X-Men spin-offs. DC followed suit with Superman, Batman, Justice League, and the Legion of Superheroes. This led to an overall decline in quality and not surprisingly, sales.


Stories were no longer one or two issues long, but told over years, weaving through other titles and mini-series. Often the stories were completed by different writers who had no idea where the original storyline was heading, wrapping it in a way that was beneficial to the stories they wanted to tell. I only need to say Clone Saga and many of you will know what I am talking about.


As the two biggest companies came under control of some of the characters’ biggest fans, the desire to create new characters disappeared.


In the Disney Marvel movies we have yet to see a major character created outside the 1960s. In the Fox Marvel movies we have seen Wolverine, created in 1974, and Deadpool, created in 1991, but the X-men themselves were created in the early 60s.


Before I get flamed, yes, I admit comics in the last 20-30 years have been tremendously creative. You could even argue we are in an age of unparalleled creativity. The only problem is that all the creators and their core buyers have learnt to only tell stories the way Marvel and DC have been telling stories the last 40 years. This makes the individual comics harder to access. Stories are being told in chunks across several issues that work best when read as a collection. I’ve been guilty of doing this myself, but it is difficult to fight the system as a single self-published creator.



Comics worked at their best in America when Marvel and DC aimed their comics for ages and the smaller independents produced material for a more mature audience. Unfortunately, the fans who took over Marvel and DC had overseen the stories they initially wanted to tell and now wanted to see the characters grow with them. Characters started to mature, date, marry, have kids, and take part in darker, grittier narratives.


When you have a popular character that kids like to buy, but then a separate series comes out under a “Mature” banner they’re not allowed to buy, they feel excluded and betrayed. Worse still, the run of a character’s books gets broken.


Many comic buyers were and are collectors. They want complete runs, just like the collectors of trading cards, if you can’t get the whole set, you lose interest.



The 1960s through the 1980s was a period in which most fans could buy the entire line of a company’s output.


As a kid I had enough pocket money to buy all the Marvel, DC Comics, most Charlton Comics, many British comics of the time, as well as Heavy Metal magazine. That was with my pocket money, which wasn’t a lot.


Today with a full time job I only buy a few comics. Marvel and DC are inaccessible to me as they’re all interconnected and I just don’t have the time to wade through that many comics just to have a vague idea of what is going on. Too many comics broke the collecting habit for 100s of thousands of readers. Millions, if you include the casual reader who could pick up an issue of Batman or Superman at the newsstand or barber.


Marvel and DC Comics desire to have the world read their titles also contributed to the collapse of foreign markets around the world.


In Europe, where companies had always just cherry-picked the best of the material were pressured to take many more titles or lose the better selling ones they had. When this effort didn’t work as well as they’d hoped, Marvel and DC sold titles to other publishers in a countries where they already had deals. Two or more publishers would now be selling their titles. Small, newer companies would take several titles as a way of getting their own fledgling books onto the shelves, not realizing they were cannibalizing the limited shelf space and making it harder for their own material to be established. Marvel and DC sold the rights for their titles, including film costs, for only $25-$27 per page. You can see why many companies would publish that material thinking it could finance their own operations.
















Instead, it ruined their markets to a point they have never recovered from


In America, the industry felt that they just needed the right delivery system to bring the market back to the numbers they sold in the 1940s and 50s. The real problem lay in the expansive, impenetrable storylines that turned off the casual and mainstream reader.


When was the last time Time, People, Premiere, La Monde, Pravda, serialized content? If you’re in a hair salon you pick up a magazine to read and its all there. You don’t go searching for the previous or making note to buy the next issue. Comics broke that for readers. It’s going back to that old way, but in other markets where graphic novels are selling, such as the school libraries.



Now let’s address the lack of new characters


Many creators have some fantastic creations but they’re not going to be treated the same way as Jack Kirby, Steve Ditko, Wally Wood, Joe Simon, etc. were. They demand a stake in their creations and currently Marvel and DC are offering only crumbs. If that were to change, it could reinvigorate the industry again, but if only there was a model to show them…



In Japan, the publishers have a very different relationship to the creators they work with. When a Manga pitch is accepted by a publisher from a creator a partnership is formed. Both parties share equally in anything the property generates. The creator often gets to have a direct hand in movies, anime and video games. Their contributions are embraced rather than shut out of the exploitation of their stories in other media.


The most important thing of all is that when a creator says he or she has reached the end of the story, and that’s the last word on those characters and that property, the story must definitively stop there. The publisher shouldn’t have the right to tell more stories without the creator’s permission. Creator goes on to other properties or other media, leaving behind a healthy, ever-changing market.


Could and would Marvel and DC ever take this course? It would be a win-win for everyone and we’d stop getting the same old characters revamped ad infinitum.


















Your Thoughts


  1. If you had to choose, would you stay with the current crop of Marvel and DC superhero characters or would you be willing to have them take more risks and to do lots of new characters and ideas?
  2. With all the superhero movies from Marvel and DC do you really think we need so many comics of the characters to still be published?
  3. Do you support independent creators and their characters and if so, which ones are your favorites?











The Comics Industry is going through something of a secret crisis right now. A crisis that could have been avoided, but one where there is still a way out. The two biggest problems are a stagnation of business ideas and lack of sales.

Author/Curator: DeevElliott
Designer: seoul-child

For more articles like this, visit depthRADIUS.
Want to submit any ideas, suggestions, collections, or an existing work for consideration for the Today page? We'd love to look at it. Email us at share@deviantart.com.
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Yeah you W anchor.

This is a birthday card my best friend bought me.

More of my photography:



Please check out my gallery for even more photography! :gallery:

Wow! A daily deviation, thank you so much! :love:

Twitter - [link]
Tumblr - [link]
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:icondrumroll-plz: Preeesenting, StarButterfly as linearted by heavie67

Star Butterfly: Disney 

Star Butterfly Background by 12LUNA12 used for background reference.
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Just a picture for GregoryFields. I asked if I could do something with Crystal (his puff OC) and he asked if I could do a new picture for his Bio for Crystal.

So... here it is.

Crystal belongs to GregoryFields

EDIT: Forgot Her belly button. :D
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other fanart
:icontheaven:
Collection by
my toon version of the main crew from star trek enterprise.

from left to right...

doctor phlox by nightwing1975 doctor phlox

lieutenant malcolm reed by nightwing1975 lieutenant malcolm reed

commander charles tucker III by nightwing1975 commander charles tucker III

captain jonathan archer by nightwing1975 captain jonathan archer

commander t'pol by nightwing1975 commander t'pol

ensign hoshi sato by nightwing1975 ensign hoshi sato

<da:thumb id="518835061"> ensign travis mayweather
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One of my newest models the Rigel Class, based on a concept by Suricata with a few modifications by myself. 

Made in 3ds Max and Photoshop

You can see a full 3D view of the model here: sketchfab.com/models/a07ef990c…
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A commission from one of my favorite movies, Clue! I tried to just capture the essence of the characters, since there were so many in the pic. I hope I achieved it. I do love this movie, though! I did pair them up as they were after drawing straws and gave each guest the weapon that they opened as their gift. ;)
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A commission. This one was a really fun. Bravestarr has three new deputies for New Texas...the Three Amigos!!  I can hear them now...
Lucky Day "Don't worry, Marshal. We've dealt with El Guapo. How bad can this 'Tex Hex' be?"
Dusty Bottoms "Uh, we've never been in a science fiction film, Ned."
Ned Nederlander "I did star in 'Little Neddy and the Martians' once."
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Cartoon by Hanna-Barbera. Background by Selkis.
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Just a concept for Darren, Luke's younger brother in my fanfic Wolves Among Sheep
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Heyy guys ^^
I know that it took a while for me to submit stuff... But the camera from my phone didn't work for some reason ._.
But now it does! (THANK GOD ='D)
However.. Hope you like it XD
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Better quality of this concept.

Original description:
Because my fanfiction is set before Season 2, Luke is a little younger and would probably have a different hairstyle.
So I made this concept, also with the clothes on that he is currently wearing in the story.

Also, Luke looks like Pewdiepie...
Not my fault, I swear!
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anyone don’t know his last scene…
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Mature Content Filter is On
(Contains: sexual themes and violence/gore)
It turns out That they are old friends from when Hulk was stuck in a tar pit and she single handedly pulled him out.


(Well she did need a crane to do It)
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Nothing to add here
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(warning if you no want spoilers do not look at this). Sorry sorry sorry I could not help myself after seeing the San Diego Comic con clip of season 4 of ponies www.equestriadaily.com/2013/07... :love: :excited: . So many crazy awesome ideas to come and I am sure lots of great title card material.

I tried a different type of painted style ;p

Check out my ongoing FIM title card project jowybean.deviantart.com/galler...

Until next deviation LATERS :peace:

painted in Photoshop CS6 with my Wacom tablet 5


Like it:blowkiss:hate it :police: its up to you not marmite :dummy:
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I need a little Derp :meow: in my life once in a while :giggle: lol

Although its never going to be established i think Celestia would respect derpy and encourage her to be the best mail mare ever o something along those lines :P…… it’s a cute idea deal with it. ;p :hug:

I was inspired by the style of painting I did in this pony art :) [link] for this idea

Rougher finishes tend to work well with me although it would be cool to produce more work with smoother seamless finishes for future pony art.

A brand new FIM title card will be done and uploaded soon :excited: so stay tuned for that. Its one of the bigger episodes shall we say.

Check out my FIM title card project [link]

until next deviation LATERS :peace:

Painted in Photoshop CS6 with my Wacom tablet 5


Like it:blowkiss:hate it :police: its up to you not marmite :dummy:
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