On Graduating-Hey guys, I know for a lot of you graduation is coming up super fast, and it seems completely absurd that it's been almost a year ago since I was in that boat. I well remember the two options presented to me:On Graduating- in Personal More Like This
1) Get a studio job. Preferably close to home.
2) Move back in with my parents. Possibly get a day job or something.
I just wanted to remind ...whoever is reading this... that there are about a gazillion alternatives. In fact, any possible train of actions you can conceive of is an option. It's hard to think of options not presented to you as options, but you really can go anywhere and do anything. This is the only time in our lives when we don't have any greater obligations- we don't have a wife and kids to provide for, no company that would collapse without us, our bodies can handle sleeping on a springy old couch for a while. This is EXACTLY when you should take a gigantic risk because the only thing y
Comic Composition GeekoutSPECIAL GUEST STAR (against his knowledge) IS :iconandrew-ross-maclean:Comic Composition Geekout in Personal More Like This
You guys know when I get really excited about art geekery, I JUST CAN'T KEEP IT IN. I also feel like composition is a really hard thing to learn, and all you can really do is try to learn "what is good" in composition, and then try to find examples until you can recognize it. In addition, composition for comics is extra hard because you have to worry about the overall flow of the page as well as the composition of each individual panel.
So I was doing my spring cleaning of my message center and came on some new comic pages he uploaded, all of which are awesome, but take a particular look at this one:
This page is AMAZING. I started watching this guy for his slick style and stayed for his crazy composition skills, and this page makes a particularly good example because his work is so clean and straight-forward, there's not a lot of noodling to distract from the motion lines.
1- We read left to ri