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A rendering of the third witch in Macbeth, this one is to represent water. I'm in the process of making her costume right now.
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A rendering of another witch's costume for Macbeth. She is meant to represent earth elements, and I'm in the process of building her costume for the show.
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A rendering for Towson University's production of Macbeth. I'm in the process of building this one right now.
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Finally it's done! I swear it took me about a week to finish this up. Might need to touch up in a few places but other than that it looks pretty cool.

Though I'm not very fond of the background. It was really hard trying to find the right color and I tried purple and I thought it was going to work but.... I don't know. What do you think?

Progress Pictures
:thumb198630652: :thumb198630881: :thumb198633126: :thumb198754902:

Done with Prismacolor pencils on some heavy paper that came from my art class room and a lot of time. This took about two weeks to do. Yeah...lots of time.

:new: MARCH 10th 2011
So just today my art teacher says that it looks great and it's going up the wall! Yay! (That's a good thing, cheer with me!) He said that I need to bring some darker lines. And of course I see the proportions problem but I'm too happy to let that get me right now haha.
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Oregon Shakespeare Festival in Ashland

This is a joke on the production of Love's Labor Lost .
The production did this play in kinda of modern time. They start off the play with grown men wearing clothes that look like what a child would wear in Britain. They stood in front of a fence that reminded me of boys making these "no girls" clubs. I'm sure that's exactly what they wanted but I just couldn't help myself for drawing them in chibi form to make them look like kids.

(from left to right)
John Tufts as Dumaine, Ramiz Monsef as Longaville, Gregory Linington as Berowne and Mark Bedard as King Ferdinand.

I really love this play! Most of the time I had no idea what Berowne was saying while the rest of it I couldn't really focus since I'm laughing way too hard to even listen.
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Haha
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Ophelia's death
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Gertrude in red dress - detail 1
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Gertrude in red dress - detail 1
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Gertrude, Claudius and the King of Denmark
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Hi Everyone!
Finally, I finish my Ophelia's version.
I'm too glad of this.
I make it in my own style because I try to improve it.
Based my draw in one of Victoria Francés illustration but they don't look similar ( I think).
I hope you like it ^^!
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Hola a Todos!
Finalemente, he terminado mi versión de Ofelia.
Estoy muy orgullosa de ella.
Lo hice en mi propio estilo porque quiero intentar mejorarlo.
Me he basado en un dibujo de Victoria Francés pero no se ven similares ( Creo).
Espero que os guste.
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New Little mermaid fan art.
I really like when Ariel brush her hair with the fork.
This is based of a film scene. All the rights are for Disney.


Ariel belong to Disney
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Finally, I finish this draw.
I really glad of this.
I use references for the pose of the girl.
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Ophelia in her wanderings--taken for a class
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Poor Ophelia--taken for a photography class
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The Tempest by William Shakespeare. Prince Ferdinand.

24,3 X 37 watercolor, liners
(the paper isn't toned, it is 20 years old ^^)

[link]
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The Tempest by William Shakespeare. Wildman Caliban, the son of a witch.

24,3 X 37 watercolor, liners
(the paper isn't toned, it is 20 years old ^^)

[link]
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The Tempest by William Shakespeare. Prospero's daughter Miranda.

24,3 X 37 watercolor, liners
(the paper isn't toned, it is 20 years old ^^)

[link]
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Holycowimfinished.
this has been my project for the last week. i have to say im really happy with the way it came out, and im glad because i worked SOOO hard on it! i love doing design based things and composition stuff so i like to do these sort of poster things. ive never actually done one of this scale before but you guys know i love to do lettering :) this is why i might want to go into illustration as well, or maybe just stick with character design in the animation industry :) since everything is cg now. so 2 packs of microns later ( this paper sucked up all of my ink!! it wasnt bristol,my art teacher gave this to me, i should have waited to use my bristol board but i was anxious) its done :)

i used a series 7 sable brush size 1 for some of this, pigma microns, prismacolor col erase blue for the sketch, copic warm grey markers 1-7 and higgins waterproof ink. no reference at ALL used for this picture, i like to challenge myself to see what ive learned. :)

the tempest by will shakespeare is a great play you all should read/see it :)

planning sketches here-> [link]

im too tired for grammar...
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BENVOLIO
Why, what is Tybalt?
MERCUTIO
More than prince of cats, I can tell you. O, he is
the courageous captain of compliments. He fights as
you sing prick-song, keeps time, distance, and
proportion; rests me his minim rest, one, two, and
the third in your bosom: the very butcher of a silk
button, a duellist, a duellist; a gentleman of the
very first house, of the first and second cause:
ah, the immortal passado! the punto reverso! the
hai!
BENVOLIO
The what?
MERCUTIO
The pox of such antic, lisping, affecting
fantasticoes; these new tuners of accents! 'By Jesu,
a very good blade! a very tall man! a very good
whore!' Why, is not this a lamentable thing,
grandsire, that we should be thus afflicted with
these strange flies, these fashion-mongers, these
perdona-mi's, who stand so much on the new form,
that they cannot at ease on the old bench? O, their
bones, their bones!

W. Shakespeare "Romeo and Juliet"
Act II, scene IV
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MERCUTIO
O, then, I see Queen Mab hath been with you.
She is the fairies' midwife, and she comes
In shape no bigger than an agate-stone
On the fore-finger of an alderman,
Drawn with a team of little atomies
Athwart men's noses as they lie asleep;
Her wagon-spokes made of long spiders' legs,
The cover of the wings of grasshoppers,
The traces of the smallest spider's web,
The collars of the moonshine's watery beams,
Her whip of cricket's bone, the lash of film,
Her wagoner a small grey-coated gnat,
Not so big as a round little worm
Prick'd from the lazy finger of a maid;
Her chariot is an empty hazel-nut
Made by the joiner squirrel or old grub,
Time out o' mind the fairies' coachmakers.
And in this state she gallops night by night
Through lovers' brains, and then they dream of love;
O'er courtiers' knees, that dream on court'sies straight,
O'er lawyers' fingers, who straight dream on fees,
O'er ladies ' lips, who straight on kisses dream,
Which oft the angry Mab with blisters plagues,
Because their breaths with sweetmeats tainted are:
Sometime she gallops o'er a courtier's nose,
And then dreams he of smelling out a suit;
And sometime comes she with a tithe-pig's tail
Tickling a parson's nose as a' lies asleep,
Then dreams, he of another benefice:
Sometime she driveth o'er a soldier's neck,
And then dreams he of cutting foreign throats,
Of breaches, ambuscadoes, Spanish blades,
Of healths five-fathom deep; and then anon
Drums in his ear, at which he starts and wakes,
And being thus frighted swears a prayer or two
And sleeps again. This is that very Mab
That plats the manes of horses in the night,
And bakes the elflocks in foul sluttish hairs,
Which once untangled, much misfortune bodes:
This is the hag, when maids lie on their backs,
That presses them and learns them first to bear,
Making them women of good carriage:
This is she

W. Shakespeare "Romeo and Juliet"
Act I, scene IV
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Mercutio and Tybalt
Shakespeare "Romeo and Juliet"
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Patience, a young milkmaid of eighteen, has never been in love...well, except once when she was four. But that doesn't count...or does it?

"What is this love that upsets everybody? And how is it to be distinguished from insanity?"

Of course her loveless state doesn't last for long. Her little playfellow from childhood shows up and for the second time she falls head over heels for him: [link]

Gilbert and Sullivan's opera 'Patience' is such a delightful story with hilarious dialogue, intriguing characters (some lovable and some not so much) and wonderful, peppy music. It pokes fun at the Aesthetic movement of the late 1800's, the Brittish army and love in general.
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This story and picture takes place about fourteen years before 'Utopia Limited', around 1879. An English ship lays anchor in Utopia's little bay and with it comes a photographer. Paramount welcomes the strangers with open arms. Although neither of them completely understand one another's language the photographer manages to pose the royal family and get them to sit still long enough to take this portrait. At first it's all very confusing to them as the strange man is unable to explain why he wants them to sit in front of the odd looking box. But the next day when he shows them this slip of paper Paramount is shocked and amazed. It's one of Paramount's first encounters with England and is the first thing that makes him want to learn more. For any country that can create something so amazing must be wonderful.

The king cherishes this picture more than anything. Not only because it is a technology that boggles his mind but it has a special place in his heart. For scarcely a year later Lykella dies during childbirth and this photo is all he has left of her.

I never really expected to write a story to go with this. It just kinda came. [link]

Another Gilbert and Sullivan related piece. I just can't get over how wonderful their stories are.

This is for FutureDisneyRoyalty's 'family portrait' contest.

Green texture here: [link]
Rock texture: [link]
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Even though it means his life Ko-Ko can scarcely bear to let Yum-Yum go. But a deal's a deal and he really has no choice. It's either let the girl marry the guy go or lose his head.

"He yields his life if I Yum-Yum surrender.
Though I adore that girl with passion tender
And would not yield her with a ready will,
Or her allot,
If I did not
Adore myself with passion tenderer still.

Take her!--She's yours!"

Yet another scene from Gilbert and Sullivan's comic opera 'The Mikado'. Best play EVER!!!
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