Writing Serial FictionWriting Serial Fiction in Writing More Like This
Writing Serial & Series Fiction
Not just another Novel idea
Please note, this is how the Professionals do it. Those of you who are Not professional are free to write (and post) as you please.
To view the Main Plot vs Subplot graphic at Full Size, GO HERE --> http://i426.photobucket.com/albums/pp347/OokamiKasumi/MainplotSubplot.jpg
A Serial Story is Not a chopped-up Novel!
I hear it time and time again: "If the story is too big, why don't you just cut it up into a Series or Serial?"
You can't just cut a novel-type Story in half to make a series, or use the chapters to serialize it. A true serial "episode" is its own Complete Story within a larger story. A Serial tale is NOT a chapter with book cover and neither are Series books.
The first thing any writer learns is: "A story must have a Beginning, a Middle and an End". EACH Serial and Series chapters, or episodes, must have a Beginnin
Interior MonologuesInterior Monologues in Writing More Like This
"I was just wondering what you think about interior monologues, long passages of reflection?" -- Curious Kitty
A note on:
-- Interior Monologues
Whether you are considering adding a lengthy monologue to a story, or intend the monologue to be the story itself where the focus of the entire story is on one character's thoughts and feelings with very little action -- from my observations and experimentation, the readers either love them or hate them. There's no in-between.
However, it is notable that the internal monologue stories that are sought out most frequently tend to focus on a profound emotion of some kind: grief, loneliness, heartache... Usually by either those seeking to deal with such an emotion, as a kind of therapy, or by those that have never felt such emotions. (Strong emotional stories are extremely popular among young adults.)
In both cases, not only does the reader seek to submerge the
10 Second Tip - Foreshadowing10 Second Tip - Foreshadowing in Writing More Like This
I hear the term 'foreshadowing' a lot. That's when you hint at stuff to come, right? So yeah, but how do I DO it?
Foreshadowing is when the opening scene of a story is a kind of nutshell prophecy for the whole story.
* In a Horror, this is when the originating Bad Thing happens.
* In a Mystery or Crime story, it's when the first victim is slain, and/or object (McGuffin) goes missing.
* In a Romance this is where the main character meets their soon-to-be lover for a fleeting but memorable moment.
* In a Sci-fi, this is where the ruling Theory is presented.
* In a Gothic, this is where the main character transforms into a monster for the first time.
This also reveals the Premise, or ruling argument that the story is trying to illustrate; what the story is trying to Prove.
The results of Revenge
The path of Ambition
The reality of Love
The sacrifices one mak
Sentence Structure for FICTIONSentence Structure for FICTION in Writing More Like This
On Basic Sentence Structure for Fiction
(Grammar Nazis BEWARE!)
Everything I ever learned about writing Fiction DIDN'T come from school; not even college. In fact, the way one writes fiction is almost the complete opposite of everything I learned in school about writing.
In order to make my stories crystal clear in my readers' imaginations, I write in precise Chronological Order, in the order events actually happen, PLUS in the order that the eye sees it.
Case in point, when describing a character, I describe them from top to bottom, in the order that the eye notices them. Face, hair, upper body, arms, hands, then lower body, legs, feet, then over all impression.
HOW do you make THE END?HOW do you make THE END? in Writing More Like This
"When will you make an end?"
- The Pope on the painting of the Sistine Chapel
"When I'm finished."
Okay, so you got this GREAT Idea for a story!
- This Great Idea...that births chapter after chaper...
- This Great Idea... that you can't seem to finish. (WTF?)
So what do you do now?
HOW do you make an End?
Fairytales and Myths were my foundational reading, so they became my base model for how a story should finish -- by ending where you began with a solution.
This doesn't mean ending a story in the location it started, or that full irrevocable transformations don't happen, but that the story ties the knot to the Emotional or Karmic place they began. -- The lost find their way, the wicked are punished, the weak become strong, monsters are faced, emotional hang-ups are dealt with, and problems are solved. What is begun - finishes.
-- Stories aren't just about characters Doing stuff, it's about cha
Writing DESCRIPTIONWriting DESCRIPTION in Writing More Like This
Tricks for Writing DESCRIPTION
------------- Original Message -----------
"I think the biggest problem I have is lack of detail. I can see things in my head, but other than the general surroundings, I'm always too intent on what my characters are thinking, or doing, or about to do to remember to add the details necessary to paint a really clear picture of where they are and their environment." -- Wanna Rite Reel Gud
The way to deal with that is by writing what you can. When you're done, go back and put in all the rest. Also, in situations like this, a beta-reader is your best bet at seeing where you skipped something.
As for What to describe and How Much to describe
Getting the IMAGE on Paper
Avoid Simple Nouns:
- Use a Specific Noun rather than a simple and vague noun to automatically pop in description.
Instead of: the door, the car, the tree, the house, the sword, the robe, the hat...
Write: the French doors, the
Writing Emotions VISUALLYWriting Emotions VISUALLY in Writing More Like This
Writing Emotions VISUALLY
"What is ...VISUAL writing?"
-- Visual writing is when the reader can SEE your story unfolding in their imaginations just like a movie.
* Non-visual: It was a dreary day.
* Visual: Icy rain slithered down the window glass from an iron gray sky.
This is more commonly known as SHOWING vs. TELLING.
* Telling: It was a dreary day.
* Showing: Icy rain slithered down the window glass from an iron gray sky.
"What's wrong with just...Telling them?"
-- The problem lays with Reader interpretation. Abstract (poetic) words and ideas rely on the readers' interpretation of what those words mean to them personally.
She was woefully depressed.
* How does Big Bird act when he's woefully depressed?
* How do Y
The Art of VILLAINYThe Art of VILLAINY in Writing More Like This
The Art of VILLAINY ~ Making Realistic Villains for your Fiction ~
"People will do far more to Avoid Pain than they will to Seek Pleasure."
-- CIA Profiler Gavin DeBecker on Human Nature
When I craft a villain, I go out of my way to make darned sure that my fictional villains are as realistic as the villains we face in real life. I begin by giving them ordinary human Issues.
Within every villain (fictional and non-fictional) there's a human issue at core that drives them to BE villains in the first place. Even mass murderers have reasons (however twisted) for doing what they do.
NO villainous action is RANDOM.
The victim may be randomly chosen, but the action -- no matter how twisted -- always has a reason behind it. That reason is ALWAYS driven by a very human issue triggered by an unfulfilled and essential human need.
Key Human Issues:
* Desire for Connection
Your Character TOO Special?Your Character TOO Special? in Writing More Like This
Is your Special Character
Are you indulging in a few too many "special traits"? Is your story really an excuse to show off your Super Special Character? Are you committing a MARY-SUE/GARY STUE?
--> Dead give-away: Your favorite character is YOU only BETTER!
Who is Mary Sue/Gary Stue?
According to SubReality.com:
"Mary Sue / Gary Stue is any original or deeply altered character who represents a slice of their creator's own ego; they are treasured by their creator but only rarely by anyone else. A Mary Sue/Gary Stue is a primadonna (usually, but not always badly-written,) who saps life and realism out of every other character around, taking over the plot and bending canon to serve their selfish purposes."
-- For more details:
The Mary Sue/Gary Stue "Self-Insertion" in Manga Fan-fiction:
According to A
The Character ArcThe Character Arc in Writing More Like This
The CHARACTER ARC
PLOT ARC: The events that happen while the characters make other plans.
CHARACTER ARC: The emotional roller-coaster that the character suffers while dealing with the Plot.
To make a story a cohesive whole, every single thing in it must be there for a reason. Every single character, object, location, and event must push toward the ending you have planned even if it doesn't look that way to the casual observer. In short, every scene in the story should either illustrate a characteristic attribute of a main Character or be an Event that makes your ending happen.
What the Character Arc does is map out the Emotional path your characters need to take to grow and change into the heroes and heroines your story needs to achieve your story's ending.
For the record, a Character Arc can be used all by itself as th