Writing Serial FictionWriting Serial Fiction in Writing More Like This
Writing Serial & Series Fiction
Not just another Novel idea
Please note, this is how the Professionals do it. Those of you who are Not professional are free to write (and post) as you please.
To view the Main Plot vs Subplot graphic at Full Size, GO HERE --> http://i426.photobucket.com/albums/pp347/OokamiKasumi/MainplotSubplot.jpg
A Serial Story is Not a chopped-up Novel!
I hear it time and time again: "If the story is too big, why don't you just cut it up into a Series or Serial?"
You can't just cut a novel-type Story in half to make a series, or use the chapters to serialize it. A true serial "episode" is its own Complete Story within a larger story. A Serial tale is NOT a chapter with book cover and neither are Series books.
The first thing any writer learns is: "A story must have a Beginning, a Middle and an End". EACH Serial and Series chapters, or episodes, must have a Beginnin
Interior MonologuesInterior Monologues in Writing More Like This
"I was just wondering what you think about interior monologues, long passages of reflection?" -- Curious Kitty
A note on:
-- Interior Monologues
Whether you are considering adding a lengthy monologue to a story, or intend the monologue to be the story itself where the focus of the entire story is on one character's thoughts and feelings with very little action -- from my observations and experimentation, the readers either love them or hate them. There's no in-between.
However, it is notable that the internal monologue stories that are sought out most frequently tend to focus on a profound emotion of some kind: grief, loneliness, heartache... Usually by either those seeking to deal with such an emotion, as a kind of therapy, or by those that have never felt such emotions. (Strong emotional stories are extremely popular among young adults.)
In both cases, not only does the reader seek to submerge the
Sentence Structure for FICTIONSentence Structure for FICTION in Writing More Like This
On Basic Sentence Structure for Fiction
(Grammar Nazis BEWARE!)
Everything I ever learned about writing Fiction DIDN'T come from school; not even college. In fact, the way one writes fiction is almost the complete opposite of everything I learned in school about writing.
In order to make my stories crystal clear in my readers' imaginations, I write in precise Chronological Order, in the order events actually happen, PLUS in the order that the eye sees it.
Case in point, when describing a character, I describe them from top to bottom, in the order that the eye notices them. Face, hair, upper body, arms, hands, then lower body, legs, feet, then over all impression.
10 Second Tip - Foreshadowing10 Second Tip - Foreshadowing in Writing More Like This
I hear the term 'foreshadowing' a lot. That's when you hint at stuff to come, right? So yeah, but how do I DO it?
Foreshadowing is when the opening scene of a story is a kind of nutshell prophecy for the whole story.
* In a Horror, this is when the originating Bad Thing happens.
* In a Mystery or Crime story, it's when the first victim is slain, and/or object (McGuffin) goes missing.
* In a Romance this is where the main character meets their soon-to-be lover for a fleeting but memorable moment.
* In a Sci-fi, this is where the ruling Theory is presented.
* In a Gothic, this is where the main character transforms into a monster for the first time.
This also reveals the Premise, or ruling argument that the story is trying to illustrate; what the story is trying to Prove.
The results of Revenge
The path of Ambition
The reality of Love
The sacrifices one mak
Your Character TOO Special?Your Character TOO Special? in Writing More Like This
Is your Special Character
Are you indulging in a few too many "special traits"? Is your story really an excuse to show off your Super Special Character? Are you committing a MARY-SUE/GARY STUE?
--> Dead give-away: Your favorite character is YOU only BETTER!
Who is Mary Sue/Gary Stue?
According to SubReality.com:
"Mary Sue / Gary Stue is any original or deeply altered character who represents a slice of their creator's own ego; they are treasured by their creator but only rarely by anyone else. A Mary Sue/Gary Stue is a primadonna (usually, but not always badly-written,) who saps life and realism out of every other character around, taking over the plot and bending canon to serve their selfish purposes."
-- For more details:
The Mary Sue/Gary Stue "Self-Insertion" in Manga Fan-fiction:
According to A
Advanced CHARACTER CreationAdvanced CHARACTER Creation in Writing More Like This
Advanced CHARACTER Creation ~ for Fiction
Hero ~ Villain ~ Ally
There are three essential characters in every story. There may be any number of side characters, but in traditional Adventures, and Romances of every stripe (erotic or not,) the main conflict is usually, if not always, a TRIANGLE of complimentary opposites.
Translation: You could tell the whole story with ONLY these Three Characters; perhaps not with any real detail, but you could still do the entire basic plotline.
I'm sure you're familiar with the names Hero & Villain or Antagonist & Protagonist already. Those are pretty darn standard. However, always there, though seldom named is a Third character, the Ally -- the Companion to the Hero or Villain.
The Invisible Character: the Ally
The Ally's function is to be the Middle-Man, the nay-sayer that presents an opposing view t
The Character ArcThe Character Arc in Writing More Like This
The CHARACTER ARC
PLOT ARC: The events that happen while the characters make other plans.
CHARACTER ARC: The emotional roller-coaster that the character suffers while dealing with the Plot.
To make a story a cohesive whole, every single thing in it must be there for a reason. Every single character, object, location, and event must push toward the ending you have planned even if it doesn't look that way to the casual observer. In short, every scene in the story should either illustrate a characteristic attribute of a main Character or be an Event that makes your ending happen.
What the Character Arc does is map out the Emotional path your characters need to take to grow and change into the heroes and heroines your story needs to achieve your story's ending.
For the record, a Character Arc can be used all by itself as th
Yaoi Writers: MASCULINE?Yaoi Writers: MASCULINE? in Writing More Like This
Are Your Male Characters MASCULINE?
Is your favorite Yaoi character YOU as a guy -- only BETTER?
Are you committing a MARY-SUE/Gary Stu?
According to Aestheticism.com:
"The Mary Sue ... is the highest form of fannish devotion to a series. You like it so much you want to come play in it yourself. Most fan writers are content to do this by sneaking in under cover of one of the canon characters.
Slipping on my Hakkai mask, I jump in the jeep and set out for the west with Sanzou and the guyz, pretending all along that it's Hakkai telling the story I'm writing and not me at all..."
Except for one BIG problem...
-- Hakkai shows Female Behavior -- not Male.
A common error that every beginning Female writer makes is that they assume that their male character will feel and react in the same way they would. They show them talking, thinking and behaving not as guys, but as they would react
HOW do you make THE END?HOW do you make THE END? in Writing More Like This
"When will you make an end?"
- The Pope on the painting of the Sistine Chapel
"When I'm finished."
Okay, so you got this GREAT Idea for a story!
- This Great Idea...that births chapter after chaper...
- This Great Idea... that you can't seem to finish. (WTF?)
So what do you do now?
HOW do you make an End?
Fairytales and Myths were my foundational reading, so they became my base model for how a story should finish -- by ending where you began with a solution.
This doesn't mean ending a story in the location it started, or that full irrevocable transformations don't happen, but that the story ties the knot to the Emotional or Karmic place they began. -- The lost find their way, the wicked are punished, the weak become strong, monsters are faced, emotional hang-ups are dealt with, and problems are solved. What is begun - finishes.
-- Stories aren't just about characters Doing stuff, it's about cha
ACTION Sequences - Plug+PlayACTION Sequences - Plug+Play in Writing More Like This
Writing ACTION Sequences
The Plug & Play Method
Lets begin with a Review...
The flash of pain exploded in my cheek from the slap her hand lashed out at me.
Why is this wrong?
If you were watching this scene as a movie, that sentence is NOT how you would have seen it happen.
Actual Sequence of events:
1) Her hand lashed out at me in a slap.
2) A flash of pain exploded in my cheek
ACTION Sequences = Chronological Order
REALITY = something happens to you and then you react.
Action > Reaction > Action > Reaction = Chronological order
FICTION = the Plot happens to the characters and then they react.
Action > Reaction > Action > Reaction = Chronological order
If you want the reader to SEE the actions that you are trying to portray, Chronological Order is the ONLY way to write that scene. In other words, if you visualize the characters doing something in a specific