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Similar Deviations
I had the idea to paint a series of half-size portraits of various Mooncalf characters. This actually the only mooncalf character proper that I've created, the only one with a name. She's called Amethi - yes, I suck at inventing names. :stare:

I deliberately kept highlights to a minimum and used fingers a lot to blend the paint. I wanted to try to give the dual impressions of a formal eighteenth century portrait and a war-photographer's snapshot. With the former in mind I semi abstracted the background,

Kudos and a cookie to whoever can tell me what kind of gun she has (it is real). :aww:



Acrylic on paper - 43 by 30cm / 17 by 12"
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This is another portfolio piece. I started it in the summer holidays, but ran out of motivation and left it for ages. . . I finally got to it a while ago and worked on it in between college stuff.

I wanted to do a heavily composed piece with a strong design element. I liked the pose and composition of Munshine, so I blatantly reduxed it with a very different mood and character.



She's listening to this wonderful Talking Heads song [link] hence the title. ;)



Acrylic on paper 29.7 x 42cm 11.69 x 16.54"
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Eighth and final painting for my 'dark fairy-tale' project.

This is the "happily ever after" picture; the evil badger is dead, the farmer no longer has a wife and so the rabbit moves in with the farmer. And they drink tea and live happily ever after. :meow:

I tried to give an impression of happy-tiem and end-ness about this one, hence the exaggerated golden sunset.

This painting was raffled at my college as part of a day to raise money for breast cancer research, although I'm not sure how much it raised. :P



Acrylic on paper 29.7 x 42cm 11.69 x 16.54"

Read the original story here - [link]
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*gzegzolka asked me if I could depict his character Ruff in my own style. I'd just gotten Jim Burns' artbook Transluminal for Christmas and was feeling all inspired to do some hard sci-fi, so I decided to amalgamate the two.

For those of you unfamiliar with his work Jim Burns has a very slick, detailed style incorporating a lot of airbrush. He's amazing at making things look genuinely futuristic and alien, to the extend he's been called the greatest sci-fi artest ever. I agree with this statement.
Check out his agents website - [link]

As a consequence of this inspiration I decided to my usual practice of working quickly and instead exercise the virtue of patience. I spent way too long designing the gun; originally I tried to design a laser gun, but ended up designing what I hope is a realistic looking assault rifle. :P

I ripped the title from a well-known song, tell my who it's by for a cookie. :aww:



Acrylic on paper, 42cm x 29.7cm / 16.54 x 11.7"
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'BRAAAAAAAAAAIIIIIIIIIIIINNNNNNNNNNNNNNS...!'
'NO U!!!' *SPLAT*



Knuckles is a pretty cool character design, I like the way he looks, even if I know almost nothing about the Sonic universe. :P

I wanted to make Knuckles look more feral and fierce than he does usually. I rarely do multi-figure compositions with as many figures as this, so testing my abilities in that respect was a major aim of this piece, although I ended up just winging the figure placement in the end....

Feedback and critique would be much appreciated. :meow:




Acrylic on paper, 42cm x 29.7cm / 16.54 x 11.7"
Knuckles (C) SEGA
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More from my Magic: The Gathering project. :B

This is obviously the swamp. It was hard to find a decent 'look' for the swamp, as many of the previous swamp illustrations were simply 'evil'-looking forests with water around the trees. I specifically wanted to avoid using trees, as I wanted to completely avoid any potential confusion as to what type of landscape it was. I also wanted to paint something more visually interesting than a featureless wasteland, so I hit upon the dead-looking tree-stump corpses, which also fit well with the death and decay theme of swamp units. :B

This is probably my favourite of the five paintings I did, although I was unable to do any kind of digital enhancement for web as it ruined the dusky, post-sunset/pre-sunrise atmosphere that's integral to the image.



Acrylic on paper, A3 (42 x 29.7cm, 16.5 x 11.7")
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This is the first piece I intended for my portfolio. I've always found human skin difficult to get right, so I pleasantly surprised myself with this. I used my own arm and hand as reference for his pointing arm. I have quite flexible fingers, which is why the pointing finger looks a little odd. :P

I was trying to practice atmospheric perspective to get a sense of distance with this one, to make the monster/giant seem really big.

The skulls are too small, but they can be kiddie skulls! :iconurhappyplz:



Acrylic on paper 29.7 x 42cm 11.69 x 16.54"
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A little something I painted for my sister's birthday. :meow:

I'd never actually painted grass before; it was hard... even David Shephard says it's ruddy hard. More than anything, the whole thing was really an excuse to try painting an Alpine meadow. :bucktooth:



Acrylic on paper, 29.7 x 42cm / 11.7 x 16.54"
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Acrylics on Canvas
10"x11"

$100

Being sick is fun, kids! The Immunogoblins are your friends.
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Trolls turn to stone in the sunlight obviously. :meow:

This is a revision of an old pencil drawing from when I'd just discovered Alan Lee.
Aside from his huge influence it's inspired by fairytales/myths and the wonderful landscape of Dartmoor.

I used just four colours on the whole thing, all mixed beforehand so I could work wet-in-wet without having to stop (my normal modus operandi when painting is to mix as I need). I also used just one brush.



Acrylic on paper, 43 by 30cm / 17 by 12"
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