How is your Chroma?As artists we all know that color is our friend, whether full spectrum, monochromatic, or simply black and white. But knowing just how to use this very special friend can be frustrating at times or just downright confusing (trust me, I've been there plenty before!) This blog is for those of us who work traditionally (not to worry my futuristic friends, I'll be writing a blog specifically for you as well!) Here are some terms you need to become acquainted with: chroma, value, tint, shade, and intensity/saturation.How is your Chroma?2 years ago in Art Features More Like This
What is Chroma?
Chroma is the Greek word for "color", it refers to the purity or intensity of a color.
What is Value?
Value is the lightness or darkness of a color.
What is a Tint?
Tinting a color means lightening it by adding white.
What is a shade?
Shading a color means darkening it by adding black.
What is intensity and saturation?
This refers to the strength of
Chibis for Charity Event!Part 2Chibis for Charity Event!2 months ago in Personal More Like This
CLOSED! Part 3 coming soon!
Last chance to request a chibi!~ Hurry! Only one week left! :iconyukkoshyniplz:
It's time for Part 2 of my special Christmas Event to be revealed!
It was a lot of fun, getting a chance to actually talk to my watchers one on one during Part 1.
(Especially since I haven't met so many of you still XD )
But now I'm super excited to get on to Part 2!
For those who entered during the first part, you will each receive a free chibi~ Think of it as a little Christmas gift from me to you!
Please answer these questions before December 15th:
What character/person would you like me to draw for you?
Include a reference!
Live the dream, don't talk about it!Doug TenNapel, independent comics creator, is an inspiration to me in many ways. He has a fun, accessible art style that is dramatic and fresh. His story telling is always askew in the best of ways. I don't think I've read one of his graphic novels without having some smiles and a surprise or two along the way. On top of that, he is outspoken about almost everything in his life. (I think of him as the Rush Limbaugh of comics- oh man, that sounds really bad, but early Rush, not present day Rush, if that helps.) I agree with most things he states on Facebook. BUT- the thing I am most inspired about him is his drive (in the old days we would call that "work ethic"). The guy does NOT give up. Because of that, he single-handedly will put out a new graphic novel a year. While creating a webcomic. While pitching new TV show development ideas in Hollywood. While running a half marathon. While working freelance jobs.Live the dream, don't talk about it!2 years ago in Personal More Like This
Common Misconceptions: Traditional ArtFirst of all, hello! It's been almost a year since I contributed a blog post to this lovely group so I want to say hi I'm back folks! I have a lot of artsy things to share with you all that I've learned (and am still learning) so hang on tight! While I was thinking what to write as my first topic, I decided to kind of go back to the beginning as far as our thinking as artists goes in the creation process. I've come up with a short series called "Common Misconceptions" just to debunk some myths and misguided trends that are so often part of what we experience as we grow. This first "Common Misconceptions" topic will focus on traditional art.Common Misconceptions: Traditional Art2 years ago in Personal More Like This
Traditional is better than digital because it takes more talent and skill
WRONGWRONGWRONGWRONGWRONGWRONGWRONG. Did I say that was wrong, I'll say it again for emphasis WRONG! Like all mediums, digital art is simply different than traditional art in the same way photography is different than fi
Tutorial Treasury 05In the Tutorial Treasury, you will find tutorials geared towards Photomanipulators and some that will deal with a broader subjects, such as lighting, colour etc. The tutorials will be from dA as well as from all over the web and in each episode, there will be 3 to 6 tutorials for your reading pleasure (any more than that I guess no one will have time to read anyway). If you find any good ones, shoot me a note so I can include them in the next installment!Tutorial Treasury 051 year ago in Art Features More Like This
"Learn how to create this cinematic scene in quick and easy steps! This Photoshop tutorial will show you how to blend images to create an apocalyptic scene and add flying meteors with premade Photoshop brushes. You’ll also learn several different ways to add lighting effects and create a strong atmosphere. ~ written by Jarka Hrnčárková ~"
The 10 CommandmentsHello esteemed colleagues! This blog is particularly targeted to those of you who are considering pursuing a career in an art/creative field and those of you who are in art school as well. If you're not doing either of those things, the concepts here are good general advice for anything you're striving for, so definitely hang around and read on!The 10 Commandments2 years ago in Art Features More Like This
These '10 Commandments' were formulated by curator/artist/designer/entrepreneur/amazinginlyawesomehumanbeing Sergio Gomez. I had the opportunity of going to a lecture of his a few months back and it was very inspiring. So without any further ado, here they are!
10. You shall be PATIENT and CONSISTENT
One of the biggest lies you can tell yourself is that you will be an overnight success. Like any skill set, developing your artwork will take time. This is the same when looking for ways to advance your career, it won't fall into your lap. You must be earnest in looking for opportunities to show and sell your work, you
cyclesI'm always mystified by people who can draw every day in the same style, one thing, from sketch to posting the fully rendered colour version, because for me things tend to come and go over the span of a month. When I can't draw I'll feel like writing a lot, talking a lot, playing games, cleaning house, and it's hard to shake the feeling that I'm being "unproductive" when that tends to be the time I spend putting my life in order. While any drawings I work out tend to be stiffly posed and very "left brain", I have no problem with technical drawing during this time. Conversely, when I can and do feel like drawing, the poses flow well, the faces might be simplified, but there's a gestural quality and a singularity to the lineart that I just can't achieve when I'm in that other mode. At the same time, my social abilities tend to disappear and I become some kind of grunting cave troll and make a huge mess. This makes it challenging to manage my time in terms of commissions and errands, andcycles4 months ago in Personal More Like This
The CritStop #1Greetings Concepteez!The CritStop #11 year ago in Personal More Like This
First a quick note to mention that Shimmering-Sword our very own guru of future military tech. has succeeded in getting funding for his kickstarter project: The Protectorate Wars!!!
A big congrats to Shimmy and a huge thank you to everyone who helped support him. If you aren't a supporter yet not to worry! There are stretch targets to hit too so go check it out.
The ConceptWorld team have always been clear that one of the main reasons we continue to dedicate our personal time to running this group is to inspire and help every single member develop their craft as artists. It's a tough business, learning how to do this art thing, and getting feedback specific to your work is essential but hard to come by especially if you are learning in a non-formal envi
Improving and The Magic NibFrom time to time I'll hear questions from other artists concerning artistic pathways.Improving and The Magic Nib2 years ago in Personal More Like This
It probably stems from seeing my work over the years. Early in my career I was given a tremendous opportunity to draw the first Prophet book for Image Comics. I had years of inking experience behind me but I had never drawn a full comic book prior to that experience. The first issue sold nearly a half million copies. My first foray into penciling/inking was quite a spectacle... Looking back, it's one of the most cringe-worthy books from the 90's. That was a little over 20 years ago. When I returned to the comic book field I was a different artist thankfully. Obviously 20 years is a long time for a growth curve.
Check out some of my Journals here on DA. I delve into getting into the business and what pushed me, etc. Mostly it's just focusing on weaknesses and addressing them. Fixing what's broke or doesn't perform as well as I feel it should. Whic
Tip of the Day: baring fruitWe don't water plants irregularly and expect them to be healthy. Dreams (like plants) needs constant care and effort for it to bear fruit.Tip of the Day: baring fruit3 years ago in Personal More Like This
More Circumcision Myths You May Believe (pt 2)Original article by Lillian Dell'Aquila Cannon and Darcia Narvaez. I'm sharing what was posted via Psychology Today. This article was not written by 8manderz8.More Circumcision Myths You May Believe (pt 2)2 years ago in Personal More Like This
Myth #1: You have to get the baby circumcised because it is really hard to keep a baby's penis clean.
Reality check: In babies, the foreskin is completely fused to the head of the penis. You cannot and should not retract it to clean it, as this would cause the child pain, and is akin to trying to clean the inside of a baby girl's vagina. The infant foreskin is perfectly designed to protect the head of the penis and keep feces out. All you have to do is wipe the outside of the penis like a finger. It is harder to keep circumcised baby's penis clean because you have to carefully clean around the wound, make sure no feces got into
Cards on the tableI sometimes feel like a bit of a moral coward, like a great many I know who are straight and white and male - the least persecuted combination on the planet! - but who are also very open-minded. I worry about saying what I truly think and believe - particularly online - for fear of getting into an argument with less tolerant, more puritanical people than I, or people that have faith in the unknowable (which is something I took a good stab at for a decade or so, but ultimately found misleading, hollow, insubstantial and unsubstantiated.) I hate conflict, and the internet often gives people bigger bollocks than they might have face to face. It gets pretty nasty, I've noticed, with very little tolerance and almost no give and take.Cards on the table1 year ago in Personal More Like This
Sometimes, though, I feel a need to put my cards on the table. If I am to call myself an artist I should be clear about what defines me, who I am, and how I perceive everything around me. It is what drives me after all! So with that said...
What the hell
''DON'T SCRAP THAT!''Two of the best pieces of advice I ever got considering art and drawings came from the very same person: A graphic designer who often stopped by at the comicshop. We spent a lot of time chatting about techniques and most of my knowledge about fibonacci and golden ratio I have because of him.''DON'T SCRAP THAT!''7 months ago in Personal More Like This
As for the points of advice:
One was that I should just take my time with my drawings and paintings. If I don't have a deadline, there is no need to finish it within a fixed timeframe. And I can work on it as long as I want, till it's finished. Or till I get bored with it. And never finish it and start something new. It's not like I'm bound in any way, right?
The second tip was to never shy back from starting from scratch. Whatever the reason might be. Just because I have just spent hours on that one detailed bit does not mean that the final image will look great if I build it around my initial hours of work. It can. But it does not have to.
So, I often I scrap drafts, paint over a painting or s
Did You Know - Manage DeviationsManage DeviationsDid You Know - Manage Deviations6 months ago in Art Features More Like This
Especially when you have quite a lot of artworks in your gallery, it can become tricky to manage your deviations and to sort through them.
That's why we have the manage deviations page. You can either access it via the direct link or by choosing "Manage Deviations" from the Submit Menu.
On that page you have listed your deviations & journals. The overview will give you the name, the category it was submitted to, the publishing date and it also lists your sharing options and if critiques and comments are enabled or disabled.
When hovering over your deviation title, you will also get a little preview of that deviation. This helps to know what deviation you are going to edit, when you can't remember what title goes with what deviation.
The Importance of Art HistoryHappy New Year patients! I hope your holiday season was full of fun and family time To kick off 2014 in the Hospital I'd like to talk a little bit about the importance of art history. Knowing your historical roots as an artist is not only important for improving your work as a whole, it's important to understand and cross reference the foundations laid for you. During my undergrad (I have a BFA in painting and drawing) my concentration curriculum had a hefty art history requirement so I added an art history minor for the trouble .The Importance of Art History1 year ago in Art Features More Like This
There are those out there (even on the University level) who say that art history is not relevant and should not be studied (some say it should even be ignored). I am not among them, and I find the idea of intentionally ignoring knowledge of any kind completely asinine. Some of the biggest misunderstandings of contemporary art come from ignorance of the rich history surrounding it. So let's get started shall we?
The Ideal Body In ArtFor millennia, the body has been the most highly revered subjects in the visual arts. That's not new news for most of us though; even here on dA we see that most work here is figurative. The nude has been called timeless because it never changes, but I somewhat disagree with that statement. The body in art has changed multiple times over the ages, especially the nude. There's a big argument that the body (especially the female body) is too idealized these days, but I assure you, the body has always been idealized (and sexualized). The difference over time is what part is given attention to culturally.The Ideal Body In Art1 year ago in Art Features More Like This
The mature, lady-like image was displayed in modeling in the 1950s, elegance, exaggeration, hourglass figure (a more mature woman’s figure, motherly). In the 1960s, youth was displayed in modeling, informal, very slender (almost underdeveloped, boyish figure), pixie cut hairstyles, doll like facial expression, ‘little girl’ mannerisms, juxtaposed with gritty street photo
Know your Basics - TexturesThere are a lot of tutorials out there on how to create / photograph texture as well as how to use them on a technical level, but the question of why and when to use textures is rarely touched. This article wants to fill that gap and therefore looks at texures from a slightly different perspective.Know your Basics - Textures2 years ago in Art Features More Like This
Textures in Manips as you know them
For a photomanipulator, the first thing that comes to mind when hearing the word "texture" are images that can be used in soft light or overlay mode to texture a manipulation or parts thereof. What most manipulators therefore have in mind, are images like the following:
Beautiful textures, sure, and useful, too, but have you ever thought of doing more with them than the aforementioned overlays? And have you ever considered using other kinds of textures, too?
A more objective look at Textures
The following definition is an excerpt
What Critique is [and isn't]Hello patients! I've written a few blogs and tutorials on critique that I'll link at the end of this blog (along with some others I think you will like too) for you to quickly reference! In light of the previous blogs <Avoid That dArama and <No more excuses, it's time to improve your art I wanted to write some things about critique to bring both blogs full circle. I also realized that I failed to fully explain what critique even is in the previous things I've written on the subject Before I begin let me start off by saying that I don't write each blog for Artist's Hospital in a vacuum Each blog is about one specific topic, I can't throw in everything because then I would be writing a book!What Critique is [and isn't]6 months ago in Art Features More Like This
So here's how I'll do this: we'll talk about what critique is, what it isn't, break it all down, explain common issues, then let's have a taco party!
On Art Schools + Art Style: A response to EndlingEndling posted this [click here] answer to a questioned by one of his followers on Tumblr.On Art Schools + Art Style: A response to Endling2 years ago in Personal More Like This
It pertains to how his art school and supporters treated/reacted to his particular art style in an academic and professional setting. Give that a read first then come back here.
I posted a response to it that I also wanted to share on my DeviantART. (If you're getting tired of me ranting about my experience at school, sorry, but this stuff means a LOT to me. I want to try to inform other people of what my time was like there so that if YOU go, you're all the wiser.) Response was as follows:
This is partially one of my problems with art schools at this point in time. They're ridiculously expensive, and because of the rapid change in art/media industry and culture, fall into generally one of these two categories:
1) They typically have instructors who are remnants of doing their bes
Yay for American Independence. No, really!An odd statement for a quasi-neo-imperialist to say, I know, but if the Colonials hadn't (justifiably) got shirty over lack of representation in Parliament, the British Empire would never have become the behemoth that it did.Yay for American Independence. No, really!2 years ago in Personal More Like This
Thanks to the rebellion/revolution, the British Government changed the way it conducted itself so as to ensure such an incident would never happen again.
Had they not, a revolution similar to that seen in France, 1789, would have very likely occurred on home turf.
The French leadership maintained their "all powerful" fašade, and in assisting the American colonies, spent a fortune. This further angered their already irate people, who, in seeing that it could be done, decided to have a little revolution of their own.
So, with the economy booming thanks to renewed transatlantic trade between Fair Blighty and the newly formed United States and with Britain's arch enemy France focused on tearing itself apart, there was nothing to stop the Empire's expansion.
By 1922, i
Bobby Chiu's 4 keys to setting good goalsGOOOAAALS! The World Cup is the perfect time to talk about goals.Bobby Chiu's 4 keys to setting good goals7 months ago in Personal More Like This
Setting good goals is useful to not just artists but anyone who wants to achieve something.
When I graduated college and started my career, my goals were unfocused. Basically, I just wanted to get a job doing what I love, which in my case is of course drawing and painting. That was my whole goal. I didn't aim for anything more than that, and as a result, my career went nowhere.
Then, after reflecting on my career and examining the careers of people I admired (again, not just artists), I developed a master plan for my success that basically boiled down to four things:
1. Recognize the importance of setting goals.
Let's say you have the extraordinary ability to kick a ball farther and more accurately than anyone you know. As a result, you want to become a soccer player. But then when you're on the soccer pitch and the ball comes to you, you just kick it as hard as you can in what
ART PHILOSOPHY - TRUTH, and INTEGRITYWith this online art community, we have a unique opportunity to connect with our kindred. We must avail ourselves of this experience, for, once it's gone, it may never come again.ART PHILOSOPHY - TRUTH, and INTEGRITY11 months ago in Personal More Like This
OBSERVATION #201 - Some thoughts I posted elsewhere which I wanted to also share with any interested parties here...
• ART PHILOSOPHY - TRUTH, and INTEGRITY - *as inspired by the insightful words of Rob Liefeld.
The Truth is that the artist, amateur and potential professional alike, may be taught according to the ideal. But no matter how hard you study, or how long you train... No matter all the knowledge you amass, the talent you possess, and the skills you hone, the subjective taste of the public presides over all commercial endeavor. The public, the layman, the viewer, the fan may kno
Some basic theory about my ship designs.First of all, my designs are based on three important points:Some basic theory about my ship designs.3 years ago in Personal More Like This
1 FTL is possible, however there are some severe constraints, which I will come back to.
2. Artificial gravity (AG) is also possible, but it too has constraints, that roughly follow the laws of physics.
3 Inertial damping, or rather camouflaging mass is also possible, and it is neccesary for both FTL and AG.
My ships are all powered by anti matter reactors, all moving parts from doors, to engines, to guns are all operated by linear electromagnetic engines/magnetic levitation.
there are no hydraulics anywhere.
Now, my ships all have something called a central gravity deck. this is essentially a deck in the center of the ship that pull everything inward, so that you walk on either side of it.
My reason for this is 1: gravity works inward like a sphere, if one side is an attractive plane it is only natural that the other side is too. The reason for choosing a plate rather than a sphere is because of the size requirements to get
The Three problems with how we learn art: pt.2 I've been thinking about how and why we learn to draw for a few years now. I started self-analazing my own drawing and character design thought process when I began writing my first art instruction book, "Creating Characters with Personality". It was harder than I thought to verbalize how I've learned and how I process drawing. This has led me to start looking back at my artistic life and how I learned art. What made me learn the most? What drove me to draw and stick with it? What led to others I knew as a child to stop drawing? I think I'm ready to present some of those thoughts here on DA and hear what you think. This is part 2 of three in a series. I'm not sure where this is leading, but step one is my establishing an online art instruction school called Taught ByA PRO (http://taughtbyapro.com) that will (in phase one) concentrate on drawing instruction for all forms of media. Here we go:The Three problems with how we learn art: pt.21 year ago in Personal More Like This
I believe there are T