PE Lit Basics: What is Creative Nonfiction?Literature Basics WeekPE Lit Basics: What is Creative Nonfiction?1 year ago in Literature Features More Like This
What is Creative Nonfiction?
Creative nonfiction is a popular category choice on deviantaART, and its one of those forms of writing we're exposed to on a much greater scale than perhaps we realise. Creative Nonfiction doesn't mean exaggerating, but making real stories well written. Examples can be found in news articles, biographies, literary journalism, travel/food writing and even personal essays. The scale of what Creative nonfiction covers is large, but its all about good execution that makes this form of writing effective.
I sometimes find it easier to start these kind subjects to discuss firstly what the subject isn't. In a generalisation, there are many people who assume that creative nonfiction is a chance to rant about your real life in an informal way and consider it as creative writing. It is also not technical writing, which falls into its own genre. However, Creative nonfiction goes into a much deeper style of writing, turning those
Choosing a Literary Format and LengthLit Basics WeekChoosing a Literary Format and Length1 year ago in Literature Features More Like This
(ShadowedAcolyte deserves equal praise/blame for this one. Hello, ShadowedAcolyte.)
It's Lit Basics Week, for all types of literature, and we haven't discussed the most basic thing of all: deciding what your work should be. Prose, poetry, scripts all have some fundamental things in common. Since they all use words, they can convey the same information, such as the sadness of losing a loved one or the details of attending a classical concert. Of course, written scripts are a lot more dialogue heavy, and prose is more forgiving than poetry on some counts, but the essentials are the same.
So if content doesn't matter, how do you decide?
Format (e.g. prose, poetry, scripts)
What skills do you want to build? Are you trying to challenge yourself with the exactitude that poetry demands (yes even experimental), do you want to play with the media crossing opportunities a script offers, or take advantage of how flexible prose is to delve into your narr