What do do as an artist in training.There are many ways to Rome they say. But I find most aspiring artists lost and asking me for guidanceWhat do do as an artist in training.1 year ago in Personal More Like This
and this is what I tell them.
Find out for yourself what you really want to do with art, there are so many different professions.
Graphic designer, Concept artist (mobile and high end), Illustrator of bookcovers, or card games.
Once you can make your pick, or at least pick 1 or 2 you must find the best work on the market in those fields.
Find out what makes the best art of your favorite field the best art. What do they paint? How do they paint it? With knowing this you can find out about the things you need to study.
The most basic study aims are the following:
What forms of light art there? And how does it influence things?
The book Color and Light by James Gurney will give you a lot of insight.
How do you paint shapes? How do you light them the right way?
You will learn a l
Where to get started before you can apply for workThere is no such thing as suddenly knowing when you are ready to turn yourWhere to get started before you can apply for work1 year ago in Personal More Like This
passion into your profession. But there is a way of measuring your chances on being
able to get work and eventually sustain a living from it.
Accepting commissions or freelance for low payment won't help you. You can think any penny counts, but it will lower the worth of your work and damage the market.
How to measure that you are ready?
You probably have high goals, but they are usually not your first step. You must search out the clients who can be that first step. Often found in the card game industry, book cover illustrations and smaller game company's.
Look at the artwork shown by a company such as the card game company: Fantasy Flight games. Compare your skills with the average of their artworks. If it matches yours, you will have a chance. However, keep in mind that those artworks had been done in a limited timeframe, usually within 12 hour
Fast lane to becoming a better artist.I often get this very question: How did you get this good this fast?Fast lane to becoming a better artist.1 year ago in Personal More Like This
Now as I consider myself not being as good as people tell me, even struggling quite often with being an artist in general.
I do know how to get better and how to reach it fast. I'm still growing as I go and it's the main thing that keeps me going.
You need to get into the right mindset and the rest will follow. With the rest I mean:
3. Positive energy.
4. The NEED to draw.
Seeing growth in your work gives you the courage to work harder. You know that feeling when you're just about done with an image
and feel like this image is better than your last one, that great feeling. Use it!
Do studies! Lots of them!! Make film shot studies, live object studies, master-painting studies. They will teach you a lot about composition, lighting, colors, shapes storytelling etc.
You will hardly notice that you are learning thing
Epic Resources List - How to Get Awesome at ArtI often get asked how to get better at drawing and painting. While the main answer is practice there are a lot of fantastic resources that will make the journey far easier; below is a list of the ones I have personally found most useful. Some are free and some are paid, if you want the paid ones please actually buy them and support the hard-working artists that spend their valuable time providing quality education.Epic Resources List - How to Get Awesome at Art6 months ago in Personal More Like This
Also this is enough material to last you for, literally, years, so get one at a time, study it in detail, then once you're thoroughly finished move on to the next one. Reading a book or watching a dvd doesn't make you better. What makes you better is ingesting the information slowly, pondering and truly understanding it, and then applying it with diligent practice over a long period of time.
So without further ado, here is my...
EPIC RESOURCES LIST!!!
Proko - This is probably the best education on the internet. Check out all his free youtube
Are you being honest with yourself?As part of becoming good at something you need to be able to reflect upon yourself. Judge your own abilities and work and consider the possibility that what ever you have been doing it wrong all along. Or perhaps you're actually being to hard on yourself and you're better than your conscious is telling you. (This is bad too because it leads to insecurities.)Are you being honest with yourself?1 year ago in Personal More Like This
Signs that you might overestimate your current skills.
Do you often feel these things when you look upon work from good artists?:
I can totally do this too.
This is not so hard, I can do this faster.
My work is way more interesting.
It's not fair that this person gets way more attention than I do.
Why am I not being recognized for my skills.
This other technique is cheating! (photo-bashing, using reference, filters, effects etc)
I don't need to draw and learn all day to become this good.
I spend 2 hours on a painting, Masterpiece!!
Signs that you might underestimate your skills.
Do you ofte
Are you on the right track? + Fuck Talent!Am I on the right track?Are you on the right track? + Fuck Talent!1 year ago in Personal More Like This
This is a thing people often wonder and think it's a complicated to find out, but it is actually pretty simple. It's a different question you need to ask yourself based on different topics.
As for: Fuck talent! You'll find it if you scroll down
Topic 1: Am I on the right track to becoming a better artist?
Does your work from today, look closer to your initial goal than your work from last week? (this needs to be both in skill and idea.)
Good skills: Honing your technique, training you muscle memory, being more knowledgeable about your tools and art rules. With art rules I mean: Perspective, form, light, texture, composition.
Good ideas: Storytelling, characteristics, charm, emotion and design. Not just making things look polished but also convey something more, something that brings it to life and speaks to pe
Creative people (comic con talk I did)(some of this you may have read in my other journals too. This was my talk at the ICE comic con last weekend.)Creative people (comic con talk I did)6 months ago in Personal More Like This
To be creative is a way of thinking. When you observe what’s around you, what are the things you pick up and store in your memory?
(Only look at this image for a few seconds and then scroll it out of the frame)
This was an image of the 2013 World photography awards.
I’ve just shown it to you for about 10 seconds. What do you still remember from it?
The pigeons that fly around? The fact that these pigeons were white? The notion of all the Blue in the image , so well in the building as in the clothing of the women. Or did you remember the two kids that seem to be the cause of the birds fleeing the scene.
Someone with an interest towards architecture probably lingered his eyes at the building and recognized it’s style culture and perhaps knows of it’s build method. While someone with an interes
So tired of not achieving what you want?So tired of not achieving what you want?So tired of not achieving what you want?1 year ago in Personal More Like This
Everyone has something they really want dearly, a career, to have a certain loved one, to be able to make certain things...
The most common one among us artist are:
- I want to be able to draw better
- I want to be able to draw like "this"person.
- I want to earn money with my drawing.
- I want to be able to draw what I imagine in my head.
- I want more people to appreciate my art.
- I want more feedback from artists I admire.
- I want more..
- I want better....
All this wanting.. dreaming of... hoping for.
How about doing it!! With these sort of "wants", it's a matter of DOING IT!
How? You ask?
There are many ways, but the usual and only answers to those desires are:
- Spend the most time you have on drawing/painting.
- Go and ask people for help, it is okay to do so!
- Look at that amazing artwork and try and figure out how this person made it, perhaps he/she will tell you? Perhaps this person has made a video or tutoria
The stuff that artists go through.There are so many pro's and con as to being an artist, professional or as a hobby.The stuff that artists go through.1 year ago in Personal More Like This
It feels nice to be able to express yourself through something you make and when that something turns out to be looking good we get this sense of accomplishment.
Most of the time though there are bad feelings mixed with the good ones.
Not being understood. Those moments where your friends or family does not understand that you have to desire to be alone and work on your art. Those copious amounts of hours you spend working and they wonder why you wouldn't rather be outside relaxing in the sun or hang out with your friends.
The only people who will ever fully understand this are other artists or simply very understandable people. It's important they they will eventually understand so there wont be any hurt feelings. Try to explain ti as calmly and rational as you can, perhaps with using examples in terms they would understand.
A big black hole called: Procrastination.Procrastination is an infinite cycle that becomes bigger and bigger the longer it's there and the time wasted being sucked into it is a dark matter of nothing.A big black hole called: Procrastination.1 year ago in Personal More Like This
hahah I figured this was the most dramatic way to put it, but yeah, it's real and it sucks.
For those who don't know what it means: Procrastination is the practice of carrying out less urgent tasks in preference to more urgent ones, or doing more pleasurable things in place of less pleasurable ones, and thus putting off impending tasks to a later time, sometimes to the "last minute" before the deadline.
We all suffer from procrastination. It is pretty innocent when you have it with household chores or packing your suitcase before you go on a holiday.
But it becomes a serious problem when you do it with the important things in your life. I take it you're an artist if you're reading this and the biggest aim of being an artist is to be an even better one.
As shown in previous journals there are many
PE: Creating art on CommissionPE: Creating art on CommissionPE: Creating art on Commission1 year ago in Art Features More Like This
At some point in your career as an artist, you'll be asked to create artwork on commission. Whilst it's a wonderful feeling, being able to make money creating art, it's completely different than selling a personal piece you previously completed - accepting a commission means entering a temporary relationship with your client. As simple it may sounds, there's a lot to satisfying customer's needs, sometimes the best you can do is to say no. Being picky regarding which commission you accept is not a bad thing, but try not to automatically turn down commission because it seems to be violating your artistic integrity, it's hard to survive without paid jobs.
✐ 1. Communication and flexibility
This is the key aspect to being able to work on commissio
the importance of failingsOften times i see many artists on all levels expressing their expectations from their current progress and seeing it as they fail. They feel this way because the type of level that is set is not only high but its constantly changing to grow higher even as they are progressing passed levels of artistic skills.the importance of failings2 years ago in Personal More Like This
Imagine a horse rider holding a fishing pole with sugar(your artistic level you want to reach) by the end of the string. And you the artist is the horse pursuing it.You are progressing forward but your goal is also being set higher as you progress.
And of course you will never ever reach the level that is constantly changing and i think this is an idea that every eager and striving artist should be comfortable with. To be comfortable with failing.This is not to say that you wont reach new levels , because you will.The levels you set up when you started out are much lower then the levels you set in your current phase.
The tough part is of course to stay on trac
PE: Sketches and sketchbooksSketches and sketchbooksPE: Sketches and sketchbooks1 year ago in Deviant Events More Like This
Big, marvellous, elaborate, finished paintings and drawings you can see in various stunning galleries on dA and outside dA, while they require time and can occupy artist's workspace even for months, in a lot of cases make a small percentage of created pictures lying around the creator's desk. Sketches aren't just noted concepts or a stage in preparing an artwork - a couple of sketches a day can be the most influential source of improving your skills.
You have probably been through this more than once - far from your room, you got struck with a brilliant idea. In diffrent circumstances you'd most likely rush to transfer it onto paper or canvas, but well, that might be not so easy in a classroom or on a bus. It can be difficult even if you're home - how about more than one idea at once? Using a sketchbook as a notepad for any concepts is by far
PE: Setting Up CommissionsSetting Up CommissionsPE: Setting Up Commissions1 year ago in Deviant Events More Like This
Hello guys! This is iDJPanda on the topic of "Commissions"! Bear with me though. I've never given a commission in my life but I know how people portray their commissions to get them! I hope this article may be of some help to you guys.
Setting up commissions can be hard and making it appealing to customers even harder but there are a few things you can do to any passerby make a double take to see what you are producing! (This is going over how to write a commission journal but can also tie into the widget as well! )
One of the most important steps in this process is providing examples
If you're like me, you LOVE examples. And you ask, "Why are examples so important?"
Providing example works of what you are commissioning leaves the commissioner an idea of what kind of style and quality of artwork they will receiving. It's basically the sampler of the main dish. You don't want to provide "na